Advanced Opera Sheet Music
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Gaetano Donizetti’s Roberto Devereux, written to a libretto by Salvadore Cammarano, was first performed at the Teatro di San Carlo in Naples on 29 October 1837. Although it largely disappeared from th...
Gaetano Donizetti’s Roberto Devereux, written to a libretto by Salvadore Cammarano, was first performed at the Teatro di San Carlo in Naples on 29 October 1837. Although it largely disappeared from th...
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- Ricordi
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'Der Rosenkavalier' (The Knight of the Rose or The Rose-Bearer), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It was first perform...
'Der Rosenkavalier' (The Knight of the Rose or The Rose-Bearer), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It was first perform...
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- Christiaan Janssen
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'Der Rosenkavalier' (The Knight of the Rose or The Rose-Bearer), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It was first perform...
'Der Rosenkavalier' (The Knight of the Rose or The Rose-Bearer), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It was first perform...
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- Christiaan Janssen
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'Der Rosenkavalier' (The Knight of the Rose or The Rose-Bearer), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It was first perform...
'Der Rosenkavalier' (The Knight of the Rose or The Rose-Bearer), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It was first perform...
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- Christiaan Janssen
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'Der Rosenkavalier' (The Knight of the Rose or The Rose-Bearer), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It was first perform...
'Der Rosenkavalier' (The Knight of the Rose or The Rose-Bearer), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It was first perform...
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- Christiaan Janssen
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'The Tale of Tsar Saltan' is an opera in four acts by Nikolai Rimsky-Korsakov and is based on the 1831 poem of the same name by Aleksandr Pushkin. The story features Prince Gvidon who becomes separate...
'The Tale of Tsar Saltan' is an opera in four acts by Nikolai Rimsky-Korsakov and is based on the 1831 poem of the same name by Aleksandr Pushkin. The story features Prince Gvidon who becomes separate...
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- Egbert van Groningen
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'The Tale of Tsar Saltan' is an opera in four acts by Nikolai Rimsky-Korsakov and is based on the 1831 poem of the same name by Aleksandr Pushkin. The story features Prince Gvidon who becomes separate...
'The Tale of Tsar Saltan' is an opera in four acts by Nikolai Rimsky-Korsakov and is based on the 1831 poem of the same name by Aleksandr Pushkin. The story features Prince Gvidon who becomes separate...
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- Egbert van Groningen
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'The Tale of Tsar Saltan' is an opera in four acts by Nikolai Rimsky-Korsakov and is based on the 1831 poem of the same name by Aleksandr Pushkin. The story features Prince Gvidon who becomes separate...
'The Tale of Tsar Saltan' is an opera in four acts by Nikolai Rimsky-Korsakov and is based on the 1831 poem of the same name by Aleksandr Pushkin. The story features Prince Gvidon who becomes separate...
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- Egbert van Groningen
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'The Tale of Tsar Saltan' is an opera in four acts by Nikolai Rimsky-Korsakov and is based on the 1831 poem of the same name by Aleksandr Pushkin. The story features Prince Gvidon who becomes separate...
'The Tale of Tsar Saltan' is an opera in four acts by Nikolai Rimsky-Korsakov and is based on the 1831 poem of the same name by Aleksandr Pushkin. The story features Prince Gvidon who becomes separate...
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- Egbert van Groningen
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Richard Wagner's Fliedermonolog Was duftet doch der Flieder is sung in the second act of the Opera Die Meistersinger: Sitting outside his house on a sultry Midsummer's Eve, Hans Sachs tries to concent...
Richard Wagner's Fliedermonolog Was duftet doch der Flieder is sung in the second act of the Opera Die Meistersinger: Sitting outside his house on a sultry Midsummer's Eve, Hans Sachs tries to concent...
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- Jos van de Braak
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Richard Wagner's Fliedermonolog Was duftet doch der Flieder is sung in the second act of the Opera Die Meistersinger: Sitting outside his house on a sultry Midsummer's Eve, Hans Sachs tries to concent...
Richard Wagner's Fliedermonolog Was duftet doch der Flieder is sung in the second act of the Opera Die Meistersinger: Sitting outside his house on a sultry Midsummer's Eve, Hans Sachs tries to concent...
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- Jos van de Braak
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Richard Wagner's Fliedermonolog Was duftet doch der Flieder is sung in the second act of the Opera Die Meistersinger: Sitting outside his house on a sultry Midsummer's Eve, Hans Sachs tries to concent...
Richard Wagner's Fliedermonolog Was duftet doch der Flieder is sung in the second act of the Opera Die Meistersinger: Sitting outside his house on a sultry Midsummer's Eve, Hans Sachs tries to concent...
