Advanced Sheet Music for Recorder
The delightful and musicianly Concerto in F Major for descant (soprano) recorder, strings and basso continuo by Giuseppe Sammartini, with its highly expressive second movement, is the best-known and m...
The delightful and musicianly Concerto in F Major for descant (soprano) recorder, strings and basso continuo by Giuseppe Sammartini, with its highly expressive second movement, is the best-known and m...
- Descant Recorder and Continuo
- Sheet Music and CD
- Dowani International
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- Recorder Duet (AA)
- Sheet Music
- Friedrich Hofmeister Musikverlag
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- Alto Recorder and Piano
- Piano Score and Part(s)
- Michal Worek
- Editions Marc Reift
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- Tenor Recorder and Piano
- Sheet Music
- Ted Barclay
- Editions Marc Reift
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- Descant Recorder and Organ
- Score and Parts
- Klemens Schnorr
- Editions Marc Reift
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- Recorder Quartet
- Score and Parts
- Leonard Cecil
- Editions Marc Reift
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- Recorder Duet (AA)
- Sheet Music
- Noetzel Edition
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- Recorder Duet (AA)
- Sheet Music
- Noetzel Edition
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- Alto Recorder and Piano
- Score and Parts
- Noetzel Edition
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- Alto Recorder and Piano
- Score and Parts
- Noetzel Edition
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- Recorder Duet (AT)
- Sheet Music
- Noetzel Edition
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- Alto Recorder
- Sheet Music
- Universal Edition
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für Altblockflöte (Querfl., Ob., Vl.) u. Klavier
- Alto Recorder and Piano
- Sheet Music
- Universal Edition
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Berio could have called 'Gesti' a 'Sequenza'; the approach is the same. The work calls for (almost literally) breathtaking virtuosity - fingers, tongue and respiration must be skilfully coordinated. T...
Berio could have called 'Gesti' a 'Sequenza'; the approach is the same. The work calls for (almost literally) breathtaking virtuosity - fingers, tongue and respiration must be skilfully coordinated. T...
- Alto Recorder
- Sheet Music
- Universal Edition
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- Recorder Duet (AT)
- Sheet Music
- Noetzel Edition
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'We have to make music here the whole day long!' Such was the enthusiastic response of Paul Hindemith when he heard the school orchestra of Plön. 'We start with an aubade blown from the tower, then we...
'We have to make music here the whole day long!' Such was the enthusiastic response of Paul Hindemith when he heard the school orchestra of Plön. 'We start with an aubade blown from the tower, then we...
- Recorder Trio (SAA/SAT)
- Score and Parts
- Schott Musik
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For the music festival at the 'Staatliche Bildungsanstalt' in Plön on 20 June 1932, Paul Hindemith (1895-1963) composed his 'Plöner Musiktag'. The work consists of 'Morgenmusik', 'Tafelmusik', a canta...
For the music festival at the 'Staatliche Bildungsanstalt' in Plön on 20 June 1932, Paul Hindemith (1895-1963) composed his 'Plöner Musiktag'. The work consists of 'Morgenmusik', 'Tafelmusik', a canta...
- Recorder Trio (ATT)
- Score and Parts
- Peter Thalheimer
- Schott Musik
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- Recorder Quartet (SATB)
- Score and Parts
- Schott Musik
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The 6-minute piece demands the performer's absolute command of his/her instrument without losing the charm of the tone of the alto recorder. The piece was composed for Susanne Köszeghy who performed i...
The 6-minute piece demands the performer's absolute command of his/her instrument without losing the charm of the tone of the alto recorder. The piece was composed for Susanne Köszeghy who performed i...
- Alto Recorder
- Sheet Music
- Bote & Bock
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Das musikalische Spektrum des Werkes reicht vom dramatischen 1. über den threnodie-artigen 2. bis zum virtuos-ausgelassenen 3. Satz.
Das musikalische Spektrum des Werkes reicht vom dramatischen 1. über den threnodie-artigen 2. bis zum virtuos-ausgelassenen 3. Satz.
- Alto Recorder
- Sheet Music
- Doblinger Musikverlag
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- Alto Recorder and Piano
- Sheet Music
- Gerhard Wohlgemuth
- Friedrich Hofmeister Musikverlag
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- Alto Recorder and Harpsichord
- Score and Parts
- Noetzel Edition
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- Alto Recorder and Harpsichord
- Sheet Music
- Markus Zahnhausen
- Karl Heinrich Möseler Verlag
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These solo pieces were written as a continuation of the 'Neuzeitliche Übungsstücke' (ED4797). They can therefore serve as etudes, but were also written with concert performances in mind.
These solo pieces were written as a continuation of the 'Neuzeitliche Übungsstücke' (ED4797). They can therefore serve as etudes, but were also written with concert performances in mind.
- Alto Recorder
- Sheet Music
- Schott Musik
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