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Advanced Sheet Music for Mixed Choir

Antonín Dvořák

Dvorák's great "Requiem" was commissioned for the renowned music festival in Birmingham. Since its premiere there under the composer's direction in 1891, it has enjoyed great popularity. It is based o...

Dvorák's great "Requiem" was commissioned for the renowned music festival in Birmingham. Since its premiere there under the composer's direction in 1891, it has enjoyed great popularity. It is based o...

  • Soloists (SATB), Mixed Choir (SATB) and Orchestra
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Order no.: CV27323-03-DL
Bobbi Fischer
für Solo-Sopran, gemischten Chor und Band

Missa latina is a complete Latin mass composition for solo soprano, large mixed choir (SATB with voice parts and choral solos) and a band consisting of violin, bandoneon (accordion), piano, double bas...

Missa latina is a complete Latin mass composition for solo soprano, large mixed choir (SATB with voice parts and choral solos) and a band consisting of violin, bandoneon (accordion), piano, double bas...

  • High Voice, Mixed Choir (SATB), Violin, Accordion, Piano, Double Bass, Drums and Percussion
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Order no.: CV28007-03-DL
Bobbi Fischer
for solo soprano, mixed choir and band

The Missa latina is a complete setting of the Latin Mass for solo soprano, large mixed choir (SATB divisi as well as soloists from the choir) and a band consisting of violin, bandoneon (accordion), pi...

The Missa latina is a complete setting of the Latin Mass for solo soprano, large mixed choir (SATB divisi as well as soloists from the choir) and a band consisting of violin, bandoneon (accordion), pi...

  • High Voice, Mixed Choir (SATB), Violin, Accordion, Piano, Double Bass, Drums and Percussion
  • Choral Score
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Order no.: CV28007-05
Johann Sebastian Bach
Cantata for the 2nd Sunday after Epiphany

Bach composed the cantata "Ach Gott, wie manches Herzeleid" for the 2nd Sunday after Epiphany in 1725; it is part of the choral cantata cycle. In the large-scale choral movement, a sorrowful choral mo...

Bach composed the cantata "Ach Gott, wie manches Herzeleid" for the 2nd Sunday after Epiphany in 1725; it is part of the choral cantata cycle. In the large-scale choral movement, a sorrowful choral mo...

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Order no.: CV31003-03-DL
Johann Sebastian Bach
Cantata for the 1st Easter Day

The surviving parts for the cantata "Christ lag in Todes Banden" BWV 4.2 were used for a performance on Easter Sunday, April 1, 1725; this performance was presumably an emergency solution, as the chor...

The surviving parts for the cantata "Christ lag in Todes Banden" BWV 4.2 were used for a performance on Easter Sunday, April 1, 1725; this performance was presumably an emergency solution, as the chor...

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Order no.: CV31004-03-DL
Johann Sebastian Bach
Cantata for the 19th Sunday after Trinity Sunday

Bach composed the choral cantata Wo soll ich fliehen hin BWV 5 for the 19th Sunday after Trinity in 1724. The cantata belongs to Bach's 2nd Leipzig year, the choral cantata year. The opening movement...

Bach composed the choral cantata Wo soll ich fliehen hin BWV 5 for the 19th Sunday after Trinity in 1724. The cantata belongs to Bach's 2nd Leipzig year, the choral cantata year. The opening movement...

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Order no.: CV31005-03-DL
Johann Sebastian Bach
Cantata for the 16th Sunday after Trinitatis

The cantata Liebster Gott, wenn wird ich sterben belongs in its original form BWV 8.1 to Bach's choral cantata cycle of 1724/25 and was first performed on the 16th Sunday after Trinity (September 24,...

The cantata Liebster Gott, wenn wird ich sterben belongs in its original form BWV 8.1 to Bach's choral cantata cycle of 1724/25 and was first performed on the 16th Sunday after Trinity (September 24,...

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Order no.: CV31008-03-DL
Johann Sebastian Bach
Cantata for the 14th Sunday after Trinity Sunday

The cantata Jesu, der du meine Seele BWV 78 is one of Johann Sebastian Bach's best-known vocal compositions today. It owes its popularity not least to the unusual combination of contrapuntal density i...

