Young Jazz Classics Series

Using a Basie-style swing treatment, and written in 4/4 rather than the traditional 3/4, here is a great-sounding chart from Mark Taylor that will go together quickly. All sections get a chance to shi...

Using a Basie-style swing treatment, and written in 4/4 rather than the traditional 3/4, here is a great-sounding chart from Mark Taylor that will go together quickly. All sections get a chance to shi...

Using a Basie-style swing treatment, and written in 4/4 rather than the traditional 3/4, here is a great-sounding chart from Mark Taylor that will go together quickly. All sections get a chance to shi...

Using a Basie-style swing treatment, and written in 4/4 rather than the traditional 3/4, here is a great-sounding chart from Mark Taylor that will go together quickly. All sections get a chance to shi...

Using a Basie-style swing treatment, and written in 4/4 rather than the traditional 3/4, here is a great-sounding chart from Mark Taylor that will go together quickly. All sections get a chance to shi...

Using a Basie-style swing treatment, and written in 4/4 rather than the traditional 3/4, here is a great-sounding chart from Mark Taylor that will go together quickly. All sections get a chance to shi...

Using a Basie-style swing treatment, and written in 4/4 rather than the traditional 3/4, here is a great-sounding chart from Mark Taylor that will go together quickly. All sections get a chance to shi...

Using a Basie-style swing treatment, and written in 4/4 rather than the traditional 3/4, here is a great-sounding chart from Mark Taylor that will go together quickly. All sections get a chance to shi...

Using a Basie-style swing treatment, and written in 4/4 rather than the traditional 3/4, here is a great-sounding chart from Mark Taylor that will go together quickly. All sections get a chance to shi...

Using a Basie-style swing treatment, and written in 4/4 rather than the traditional 3/4, here is a great-sounding chart from Mark Taylor that will go together quickly. All sections get a chance to shi...

Using a Basie-style swing treatment, and written in 4/4 rather than the traditional 3/4, here is a great-sounding chart from Mark Taylor that will go together quickly. All sections get a chance to shi...

Using a Basie-style swing treatment, and written in 4/4 rather than the traditional 3/4, here is a great-sounding chart from Mark Taylor that will go together quickly. All sections get a chance to shi...

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...