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Roller Coaster is the second work written by Hungarian composer Roland Szentpali for the traditional Brass Band instrumentation with two (spicy) solo euphonium parts (or two tenor saxophones, or two t...

Roller Coaster is the second work written by Hungarian composer Roland Szentpali for the traditional Brass Band instrumentation with two (spicy) solo euphonium parts (or two tenor saxophones, or two t...

Roller Coaster is the second work written by Hungarian composer Roland Szentpali for the traditional Brass Band instrumentation with two (spicy) solo euphonium parts (or two tenor saxophones, or two t...

Roller Coaster is the second work written by Hungarian composer Roland Szentpali for the traditional Brass Band instrumentation with two (spicy) solo euphonium parts (or two tenor saxophones, or two t...

Roller Coaster is the second work written by Hungarian composer Roland Szentpali for the traditional Brass Band instrumentation with two (spicy) solo euphonium parts (or two tenor saxophones, or two t...

Roller Coaster is the second work written by Hungarian composer Roland Szentpali for the traditional Brass Band instrumentation with two (spicy) solo euphonium parts (or two tenor saxophones, or two t...

Roller Coaster is the second work written by Hungarian composer Roland Szentpali for the traditional Brass Band instrumentation with two (spicy) solo euphonium parts (or two tenor saxophones, or two t...

Although of a predominantly lyrical nature, this work utilizes many aspects of horn technique and thus presents a considerable challenge for the player. The work opens with dark chords seeking upwards...

Although of a predominantly lyrical nature, this work utilizes many aspects of horn technique and thus presents a considerable challenge for the player. The work opens with dark chords seeking upwards...

With its own character and its own particular atmosphere, each of the four separate movements that compose this work, evokes one of four famous and unique cities in the world: Buenos Aires, Venice, Lo...

With its own character and its own particular atmosphere, each of the four separate movements that compose this work, evokes one of four famous and unique cities in the world: Buenos Aires, Venice, Lo...

Real monsters, or imaginary ones. Sometimes the difference is small! Monster of the Abyss. The first protagonist lives deep into the oceanic Abyss: we can hear its profound heartbeat as it sings a maj...

Real monsters, or imaginary ones. Sometimes the difference is small! Monster of the Abyss. The first protagonist lives deep into the oceanic Abyss: we can hear its profound heartbeat as it sings a maj...

Concerti anachronistici for various solo instruments, strings and basso continuo Dominique Roggen has always loved writing music that adheres to Baroque-era principles of musical counterpoint, form, a...

Concerti anachronistici for various solo instruments, strings and basso continuo Dominique Roggen has always loved writing music that adheres to Baroque-era principles of musical counterpoint, form, a...

Concerti anachronistici for various solo instruments, strings and basso continuo Dominique Roggen has always loved writing music that adheres to Baroque-era principles of musical counterpoint, form, a...

Concerti anachronistici for various solo instruments, strings and basso continuo Dominique Roggen has always loved writing music that adheres to Baroque-era principles of musical counterpoint, form, a...

This one-movement concerto stands out by Adjemian's elegant writing which links flashing rhythmical passages with meditative sequences, a solo or accompanied cadenza, all together attached within that...

This one-movement concerto stands out by Adjemian's elegant writing which links flashing rhythmical passages with meditative sequences, a solo or accompanied cadenza, all together attached within that...

Study score and solo parts.

The Concertino* was written between 17th December 1966 and January 10th 1967 in Belmont, near Lausanne, a few months before the composer's death. It is in three movements: Capriccio (5'30'), Recitativ...

The Concertino* was written between 17th December 1966 and January 10th 1967 in Belmont, near Lausanne, a few months before the composer's death. It is in three movements: Capriccio (5'30'), Recitativ...

The Concertino* was written between 17th December 1966 and 10th January 1967 in Belmont, near Lausanne, a few months before the composer's death. It is in three movements: Capriccio (5'30'), Recitativ...