Advanced Sheet Music from Schott Musik
- Violin
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- Violin and Piano
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Johann Senfter (1879 -1961) wrote three sonatas for Viola solo; modelled on the Solo Sonatas of Max Reger, who was Senfter's teacher of composition in 1908/09 in Leipzig.
Johann Senfter (1879 -1961) wrote three sonatas for Viola solo; modelled on the Solo Sonatas of Max Reger, who was Senfter's teacher of composition in 1908/09 in Leipzig.
- Violin
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Thema der hintersinnig-virtuosen Variationen ist das Andante aus Leopold Mozarts Sinfonie D-Dur (Eisen D 26).
Thema der hintersinnig-virtuosen Variationen ist das Andante aus Leopold Mozarts Sinfonie D-Dur (Eisen D 26).
- Violin
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The Violin Concerto, written in 1928, is one of Egk's most significant instrumental works. It is indicative of the contemporary climate of innovation as reflected in the development of new genres for...
The Violin Concerto, written in 1928, is one of Egk's most significant instrumental works. It is indicative of the contemporary climate of innovation as reflected in the development of new genres for...
- Violin and Piano
- Piano reduction with part(s)
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Goehr brings an ancient world to life in his setting of eight texts by Hesiod and Homer. Translated into English by Dorothy Wilder and the composer, this song cycle uses the classic stories of Prometh...
Goehr brings an ancient world to life in his setting of eight texts by Hesiod and Homer. Translated into English by Dorothy Wilder and the composer, this song cycle uses the classic stories of Prometh...
- Low Voice and Piano
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The output of this versatile musician encompasses a multitude of styles from 'classical' avant-garde to pop, thanks to his wide-ranging activities as composer, performer, writer and teacher. Schneider...
The output of this versatile musician encompasses a multitude of styles from 'classical' avant-garde to pop, thanks to his wide-ranging activities as composer, performer, writer and teacher. Schneider...
- Low Voice and Piano
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- Medium Voice and Piano
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Opening simply with a solo voice, Sir Peter Maxwell Davies' Italian settings of eight poems by Renaissance artist Michelangelo for baritone and piano take both the performers and audience on a strikin...
Opening simply with a solo voice, Sir Peter Maxwell Davies' Italian settings of eight poems by Renaissance artist Michelangelo for baritone and piano take both the performers and audience on a strikin...
- Medium Voice and Piano
- Score
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- Medium Voice and Piano
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- Medium Voice and Piano
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Bariton und Klavier (linke Hand)
- Medium Voice and Piano
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The Greek poetess Sappho wrote her poems, which have survived in fragmentary form, in exile in Sicily in about 600 BC. Full of natural intensity and liveliness, her verses revolve around the condition...
The Greek poetess Sappho wrote her poems, which have survived in fragmentary form, in exile in Sicily in about 600 BC. Full of natural intensity and liveliness, her verses revolve around the condition...
- Medium Voice and Piano
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Michael Tippett's description of what drew him to the longer of W. B. Yeats' two poems on Byzantium gives us a glimpse of what was going through his mind as the fascination of Byzantium as a mode of s...
Michael Tippett's description of what drew him to the longer of W. B. Yeats' two poems on Byzantium gives us a glimpse of what was going through his mind as the fascination of Byzantium as a mode of s...
- High Voice and Piano
- Piano Reduction
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Gavin Bryars has returned once again to the poetry of George Bruce and the 'Five Songs from Northern Seas' are dedicated to his memory in his centenary year. Bryars describes the five evocative poems:...
Gavin Bryars has returned once again to the poetry of George Bruce and the 'Five Songs from Northern Seas' are dedicated to his memory in his centenary year. Bryars describes the five evocative poems:...
- High Voice and Piano
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- High Voice and Piano
- Piano Reduction
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This monodrama sums up the essential moments of the second scene from Act V of Shakespeare's tragedy Antony and Cleopatra in the Russian translation of Boris Pasternak. The conflict between life and d...
This monodrama sums up the essential moments of the second scene from Act V of Shakespeare's tragedy Antony and Cleopatra in the Russian translation of Boris Pasternak. The conflict between life and d...
- High Voice and Piano
- Piano Reduction
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German and French fragments by Rilke from the years 1911 to 1921 form the basis of the text of this composition. Reimann sees Rilke in affinity with Kafka. The tonal language is not lost in dreams, as...
German and French fragments by Rilke from the years 1911 to 1921 form the basis of the text of this composition. Reimann sees Rilke in affinity with Kafka. The tonal language is not lost in dreams, as...
- High Voice and Piano
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Sopran und Klavier
- High Voice and Piano
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Sopran und Klavier
- High Voice and Piano
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Night-like sounds are explored in a variety of ways in the three parts of this wide-ranging scene. Ornamental and playful, the piano entwines with the singing voice in the first part. In the recitativ...
Night-like sounds are explored in a variety of ways in the three parts of this wide-ranging scene. Ornamental and playful, the piano entwines with the singing voice in the first part. In the recitativ...
- High Voice and Piano
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With his opera 'The Dead Souls' (based on Gogol) and the ballets 'Anna Karenina' (based on Tolstoy), 'The Seagull' and 'Woman with a Little Dog' (both based on Chekov), Shchedrin has brought classic w...
With his opera 'The Dead Souls' (based on Gogol) and the ballets 'Anna Karenina' (based on Tolstoy), 'The Seagull' and 'Woman with a Little Dog' (both based on Chekov), Shchedrin has brought classic w...
- Narrator, High Voice and Piano
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Profound Slavonic emotion and thrilling virtuosity distinguish many of Rodion Shchedrin's compositions. Even though he has long since become a citizen of the world, the composer born in Moscow has hel...
Profound Slavonic emotion and thrilling virtuosity distinguish many of Rodion Shchedrin's compositions. Even though he has long since become a citizen of the world, the composer born in Moscow has hel...
- High Voice and Piano
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- High Voice and Piano
- Piano Reduction
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Jörg Widmann komponierte die Signale für sechs Stimmen anlässlich der Wittener Tage für neue Kammermusik 2003 ohne die Verwendung eines konkreten Textes. Die einzelnen Stimmen behandeln rein phonetisc...
Jörg Widmann komponierte die Signale für sechs Stimmen anlässlich der Wittener Tage für neue Kammermusik 2003 ohne die Verwendung eines konkreten Textes. Die einzelnen Stimmen behandeln rein phonetisc...
- 6 Voices
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