Woodwind Solo

Originally written for unaccompanied clarinet, here composer Joan Tower has transcribed Wings for unaccompanied alto saxophone.

Edited by George Barreres.

Edited by Georges Barrere.

This book contains studies in all the major and minor keys. Each study is designed to improve fluency and eveness of finger technique and to improve tone control in all registers. For the intermediate...

Arranged in three progressive levels of difficulty, the Etudes Op. 33 are addressed to students at an intermediate stage of their musical education. Spirited and fun to play, they favour the acquisiti...

The practice of scales is indispensable for obtaining technical ability; unfortunately, it is too often neglected, in default of a good system of fingering. To make scale-practice really profitable, i...

Duration: c. 14 minutes

Contents: Concerto in A Minor - Concerto in C - Concerto in C Minor - Concerto in D Minor - Concerto in E Minor.

Contents: Concerto in B Flat * Concerto in E Flat * Concerto in C * Concerto in F * Concerto in G.

A five movement suite originally written fot Tenor Saxophone and Orchestra, this alternate version is for Bassoon with Piano reduction. A terrific piece to show what's new in 20th Century composers.

Twelve Solos for the Bassoon player, mainly adapted from Orchestral excerpts in order to give the performer practice at playing these solos in context with proper harmonic backing (Piano accompaniment...

Ermanno Wolf-Ferrari's Suite-concertino In F Op. 16 for Bassoon with a Piano reduction of the original orchestral material by Ugo Solazzi.

For bassoon and orchestra (piano reduction).

For bassoon and orchestra (piano reduction).

(piano reduction)

Transcribed for flute and piano. Great Performer's Edition.

Contains: Concerto No. 1 in G, K. 313 and Concerto No. 2 in D, K. 314.

Version for Flute and Piano. This edition was prepared by Georges Barrere who premiered this little known, but gem of a work, to great acclaim in New York in 1919.

Revised by Georges Barrere.

Three challenging preludes for solo flute. The Allegro and Allegro molto should be spirited and well-accented, whereas the expressive Andante molto should be played freely.