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The text for my work Taivaanvalot is composed of fragments of a story appearing in the Kalevala – a collection of Finnish heroic folk poetry compiled by Elias Lönnrot (1802–1884). As much of it is sim...
The text for my work Taivaanvalot is composed of fragments of a story appearing in the Kalevala – a collection of Finnish heroic folk poetry compiled by Elias Lönnrot (1802–1884). As much of it is sim...
- High Voice, Cello and Piano
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Nikolai Kapustins Divertissement op. 126 für Violine, Violoncello und Klavier stammt aus dem Jahr 2005. Das viersätzige Werk liegt nun erstmals in einer Notenausgabe vor.
Nikolai Kapustins Divertissement op. 126 für Violine, Violoncello und Klavier stammt aus dem Jahr 2005. Das viersätzige Werk liegt nun erstmals in einer Notenausgabe vor.
- Violin, Cello and Piano
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- Violin,Double Bass and Timpani
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Das Divertissement op. 91 für 2 Flöten, Violoncello und Klavier komponierte Nikolai Kapustin im Jahr 1998. Er nahm es selbst mit Alexander Korneev (Flöte), Marina Rubinstein (Flöte) und Alexander Zago...
Das Divertissement op. 91 für 2 Flöten, Violoncello und Klavier komponierte Nikolai Kapustin im Jahr 1998. Er nahm es selbst mit Alexander Korneev (Flöte), Marina Rubinstein (Flöte) und Alexander Zago...
- 2 Flutes, Cello and Piano
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- Clarinet, Violin, Cello and Piano
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- Flute, Oboe, Piano, Viola, Double Bass and Percussion
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Zimmermann’s original Konfigurationen are of course influenced by Anton Webern’s structural thinking, but draw their tonal charm to a large extent from the highly nuanced handling of resonances throug...
Zimmermann’s original Konfigurationen are of course influenced by Anton Webern’s structural thinking, but draw their tonal charm to a large extent from the highly nuanced handling of resonances throug...
- Clarinet, Percussion, Piano, Violin and Cello
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- Christoph Maria Wagner
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- Flute, Violin and Harp
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- Clarinet in A
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- 4 Bass Clarinets
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- 2 Vibraphones and 2 Marimbas
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My 3rd String Quartet is in six contrasted movements. Certain musical figures recur across the work, but there are few themes as such. The main emphasis is on contrast of mood, texture, harmony, pacin...
My 3rd String Quartet is in six contrasted movements. Certain musical figures recur across the work, but there are few themes as such. The main emphasis is on contrast of mood, texture, harmony, pacin...
- String Quartet (2 Violins, Viola and Cello)
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Foreign Tongues explores a different way of looking at the standard string quartet setup. Envisaged as a work where the cello is pitted against the rest of the string players, the piece aims to explor...
Foreign Tongues explores a different way of looking at the standard string quartet setup. Envisaged as a work where the cello is pitted against the rest of the string players, the piece aims to explor...
- String Quartet (2 Violins, Viola and Cello)
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My second string trio is a more large-scale piece than the compact, single-movement first, written just over a decade ago. It is made up of seven short movements, each one picking up an idea, or a not...
My second string trio is a more large-scale piece than the compact, single-movement first, written just over a decade ago. It is made up of seven short movements, each one picking up an idea, or a not...
- String Trio (Cello, Viola and Violin)
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Written in a single day in August 2012 while on a residency in Massachusetts, this simple piece makes an interplay with the respective colours of the violin and cello. Both instruments are retuned, ca...
Written in a single day in August 2012 while on a residency in Massachusetts, this simple piece makes an interplay with the respective colours of the violin and cello. Both instruments are retuned, ca...
- String Duet (Cello and Violin)
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This piece is made of a sequence of eight short movements. It begins with an ascent and a gradual unfurling. We hear a network of voices flowing, pulsating, revolving, crying out. The music moves betw...
This piece is made of a sequence of eight short movements. It begins with an ascent and a gradual unfurling. We hear a network of voices flowing, pulsating, revolving, crying out. The music moves betw...
- String Quartet (2 Violins, Viola and Cello)
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- String Quartet (2 Violins, Viola and Cello)
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The composition of Krzysztof Penderecki’s four string quartets is marked by an idiosyncratic interruption: the first two experimental, improvisatory quartets were composed in swift succession in the 1...
The composition of Krzysztof Penderecki’s four string quartets is marked by an idiosyncratic interruption: the first two experimental, improvisatory quartets were composed in swift succession in the 1...
- String Quartet (2 Violins, Viola and Cello)
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- Claus-Dieter Ludwig
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My quartets composed between 1997 and 2005 were conceived as an interconnected, self-contained cycle of works ranging from the (in my opinion) quasi revolutionary Quartet No. 1 to the Quartet No. 5 en...
My quartets composed between 1997 and 2005 were conceived as an interconnected, self-contained cycle of works ranging from the (in my opinion) quasi revolutionary Quartet No. 1 to the Quartet No. 5 en...
- String Quartet (2 Violins, Viola and Cello)
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My String Quartet No. 7 – the second of my ‘Beethoven studies’ – is the first of my quartets to possess a two-movement structure. The density of texture is additionally enhanced, meaning that the open...
My String Quartet No. 7 – the second of my ‘Beethoven studies’ – is the first of my quartets to possess a two-movement structure. The density of texture is additionally enhanced, meaning that the open...
- String Quartet (2 Violins, Viola and Cello)
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My String Quartet No. 8 is made up of three movements, and a fast tempo prevails almost throughout the entire work. The extreme brevity of the opening movement oscillates between rugged unisono passag...
My String Quartet No. 8 is made up of three movements, and a fast tempo prevails almost throughout the entire work. The extreme brevity of the opening movement oscillates between rugged unisono passag...
- String Quartet (2 Violins, Viola and Cello)
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I consider Beethoven’s String Quartet op. 130 with its Grosse Fuge as the pinnacle of all quartets. In each of the four movements, Beethoven succeeds in re-inventing the archetypal movement forms with...
I consider Beethoven’s String Quartet op. 130 with its Grosse Fuge as the pinnacle of all quartets. In each of the four movements, Beethoven succeeds in re-inventing the archetypal movement forms with...
- String Quartet (2 Violins, Viola and Cello)
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- String Quartet (2 Violins, Viola and Cello)
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Depth of content, exuberant liveliness and sophistication of the compositional technique – Samuel Rhodes, violist of the renowned Juilliard String Quartet, praises Paul Hindemith's string quartets. Th...
Depth of content, exuberant liveliness and sophistication of the compositional technique – Samuel Rhodes, violist of the renowned Juilliard String Quartet, praises Paul Hindemith's string quartets. Th...
- String Quartet (2 Violins, Viola and Cello)
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Paul Hindemith made his breakthrough as the leading German composer of his generation at the first 'Donaueschingen Chamber Music Performances' in 1921 with his 3rd String Quartet Op. 16. The premiere...
Paul Hindemith made his breakthrough as the leading German composer of his generation at the first 'Donaueschingen Chamber Music Performances' in 1921 with his 3rd String Quartet Op. 16. The premiere...
- String Quartet (2 Violins, Viola and Cello)
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