The cantata Jesu, der du meine Seele BWV 78 is one of Johann Sebastian Bach's best-known vocal compositions today. It owes its popularity not least to the unusual combination of contrapuntal density i...

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Order no.: CV31078-03-DL
Johann Sebastian Bach
Actus tragicus. Funeral music

The "Actus tragicus" or "God's time is the very best time" BWV 106 is one of Bach's best-known and most appreciated works with an unbroken resonance to this day - a "work of genius that even great mas...

The "Actus tragicus" or "God's time is the very best time" BWV 106 is one of Bach's best-known and most appreciated works with an unbroken resonance to this day - a "work of genius that even great mas...

  • Soloists, Mixed Choir (SATB) and Piano
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Order no.: CV31106-03-DL
Johann Sebastian Bach
Cantata for Sexagesimae

Soli ATB, Coro SATB, 2 Ob, Tr, 2 Vl, Va, Bc Sprache: deutsch/englisch

Soli ATB, Coro SATB, 2 Ob, Tr, 2 Vl, Va, Bc Sprache: deutsch/englisch

  • Soloists, Mixed Choir (SATB) and Chamber Orchestra
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Order no.: CV31126-03-DL
Johann Sebastian Bach
Cantata for a penitential service (version in g)

The cantata "Aus der Tiefe ruf ich, Herr, zu dir" is one of Bach's earliest cantata compositions. It was composed in Mühlhausen in 1707 and does not yet have the elaborate arias and choral movements o...

The cantata "Aus der Tiefe ruf ich, Herr, zu dir" is one of Bach's earliest cantata compositions. It was composed in Mühlhausen in 1707 and does not yet have the elaborate arias and choral movements o...

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Order no.: CV31131-03-DL
Johann Sebastian Bach
Cantata for the 4th Advent. Reconstruction Uwe Wolf

The cantata "Herz und Mund und Tat und Leben" BWV 147 for the Feast of the Visitation of Mary (2 July) in 1723 belongs to a group of three Weimar Advent cantatas which Bach reinterpreted textually in...

The cantata "Herz und Mund und Tat und Leben" BWV 147 for the Feast of the Visitation of Mary (2 July) in 1723 belongs to a group of three Weimar Advent cantatas which Bach reinterpreted textually in...

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  • Uwe Wolf Henry S. Drinker
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Order no.: CV31147-03-DL
Johann Sebastian Bach
Kantate BWV 150 für den Bußgottesdienst (?)

The cantata "Nach dir, Herr, verlanget mich" BWV 150 is one of Bach's earliest cantatas from his Mühlhausen period. For a long time, its authenticity was disputed, a fact which was not only due to the...

The cantata "Nach dir, Herr, verlanget mich" BWV 150 is one of Bach's earliest cantatas from his Mühlhausen period. For a long time, its authenticity was disputed, a fact which was not only due to the...

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Order no.: CV31150-03-DL

Published in collaboration with the Bach Archive Leipzig with the unfinished revision (1739) in the appendix. The St. John Passion is one of the great vocal works of Bach's Leipzig period. In contrast...

Published in collaboration with the Bach Archive Leipzig with the unfinished revision (1739) in the appendix. The St. John Passion is one of the great vocal works of Bach's Leipzig period. In contrast...

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Order no.: CV31245-03-DL
Johann Sebastian Bach
Version II: O man, weep

Alongside the double-choir St. Matthew Passion, the Christmas Oratorio, the Magnificat and the Mass in B minor, the St. John Passion is one of the great vocal works of Johann Sebastian Bach's Leipzig...

Alongside the double-choir St. Matthew Passion, the Christmas Oratorio, the Magnificat and the Mass in B minor, the St. John Passion is one of the great vocal works of Johann Sebastian Bach's Leipzig...

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Order no.: CV31245-53-DL

The double-choir psalm setting Dixit Dominus (Ps 109) is one of the most important works by the church composer Vivaldi. Here he draws on the old Venetian tradition of polychoral music, whose composit...

The double-choir psalm setting Dixit Dominus (Ps 109) is one of the most important works by the church composer Vivaldi. Here he draws on the old Venetian tradition of polychoral music, whose composit...

