Advanced Classical Music Sheet Music
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Beaivi is inspired by the Sami poet Nils-Aslak Valkeapää's poem 'When that time approaches', where the first encounter with light after the lengthy polar night is described with exceptional significan...
Beaivi is inspired by the Sami poet Nils-Aslak Valkeapää's poem 'When that time approaches', where the first encounter with light after the lengthy polar night is described with exceptional significan...
- Flute, Cello, Guitar and Piano
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- Edition Wilhelm Hansen
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For ensemble Instr: 1 (afl). 0+ca. 1 (Ebcl. cbcl). 0+cbn /1111/perc/pf. epf. syn/str 1. 1. 1. 1. 1
For ensemble Instr: 1 (afl). 0+ca. 1 (Ebcl. cbcl). 0+cbn /1111/perc/pf. epf. syn/str 1. 1. 1. 1. 1
- Alto Clarinet, Clarinet, English Horn, Double Bass, Flute, Voice, Oboe, Organ, Percussion and Piano
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- Edition Wilhelm Hansen
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Immerse yourself in one of the most moving melodies in music history: The unforgettable Adagio from Wolfgang Amadeus Mozart's Clarinet Concerto K. 622 has enchanted audiences for generations with its...
Immerse yourself in one of the most moving melodies in music history: The unforgettable Adagio from Wolfgang Amadeus Mozart's Clarinet Concerto K. 622 has enchanted audiences for generations with its...
- Clarinet in A and Woodwind Instrument
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- Guido Rennert
- AuRen Musikverlag
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- 2 Flutes and Clarinet
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- Flute, Oboe, Clarinet and Bassoon
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- Horn
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- Horn and Piano
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This one-movement concerto stands out by Adjemian's elegant writing which links flashing rhythmical passages with meditative sequences, a solo or accompanied cadenza, all together attached within that...
This one-movement concerto stands out by Adjemian's elegant writing which links flashing rhythmical passages with meditative sequences, a solo or accompanied cadenza, all together attached within that...
- Flute and Chamber Orchestra
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- Editions Bim
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This one-movement concerto stands out by Adjemian's elegant writing which links flashing rhythmical passages with meditative sequences, a solo or accompanied cadenza, all together attached within that...
This one-movement concerto stands out by Adjemian's elegant writing which links flashing rhythmical passages with meditative sequences, a solo or accompanied cadenza, all together attached within that...
- Flute and Chamber Orchestra
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Plato: Timaeus 24D–25D "For the sea there was navigable at that time; for at the mouth of the strait—which you Greeks, as you say, call the ‘Pillars of Heracles’—there lay an island larger than Libya...
Plato: Timaeus 24D–25D "For the sea there was navigable at that time; for at the mouth of the strait—which you Greeks, as you say, call the ‘Pillars of Heracles’—there lay an island larger than Libya...
- Mixed Choir (SATB) and Chamber Orchestra
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Plato: Timaeus 24D–25D "For the sea there was navigable at that time; for at the mouth of the strait—which you Greeks, as you say, call the ‘Pillars of Heracles’—there lay an island larger than Libya...
Plato: Timaeus 24D–25D "For the sea there was navigable at that time; for at the mouth of the strait—which you Greeks, as you say, call the ‘Pillars of Heracles’—there lay an island larger than Libya...
- Mixed Choir (SATB) and Chamber Orchestra
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Study score and solo parts.
- 3 Percussion and Chamber Orchestra
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The Concertino* was written between 17th December 1966 and January 10th 1967 in Belmont, near Lausanne, a few months before the composer's death. It is in three movements: Capriccio (5'30'), Recitativ...
The Concertino* was written between 17th December 1966 and January 10th 1967 in Belmont, near Lausanne, a few months before the composer's death. It is in three movements: Capriccio (5'30'), Recitativ...
- Trumpet and Chamber Orchestra
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The Concertino* was written between 17th December 1966 and January 10th 1967 in Belmont, near Lausanne, a few months before the composer's death. It is in three movements: Capriccio (5'30'), Recitativ...
The Concertino* was written between 17th December 1966 and January 10th 1967 in Belmont, near Lausanne, a few months before the composer's death. It is in three movements: Capriccio (5'30'), Recitativ...
- Trumpet and Chamber Orchestra
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The Concertino* was written between 17th December 1966 and 10th January 1967 in Belmont, near Lausanne, a few months before the composer's death. It is in three movements: Capriccio (5'30'), Recitativ...
The Concertino* was written between 17th December 1966 and 10th January 1967 in Belmont, near Lausanne, a few months before the composer's death. It is in three movements: Capriccio (5'30'), Recitativ...
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The Concertino* was written between 17th December 1966 and 10th January 1967 in Belmont, near Lausanne, a few months before the composer's death. It is in three movements: Capriccio (5'30'), Recitativ...
The Concertino* was written between 17th December 1966 and 10th January 1967 in Belmont, near Lausanne, a few months before the composer's death. It is in three movements: Capriccio (5'30'), Recitativ...
- Trumpet and Chamber Orchestra
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The music of 'Eclipse Finale?' is a fantasy on the well-known German folk song 'Der Mond ist aufgegangen' (The moon has risen). 'Eclipse finale?' is a piece which presents the age-old fear that the mo...
The music of 'Eclipse Finale?' is a fantasy on the well-known German folk song 'Der Mond ist aufgegangen' (The moon has risen). 'Eclipse finale?' is a piece which presents the age-old fear that the mo...
- Tuba and Chamber Orchestra
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The music of 'Eclipse Finale?' is a fantasy on the well-known German folk song 'Der Mond ist aufgegangen' (The moon has risen). 'Eclipse finale?' is a piece which presents the age-old fear that the mo...
The music of 'Eclipse Finale?' is a fantasy on the well-known German folk song 'Der Mond ist aufgegangen' (The moon has risen). 'Eclipse finale?' is a piece which presents the age-old fear that the mo...
- Tuba and Chamber Orchestra
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Study score and solo part
- Violin and Chamber Orchestra
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