Advanced Sheet Music from Schott Musik
As early as 1932, Harry Partch composed Psalm 23 for Voice and Adapted Viola. Together with Psalm, 137 By the Rivers of Babylon, the Two Psalms arose. Both settings were performed with other early com...
As early as 1932, Harry Partch composed Psalm 23 for Voice and Adapted Viola. Together with Psalm, 137 By the Rivers of Babylon, the Two Psalms arose. Both settings were performed with other early com...
- Voice
- Vocal Score
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'This piece for solo harpsichord (1995, duration 10 minutes) was commissioned by Maggie Cole. '... I have offered many options with ornamentation, suggesting some, writing out others completely, but a...
'This piece for solo harpsichord (1995, duration 10 minutes) was commissioned by Maggie Cole. '... I have offered many options with ornamentation, suggesting some, writing out others completely, but a...
- Harpsichord
- Sheet Music
- Schott Musik
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Frauenchor (SMezA) - lateinisch - deutsch
- Women's Choir (SMezA)
- Choral Score
- Schott Musik
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- Mixed Choir (SATB)
- Choral Score
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Motette für achtstimmigen gemischten Chor mit Solistenquartett: Das anspruchsvolle a-cappella-Werk in acht Teilen komponierte Holliger bereits 1959 für das gleichnamige Mysterienspiel von August Strin...
Motette für achtstimmigen gemischten Chor mit Solistenquartett: Das anspruchsvolle a-cappella-Werk in acht Teilen komponierte Holliger bereits 1959 für das gleichnamige Mysterienspiel von August Strin...
- Mixed Choir (SATB) and 4 Soloists
- Choral Score
- Schott Musik
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One of Martland's most popular works, often broadcast on BBC Radio 3, this brilliant and joyful piece culminates in a full-throttled version of the famous 'Sumer is i-cumen in'.
One of Martland's most popular works, often broadcast on BBC Radio 3, this brilliant and joyful piece culminates in a full-throttled version of the famous 'Sumer is i-cumen in'.
- Mixed Choir (SSAATTBB)
- Choral Score
- Schott Musik
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Chorpartitur
- Mixed Choir (SATB)
- Choral Score
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Angelus is an important addition to the choral ensemble repertoire - highly charged, dramatic and challenging for any good choir.
Angelus is an important addition to the choral ensemble repertoire - highly charged, dramatic and challenging for any good choir.
- Mixed Choir (SATB)
- Choral Score
- Schott Musik
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A fresh, lyrical choral work which will haunt your memory. The text was derived from various sources such as the Bible, poetry and lyrics from pop songs which are paraphrased or alluded to not only in...
A fresh, lyrical choral work which will haunt your memory. The text was derived from various sources such as the Bible, poetry and lyrics from pop songs which are paraphrased or alluded to not only in...
- Soloists, Mixed Choir (SATB) and Organ
- Choral Score
- Schott Musik
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This beautiful work, originally written for the Hilliard Ensemble, has been arranged by the composer for full choral forces.
This beautiful work, originally written for the Hilliard Ensemble, has been arranged by the composer for full choral forces.
- Mixed Choir (SATB)
- Choral Score
- Schott Musik
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Spielpartitur - mit Klavierauszug, nur zur Probe
Spielpartitur - mit Klavierauszug, nur zur Probe
- Mixed Choir (SATB) and Double Bass
- Choral Score
- Schott Musik
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This gravely beautiful choral work, dedicated to a victim of the Lockerbie air crash of 1988, consists of five sections and provides only two of the traditional requiem texts - 'Kyrie' and 'Agnus Dei'...
This gravely beautiful choral work, dedicated to a victim of the Lockerbie air crash of 1988, consists of five sections and provides only two of the traditional requiem texts - 'Kyrie' and 'Agnus Dei'...
- Mixed Choir (SATB) and Organ
- Choral Score
- Schott Musik
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Sea Songs, commissioned jointly by Ars Nova Copenhagen and Glasgow Concert Halls, is a kind of sequel to Martland's Street Songs (originally written for the Kings Singers and Evelyn Glennie). As with...
Sea Songs, commissioned jointly by Ars Nova Copenhagen and Glasgow Concert Halls, is a kind of sequel to Martland's Street Songs (originally written for the Kings Singers and Evelyn Glennie). As with...
- Mixed Choir (SSSAAATTTBBB)
- Choral Score
- Schott Musik
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The opening lines of Marcel Proust's In Search of Lost Time provide the text for Gerald Barry's Long Time. Beginning 'For a long time I used to go to bed early', the work unfolds over gently rising an...
The opening lines of Marcel Proust's In Search of Lost Time provide the text for Gerald Barry's Long Time. Beginning 'For a long time I used to go to bed early', the work unfolds over gently rising an...
- Mixed Choir (SATB)
- Choral Score
- Schott Musik
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'Lay VII' is part of the extensive cycle of the Machaut Transcriptions (ED 21070) in which Holliger studies the great 14th-century poet-musician in different levels of arrangement. The original Lay VI...
'Lay VII' is part of the extensive cycle of the Machaut Transcriptions (ED 21070) in which Holliger studies the great 14th-century poet-musician in different levels of arrangement. The original Lay VI...
- Mixed Choir (ATTB)
- Choral Score
- Heinz Holliger
- Schott Musik
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Chorpartitur - gemischter Chor
- Mixed Choir (SATB)
- Choral Score
- Schott Musik
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- Mixed Choir (SATB)
- Choral Score
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Agnus Dei from the Polish Requiem for eight-part choir was written after the death of the Primate of the Polish Catolic Church Stefan Wyszynski. It is slow in tempo, supplicatory in nature and quasi-t...
Agnus Dei from the Polish Requiem for eight-part choir was written after the death of the Primate of the Polish Catolic Church Stefan Wyszynski. It is slow in tempo, supplicatory in nature and quasi-t...
- Mixed Choir (SSAATTBB)
- Choral Score
- Schott Musik
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- Mixed Choir (SATB)
- Choral Score
- Schott Musik
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- Mixed Choir (SSATBB)
- Choral Score
- Schott Musik
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- Mixed Choir (SSATBB)
- Choral Score
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- Mixed Choir (SATB)
- Choral Score
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- Mixed Choir (SATB)
- Choral Score
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The Latvian region Zemgale is infamous for atrocities committed in the 13th century and in 1949. It has become a symbol for the deportation of Latvians. Vasks uses the text in a linear as well as in a...
The Latvian region Zemgale is infamous for atrocities committed in the 13th century and in 1949. It has become a symbol for the deportation of Latvians. Vasks uses the text in a linear as well as in a...
- Mixed Choir (SSSAAATTBB)
- Choral Score
- Schott Musik
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