Advanced Sheet Music from G. Henle Verlag

Thanks to its skilful combination of Romantic melody and sparkling virtuosity, Koussevitzky's Double Bass Concerto op. 3 has been one of the most popular works of its genre since its Moscow premiere i...

These piano studies, fully worked out in summer 1848, but presumably sketched earlier, were published in the German original edition at the beginning of 1849 simply with the numbering 1-3. In the fir...

Liszt's 'Transcendental Studies' of 1852 are without doubt among the triumphs of virtuoso piano music, and their visionary language and poetic expression make them a milestone of the romantic age. Thi...

The a-minor Concerto is a true gem in the repertoire of great cello music. David Geringas provided the fingerings for this Urtext edition for which editor Peter Jost supplied a detailed preface. Johan...

It is a matter of personal taste as to whether Rachmaninoff's second or third piano concerto is his best. But there is no doubt that 'Rach 3', with its abundance of melodic ideas, today numbers among...

The 'Goldberg' Variations are without a doubt the most important piano cycle of the 18th century. Only Beethoven's 'Diabelli' Variations from the 19th century can be compared to them as far their far-...

Scriabin's early Etudes op. 8 are at the heart of virtuoso piano repertoire, their methodical and pedagogical intent clearly visible. However, they are also 12 character pieces, revealing Scriabin's w...

Prokofiev’s Piano Sonatas 6–8 are often referred to as “war sonatas”, since they were composed in Russia during World War II during times of great hardship. As the shortest of the three, no. 7 is enti...

In 1913, three years after publication of the Préludes I, another collection of twelve Préludes appeared. The pieces are longer and make use of a very wide register, which is why Debussy mainly notate...

Looking back in 1876, Liszt admitted candidly to the publisher Breitkopf & Härtel that his 'Wagner transcriptions' had 'only served as modest propaganda for Wagner's noble genius, using the meagre pos...

With the Piano Sonata in E major, Op. 109, Ludwig van Beethoven created a true masterpiece of his visionary late period. The work captivates through its lyrical intimacy, dramatic contrasts, and an in...

First came Johann Sebastian Bach's sonatas and partitas, then Nicolò Paganini's caprices. Now, with the op. 27 sonatas of Eugène Ysaye, the key works in the repertoire for unaccompanied violin are ava...

Two copies necessary for performance. Shortly after a rather unsuccessful performance of his Piano Concerto no. 1, Johannes Brahms wrote to Joseph Joachim in 1859: '... a second one will sound differe...

Brahms' only violin concerto was given a very warm reception by his contemporaries and has been an important piece in the violin repertoire ever since. It bears witness to Brahms' fruitful collaborati...

This rondo for piano was composed in 1794/95 and has become known primarily by its sobriquet "The rage over the lost penny". However, this did not originate with the composer himself, but rather added...

On the 150th anniversary of the death of Ferruccio Busoni, G. Henle Publishers is issuing one of his most important original works for piano solo. In light of his popular Bach arrangements, it is easy...

Liszt wrote his two Ballades in 1845-49 and 1853 during a time of personal turmoil. The successful virtuoso increasingly saw himself as a composer who strove after formal clarity, as shown by the B mi...

At last these two highlights of Liszt's piano output are available in a good value 'Urtext'! Every pianist knows the poetic, highly virtuosic legends about Liszt's famous namesakes, 'St. Francis of As...

In 1836 Chopin introduced the term 'ballad' into piano music with the publication of his Ballad op. 23, although up to then it had only been used in literature and in vocal music. Indeed, all four of...

Anyone who loves Rachmaninoff’s Cello Sonata will sooner or later come across Nikolay Myaskovsky – one of the leading figures in early twentieth-century Soviet music. Myaskovsky studied with Rimsky-Ko...

Celebrated as the "King of the Violin", Eugène Ysaÿe influenced modern violin playing like few others. A pupil of Vieuxtemps and Wieniawski, he was also a composer who combined technical brilliance wi...

What one has so long and so boisterously merely played, is awkward to write down. With this charming self-irony, Johannes Brahms described the lively origins of his Hungarian Dances, whose rousing rhy...

What one has so long and so boisterously merely played, is awkward to write down. With this charming self-irony, Johannes Brahms described the lively origins of his Hungarian Dances, whose rousing rhy...

What one has so long and so boisterously merely played, is awkward to write down. With this charming self-irony, Johannes Brahms described the lively origins of his Hungarian Dances, whose rousing rhy...

Schumann's great C-major Fantasy, op. 17, was originally intended to be published as a 'Sonata for Beethoven' entitled 'Ruins, Trophies, Palms. Grand Sonata.' Although he eventually abandoned this pla...