Advanced Sheet Music for Mixed Ensemble

Helena Winkelman, the interesting Swiss-Dutch violinist and composer, sets in this concerto the legend of Icaros from Greek mythology to music. She illustrates Icaros' attempt to escape from exile on...

Helena Winkelman, the interesting Swiss-Dutch violinist and composer, sets in this concerto the legend of Icaros from Greek mythology to music. She illustrates Icaros' attempt to escape from exile on...

When Andreas Martin Hofmeir* asked Roland Szentpali to write a piece for tuba, piano, percussion (ad lib.) and strings, the composer was pressed for time and took themes from a previous work (Pearls I...

When Andreas Martin Hofmeir* asked Roland Szentpali to write a piece for tuba, piano, percussion (ad lib.) and strings, the composer was pressed for time and took themes from a previous work (Pearls I...

1866 komponierte Anton Bruckner seine feierliche e-Moll-Messe, die er in den Jahren 1876-1882 noch einmal einer umfangreichen Revision unterzog. Unter den Messen Bruckners und auch seiner Zeitgenossen...

1866 komponierte Anton Bruckner seine feierliche e-Moll-Messe, die er in den Jahren 1876-1882 noch einmal einer umfangreichen Revision unterzog. Unter den Messen Bruckners und auch seiner Zeitgenossen...

1866 komponierte Anton Bruckner seine feierliche e-Moll-Messe, die er in den Jahren 1876-1882 noch einmal einer umfangreichen Revision unterzog. Unter den Messen Bruckners und auch seiner Zeitgenossen...

There is a sense of unease in the imagined landscape of John Casken’s Misted Land, as familiar shapes take on a new and sometimes grotesque and frightening appearance. Fragments of folk-like melodies...

The text for my work Taivaanvalot is composed of fragments of a story appearing in the Kalevala – a collection of Finnish heroic folk poetry compiled by Elias Lönnrot (1802–1884). As much of it is sim...

Nikolai Kapustins Divertissement op. 126 für Violine, Violoncello und Klavier stammt aus dem Jahr 2005. Das viersätzige Werk liegt nun erstmals in einer Notenausgabe vor.

Das Divertissement op. 91 für 2 Flöten, Violoncello und Klavier komponierte Nikolai Kapustin im Jahr 1998. Er nahm es selbst mit Alexander Korneev (Flöte), Marina Rubinstein (Flöte) und Alexander Zago...

In his piano quintet, Hilli imagines an image of a palace. A jewel that shines brightly, a symbol of wealth and excellence. Celestial beauty that is captivating yet unattainable. A fine musical protra...

Kapustin combines his flair for swinging melodies and improvised harmonies in this work. Intrada and Finale is a welcome challenge for sextet formations, but enchants musicians and audience with its l...

Zimmermann’s original Konfigurationen are of course influenced by Anton Webern’s structural thinking, but draw their tonal charm to a large extent from the highly nuanced handling of resonances throug...