Advanced Classical Music of the Modern Age Sheet Music

Movements: 1. As a Wing Unfolds; 2. The Inward Eye; 3. Take Yourself Lightly.

Mary Kay Robinson's arrangement of Sonata for Flute and Piano by Beryl Rubenstein pays homage to the past and serves as a bridge from the the roots of classicism, leaning into Romanticism, and explori...

Damian Montano ist sowohl als Fagottist als auch als Komponist tätig. Er wurde durch ein Stipendium des National Endowment for the Arts gefördert, und seine Kompositionen wurden von Ensembles im ganze...

Über das Werk Echos für Piccoloflöte und Klavier wurde von Torin Olsen für seinen Auftritt beim Piccolo-Wettbewerb der National Flute Association 2006 in Pittsburgh, Pennsylvania, in Auftrag gegeben....

Sonatina for Flute and Piano was composed in London and premiered by the flautist Robert Winn at the Royal Academy of Music in 1979. I Tense, building from the very depths of the piano. II Evocative,...

Sonatina for Flute and Piano was composed in London and premiered by the flautist Robert Winn at the Royal Academy of Music in 1979. I Tense, building from the very depths of the piano. II Evocative,...

A cheerful suite, lyrical and full of freshness in 3 movements. Reviews: "This suite is in 3 movements and is delightful. It will suit players from about Grade 5 (ABRSM) standard. The piano part is ve...

Flowing with a completely independent Piano part and makes a useful concert or recital piece.

Karg-Elerts (1877-1933) Freundschaft mit dem Flötisten Carl Bartuzat war für das Flötenrepertoire ein bedeutendes Ereignis. Sie lernten sich in einem Militärorchester während des 1. Weltkrieges kennen...

A text by the American poet Sara Teasdale (1884–1933) forms the basis for the composition Afterwards by choir director and composer Lucia Birzer. The poem There will come soft rains deals with our ear...

A text by the American poet Sara Teasdale (1884-1933) forms the basis for the composition Afterwards by choir director and composer Lucia Birzer. The poem There will come soft rains deals with our ear...

A wild ride from the composer of October and Ghost Train! Equus is the Latin word for horse, and this moto perpetuo perfectly captures the fury and majesty of this magnificent animial. Commissioned by...

William Walton's vibrant cantata Belshazzar's Feast is adapted here by acclaimed organist David Briggs and percussionist David Bending for voices, organ, and percussion. Three performers, the organist...

The Work Caroline Charriere felt at home in the world of the American poet Emily Dickinson (1830-1886) and it is not by coincidence. Writing poems in secret was for Emily Dickinson, who lived in a str...

The Work Caroline Charriere felt at home in the world of the American poet Emily Dickinson (1830-1886) and it is not by coincidence. Writing poems in secret was for Emily Dickinson, who lived in a str...

Caroline Charriere felt at home in the world of the American poet Emily Dickinson (1830-1886) and it is not by coincidence. Writing poems in secret was for Emily Dickinson, who lived in a strict purit...

Caroline Charriere felt at home in the world of the American poet Emily Dickinson (1830-1886) and it is not by coincidence. Writing poems in secret was for Emily Dickinson, who lived in a strict purit...

A text by the American poet Sara Teasdale (1884–1933) forms the basis for the composition Afterwards by choir director and composer Lucia Birzer. The poem There will come soft rains deals with our ear...

A text by the American poet Sara Teasdale (1884-1933) forms the basis for the composition Afterwards by choir director and composer Lucia Birzer. The poem There will come soft rains deals with our ear...

The composer Peter Schindler on this single edition from "Perpetuum mobile": Amor is wild, strong and relentless! In the end, it's better to stay alone and connect with Phoenix. What a dramatic statem...