  • 2 Mixed Choirs (SATB) and Piano
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Order no.: CV40007-03-DL
Wolfgang Amadeus Mozart
Offertory

Since the two verifiable autographs of the Offertorium Misericordias Domini have been lost, Robert Münster has for the first time used the copies he has found from the Munich court music for this new...

Since the two verifiable autographs of the Offertorium Misericordias Domini have been lost, Robert Münster has for the first time used the copies he has found from the Munich court music for this new...

  • Mixed Choir (SATB) and Piano
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  • Eberhard Kraus
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Order no.: CV40040-03-DL

The litany consists of six movements, which are divided into nine differently characterized sections. It is clearly based on the sacramental litanies of his Salzburg predecessors and contemporaries.

The litany consists of six movements, which are divided into nine differently characterized sections. It is clearly based on the sacramental litanies of his Salzburg predecessors and contemporaries.

  • Soloists, Mixed Choir (SATB) and Chamber Orchestra
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  • Paul Horn
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Order no.: CV40057-03-DL
Luigi Cherubini
Missa pro defunctis

Cherubini's Requiem in C minor for mixed choir (without vocal soloists) and orchestra, which is presented here in a critically correct new edition, is one of the most important contributions to the ge...

Cherubini's Requiem in C minor for mixed choir (without vocal soloists) and orchestra, which is presented here in a critically correct new edition, is one of the most important contributions to the ge...

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Order no.: CV40086-03-DL
César Franck

Unlike in the well-known settings of the "Seven Words" by Schütz or Haydn, Franck comments on the sayings of the crucified Jesus in his opulently scored composition with passages from the Old and New...

Unlike in the well-known settings of the "Seven Words" by Schütz or Haydn, Franck comments on the sayings of the crucified Jesus in his opulently scored composition with passages from the Old and New...

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Order no.: CV40095-03-DL
Felix Mendelssohn Bartholdy
An Oratorio Based on the old Testament Text

Elijah is regarded as a milestone in Mendelssohns compositional output and as a high point in the oratorio literature of the 19th century. Mendelssohn composed his second great oratorio just a year be...

Elijah is regarded as a milestone in Mendelssohns compositional output and as a high point in the oratorio literature of the 19th century. Mendelssohn composed his second great oratorio just a year be...

  • Soloists (SATB), Mixed Choir (SATB) and Orchestra
  • Choral Score
  • R. Larry Todd
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15,00 €
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Order no.: CV40130-05
Franz Schubert
Piano Reduction

Schubert's Mass in E flat major is the last of his six settings of the Ordinarium Missae and also his most important work in this genre. The mass is full of varied drama and confessional expression an...

Schubert's Mass in E flat major is the last of his six settings of the Ordinarium Missae and also his most important work in this genre. The mass is full of varied drama and confessional expression an...

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Order no.: CV40660-03-DL
Wolfgang Amadeus Mozart
Supplemented and edited by Robert D. Levin

The Mass in C minor K. 427, Mozart's "Great Mass", is a torso - a circumstance that is extremely regrettable, especially in view of the monumentality of this work. Following his sensational reconstruc...

The Mass in C minor K. 427, Mozart's "Great Mass", is a torso - a circumstance that is extremely regrettable, especially in view of the monumentality of this work. Following his sensational reconstruc...

  • Soloists, 2 Mixed Choirs (SATB) and Piano
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  • Robert D. Levin
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Order no.: CV51427-03-DL
Wolfgang Amadeus Mozart
Cantata

The Vienna Tonkünstlersozietät, a pension fund for the widows and orphans of professional musicians, also requested a choral work from Mozart for its benefit concerts in March 1785. Presumably not onl...

The Vienna Tonkünstlersozietät, a pension fund for the widows and orphans of professional musicians, also requested a choral work from Mozart for its benefit concerts in March 1785. Presumably not onl...

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Order no.: CV51469-03-DL
Georg Friedrich Händel
(Messias) HWV 56 (dt. inkl Variantensätze für Solisten)

George Frideric Handel is regarded as the first and most important English representative of the oratorio genre. The Messiah in particular is regarded as the epitome of sacred music and is also one of...

George Frideric Handel is regarded as the first and most important English representative of the oratorio genre. The Messiah in particular is regarded as the epitome of sacred music and is also one of...

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Order no.: CV55056-53-DL