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- Jos van de Braak
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The Wahnmonolog Wahn! Wahn! Uberall Wahn! is sung by Hans Sachs in the first scene of the third and last act of Richard Wagner's Opera Die Meistersinger. On a sunny morning Sachs is sitting in his wor...
The Wahnmonolog Wahn! Wahn! Uberall Wahn! is sung by Hans Sachs in the first scene of the third and last act of Richard Wagner's Opera Die Meistersinger. On a sunny morning Sachs is sitting in his wor...
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The Wahnmonolog Wahn! Wahn! Uberall Wahn! is sung by Hans Sachs in the first scene of the third and last act of Richard Wagner's Opera Die Meistersinger. On a sunny morning Sachs is sitting in his wor...
The Wahnmonolog Wahn! Wahn! Uberall Wahn! is sung by Hans Sachs in the first scene of the third and last act of Richard Wagner's Opera Die Meistersinger. On a sunny morning Sachs is sitting in his wor...
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- Jos van de Braak
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The Wahnmonolog Wahn! Wahn! Uberall Wahn! is sung by Hans Sachs in the first scene of the third and last act of Richard Wagner's Opera Die Meistersinger. On a sunny morning Sachs is sitting in his wor...
The Wahnmonolog Wahn! Wahn! Uberall Wahn! is sung by Hans Sachs in the first scene of the third and last act of Richard Wagner's Opera Die Meistersinger. On a sunny morning Sachs is sitting in his wor...
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- Jos van de Braak
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The highlights of Saint-SaÙns oeuvre are the Organ Symphony (1866) and the opera Samson et Dalila (1877). With its familiar story and many stretches of vigorous and appealing music Samson et Dalila ha...
The highlights of Saint-SaÙns oeuvre are the Organ Symphony (1866) and the opera Samson et Dalila (1877). With its familiar story and many stretches of vigorous and appealing music Samson et Dalila ha...
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- José Schyns
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The highlights of Saint-SaÙns oeuvre are the Organ Symphony (1866) and the opera Samson et Dalila (1877). With its familiar story and many stretches of vigorous and appealing music Samson et Dalila ha...
The highlights of Saint-SaÙns oeuvre are the Organ Symphony (1866) and the opera Samson et Dalila (1877). With its familiar story and many stretches of vigorous and appealing music Samson et Dalila ha...
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- José Schyns
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La Boheme is perhaps Puccini`s most nearly perfect opera. It has long been one of the world's most beloved musical works - an instantly enchanting blend of charm, warmth, gaiety, and pathos, brought t...
La Boheme is perhaps Puccini`s most nearly perfect opera. It has long been one of the world's most beloved musical works - an instantly enchanting blend of charm, warmth, gaiety, and pathos, brought t...
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- Christiaan Janssen
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La Boheme is perhaps Puccini`s most nearly perfect opera. It has long been one of the world's most beloved musical works - an instantly enchanting blend of charm, warmth, gaiety, and pathos, brought t...
La Boheme is perhaps Puccini`s most nearly perfect opera. It has long been one of the world's most beloved musical works - an instantly enchanting blend of charm, warmth, gaiety, and pathos, brought t...
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- Christiaan Janssen
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La Boheme is perhaps Puccini`s most nearly perfect opera. It has long been one of the world's most beloved musical works - an instantly enchanting blend of charm, warmth, gaiety, and pathos, brought t...
La Boheme is perhaps Puccini`s most nearly perfect opera. It has long been one of the world's most beloved musical works - an instantly enchanting blend of charm, warmth, gaiety, and pathos, brought t...
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- Christiaan Janssen
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Many see Wagner's "Tristan und Isolde" as the beginning of the move away from common practice harmony and tonality and consider that it lays the groundwork for the direction of classical music in the...
Many see Wagner's "Tristan und Isolde" as the beginning of the move away from common practice harmony and tonality and consider that it lays the groundwork for the direction of classical music in the...
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Many see Wagner's "Tristan und Isolde" as the beginning of the move away from common practice harmony and tonality and consider that it lays the groundwork for the direction of classical music in the...
Many see Wagner's "Tristan und Isolde" as the beginning of the move away from common practice harmony and tonality and consider that it lays the groundwork for the direction of classical music in the...
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- Christiaan Janssen
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'Parsifal' is an opera in three acts by German composer Richard Wagner. It is loosely based on 'Parzival' by Wolfram von Eschenbach, a 13th-century epic poem of the Arthurian knight Parzival (Percival...
'Parsifal' is an opera in three acts by German composer Richard Wagner. It is loosely based on 'Parzival' by Wolfram von Eschenbach, a 13th-century epic poem of the Arthurian knight Parzival (Percival...
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- Jos Dobbelstein
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