Advanced Ballad Sheet Music

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

Bess, You Is My Woman Now' is a crucial plot point in George and Ira Gershwin's opera 'Porgy and Bess;' it serves as the moment when the title characters admit and embrace their love for one another....

Gil Evans's arrangement of 'Here Come Da Honey Man' is the shortest track on Miles Davis's 1958 version of 'Porgy and Bess.' In the original opera, it serves as a brief but effective introduction of P...

Much like 'Bess, You Is My Woman Now,' 'I Loves You Porgy' serves as a declaration of love between the title characters of the Gershwin/Heyward opera 'Porgy and Bess.' Gil Evans's arrangement for Mile...

This beautiful ballad by the legendary trumpeter Freddie Hubbard was originally recorded on his 1970 album The Black Angel in small group form. This big band arrangement is courtesy of trombonist John...

Written in 1953 for Nat 'King' Cole, Billy May's arrangement of Angel Eyes does a wonderful job of both capturing and expanding upon the dark and sensual melody of what has become one of the most freq...

Written to commemorate the retirement of award-winning educator Jim Culbertson of Decatur, Illinois, this medium advanced chart opens with a lyrical theme that gives way to a medium double-time swing....

This is a great transcription by Jon Harpin of a beautifully concieved Neal Hefti composition written as a ballad solo feature for Marshal Royal. If your band has an Alto player that you would like to...

(A LOVE STORY) - Ballad with dbl-x section. Challenging Alto sax feature. No score. Recorded by the Matt Catingub Big Band on Sea Breeze Jazz, My Mommy and Me.

Beautiful medium slow swing ballad featuring your lead alto. Alto only improvises on last two fermata chords. Eight bar piano solo (written or ad-lib). Nice sax soli and soft ensemble passage ala Basi...

This is a ballad....a trombone feature written for Rob McConnell. It has a solo piano intro and lots of dynamic gradations, resulting in an emotionally charged chart. Trumpet D, Trombone B.