Advanced Classical Music Sheet Music
Bach composed the choral cantata Wo soll ich fliehen hin BWV 5 for the 19th Sunday after Trinity in 1724. The cantata belongs to Bach's 2nd Leipzig year, the choral cantata year. The opening movement...
Bach composed the choral cantata Wo soll ich fliehen hin BWV 5 for the 19th Sunday after Trinity in 1724. The cantata belongs to Bach's 2nd Leipzig year, the choral cantata year. The opening movement...
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The cantata Liebster Gott, wenn wird ich sterben belongs in its original form BWV 8.1 to Bach's choral cantata cycle of 1724/25 and was first performed on the 16th Sunday after Trinity (September 24,...
The cantata Liebster Gott, wenn wird ich sterben belongs in its original form BWV 8.1 to Bach's choral cantata cycle of 1724/25 and was first performed on the 16th Sunday after Trinity (September 24,...
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The cantata Jesu, der du meine Seele BWV 78 is one of Johann Sebastian Bach's best-known vocal compositions today. It owes its popularity not least to the unusual combination of contrapuntal density i...
The cantata Jesu, der du meine Seele BWV 78 is one of Johann Sebastian Bach's best-known vocal compositions today. It owes its popularity not least to the unusual combination of contrapuntal density i...
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The "Actus tragicus" or "God's time is the very best time" BWV 106 is one of Bach's best-known and most appreciated works with an unbroken resonance to this day - a "work of genius that even great mas...
The "Actus tragicus" or "God's time is the very best time" BWV 106 is one of Bach's best-known and most appreciated works with an unbroken resonance to this day - a "work of genius that even great mas...
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The cantata "Aus der Tiefe ruf ich, Herr, zu dir" is one of Bach's earliest cantata compositions. It was composed in Mühlhausen in 1707 and does not yet have the elaborate arias and choral movements o...
The cantata "Aus der Tiefe ruf ich, Herr, zu dir" is one of Bach's earliest cantata compositions. It was composed in Mühlhausen in 1707 and does not yet have the elaborate arias and choral movements o...
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Published in collaboration with the Bach Archive Leipzig with the unfinished revision (1739) in the appendix. The St. John Passion is one of the great vocal works of Bach's Leipzig period. In contrast...
Published in collaboration with the Bach Archive Leipzig with the unfinished revision (1739) in the appendix. The St. John Passion is one of the great vocal works of Bach's Leipzig period. In contrast...
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Alongside the double-choir St. Matthew Passion, the Christmas Oratorio, the Magnificat and the Mass in B minor, the St. John Passion is one of the great vocal works of Johann Sebastian Bach's Leipzig...
Alongside the double-choir St. Matthew Passion, the Christmas Oratorio, the Magnificat and the Mass in B minor, the St. John Passion is one of the great vocal works of Johann Sebastian Bach's Leipzig...
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Since the two verifiable autographs of the Offertorium Misericordias Domini have been lost, Robert Münster has for the first time used the copies he has found from the Munich court music for this new...
Since the two verifiable autographs of the Offertorium Misericordias Domini have been lost, Robert Münster has for the first time used the copies he has found from the Munich court music for this new...
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- Eberhard Kraus
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Elijah is regarded as a milestone in Mendelssohns compositional output and as a high point in the oratorio literature of the 19th century. Mendelssohn composed his second great oratorio just a year be...
Elijah is regarded as a milestone in Mendelssohns compositional output and as a high point in the oratorio literature of the 19th century. Mendelssohn composed his second great oratorio just a year be...
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- R. Larry Todd
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George Frideric Handel is regarded as the first and most important English representative of the oratorio genre. The Messiah in particular is regarded as the epitome of sacred music and is also one of...
George Frideric Handel is regarded as the first and most important English representative of the oratorio genre. The Messiah in particular is regarded as the epitome of sacred music and is also one of...
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Available on request. New edition with all performance material under 56.001/01.
Available on request. New edition with all performance material under 56.001/01.
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French composer Gabriel Fauré (1845-1924) composed his 'Requiem in D minor', Op. 48, between 1887 and 1890. It became the best-known compositions of his large works. In seven movements, the work is sc...
French composer Gabriel Fauré (1845-1924) composed his 'Requiem in D minor', Op. 48, between 1887 and 1890. It became the best-known compositions of his large works. In seven movements, the work is sc...
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French composer Gabriel Fauré (1845-1924) composed his 'Requiem in D minor', Op. 48, between 1887 and 1890. It became the best-known compositions of his large works. In seven movements, the work is sc...
French composer Gabriel Fauré (1845-1924) composed his 'Requiem in D minor', Op. 48, between 1887 and 1890. It became the best-known compositions of his large works. In seven movements, the work is sc...
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French composer Gabriel Fauré (1845-1924) composed his 'Requiem in D minor', Op. 48, between 1887 and 1890. It became the best-known compositions of his large works. In seven movements, the work is sc...
French composer Gabriel Fauré (1845-1924) composed his 'Requiem in D minor', Op. 48, between 1887 and 1890. It became the best-known compositions of his large works. In seven movements, the work is sc...
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French composer Gabriel Fauré (1845-1924) composed his 'Requiem in D minor', Op. 48, between 1887 and 1890. It became the best-known compositions of his large works. In seven movements, the work is sc...
French composer Gabriel Fauré (1845-1924) composed his 'Requiem in D minor', Op. 48, between 1887 and 1890. It became the best-known compositions of his large works. In seven movements, the work is sc...
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Mozart composed 'The Coronation Mass' (Krönungsmesse KV 317) in 1779. It's one of the most popular of his 17 extant settings of the 'Ordinary of the Mass'. This setting, like the majority of Mozart's...
Mozart composed 'The Coronation Mass' (Krönungsmesse KV 317) in 1779. It's one of the most popular of his 17 extant settings of the 'Ordinary of the Mass'. This setting, like the majority of Mozart's...
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Mozart composed 'The Coronation Mass' (Krönungsmesse KV 317) in 1779. It's one of the most popular of his 17 extant settings of the 'Ordinary of the Mass'. This setting, like the majority of Mozart's...
Mozart composed 'The Coronation Mass' (Krönungsmesse KV 317) in 1779. It's one of the most popular of his 17 extant settings of the 'Ordinary of the Mass'. This setting, like the majority of Mozart's...
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- Davide Donazzolo
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Mozart composed The Coronation Mass (Krönungsmesse KV 317) in 1779. It's one of the most popular of his 17 extant settings of the "Ordinary of the Mass". This setting, like the majority of Mozart's ma...
Mozart composed The Coronation Mass (Krönungsmesse KV 317) in 1779. It's one of the most popular of his 17 extant settings of the "Ordinary of the Mass". This setting, like the majority of Mozart's ma...
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Mozart composed The Coronation Mass (Krönungsmesse KV 317) in 1779. It's one of the most popular of his 17 extant settings of the "Ordinary of the Mass". This setting, like the majority of Mozart's ma...
Mozart composed The Coronation Mass (Krönungsmesse KV 317) in 1779. It's one of the most popular of his 17 extant settings of the "Ordinary of the Mass". This setting, like the majority of Mozart's ma...
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- 5 Brass Instruments
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- Thierry Caens
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