Advanced Sheet Music from Clifton Edition

This approchable concerto for clarinet and piano is dedicated to David Campbell. This is the piano reduction, which includes the solo part for clarinet in Bb. Please note, that a full score and orches...

Composed in July 2025 by the veteran composer Gordon Lawson. Delightfuly melodic yet within a fresh and contemporary sound world.

Composed in July 2025 by the veteran composer Gordon Lawson. Delightfuly melodic yet within a fresh and contemporary sound world.

The moods of the five movements alternate between being reflective and then robust: slow-fast-slow-fast-slow. The musical form is cyclic and centres on a small number of recurring motivic elements, so...

A virtuosic work for bassoon, with violin, viola and cello. The music is great fun: lively, witty and energetic. Christian Friedrich Gumlich remains a mysterious figure, a musician of the 19th century...

This collection includes major works by Bach, Beethoven, Chopin, Debussy and Haydn. Contents

This collection includes major works by Bach, Beethoven, Chopin, Debussy and Haydn. Contents

Songs without Words (Lieder ohne Worte) is a series of short lyrical piano pieces composed by Mendelssohn between 1829 and 1845. The compositions were part of the tradition of lyrical short piano piec...

This Concert Fantasy for flute and piano, with optional tambourine, is based on Edvard Grieg's incidental music to Henrik Ibsen's Peer Gynt, Op. 23. Rather than following Peer himself as the central f...

Nine works including 'Footsteps in the snow' and 'The Girl with the Flaxen Hair' from the Debussy Preludes book 1.

Nine works including 'Footsteps in the snow' and 'The Girl with the Flaxen Hair' from the Debussy Preludes book 1.

A sparkling arrangement of Rossini's famous "Largo al Factotum" from The Barber of Seville, capturing all the wit, bustle and bravura of Figaro's celebrated entrance aria. Skillfully arranged for stri...

Peter Walden, formerly cor anglais player with the CBSO, was given the manuscript of Siciliano and Coranto to perform in a concert with Mary Chandler. The work is believed to date from the 1960s, alth...

Peter Walden, formerly cor anglais player with the CBSO, was given the manuscript of Siciliano and Coranto to perform in a concert with Mary Chandler. The work is believed to date from the 1960s, alth...

Flute Pastilles is a progressive series of fun 'Concert Pieces' for young flautists. Book 1 Grades 1 - 3 Book 2 Grades 4 - 6 Book 3 Grades 7 - 8

Flute Pastilles is a progressive series of fun 'Concert Pieces' for young flautists. Book 1 Grades 1 - 3 Book 2 Grades 4 - 6 Book 3 Grades 7 - 8

This collection of six duets presents flautists with the opportunity to play together in a variety of commercial styles. Each duet is designed to work as a standalone piece, but equally you may choose...

This collection of six duets presents flautists with the opportunity to play together in a variety of commercial styles. Each duet is designed to work as a standalone piece, but equally you may choose...

White Fox Woman is a striking nine-minute mini-opera for middle to low voice accompanied either by Soprano Saxophone or Oboe. This compelling work was commissioned by oboist Paul Goodey in 2002 and wr...

Written in 1992 and revised in 2002. This edition edited by the Cardiff based classical guitarist Timothy Tate. Much of the material for this work is taken from a three movement guitar sonata from the...

Carreño's pieces are delightful, fresh, and superior so-called salon pieces. They present many technically interesting challenges, but are also supremely rewarding thanks to the quality of their compo...

Carreño's pieces are delightful, fresh, and superior so-called salon pieces. They present many technically interesting challenges, but are also supremely rewarding thanks to the quality of their compo...

This album of pieces (Part 2 Volume 5), reunites some of the compositions edited by Heugel in Paris from about 1868, plus two works from Carreño's maturity.

This album of pieces (Part 2 Volume 5), reunites some of the compositions edited by Heugel in Paris from about 1868, plus two works from Carreño's maturity.

Editor: Clara Rodriguez