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In Orchestern und an den ausbildenden Hochschulen besteht seit langem Bedarf an einer praktischen und leicht zugänglichen Ausgabe der beim Probespiel vorgelegten Orchesterstellen. Der Inhalt dieses He...
In Orchestern und an den ausbildenden Hochschulen besteht seit langem Bedarf an einer praktischen und leicht zugänglichen Ausgabe der beim Probespiel vorgelegten Orchesterstellen. Der Inhalt dieses He...
- Double Bass
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When asked what the theme of his play was, Wilde answered 'That we should treat all trivial things in life very seriously, and all serious things in life with a sincere and studied triviality. Gerald...
When asked what the theme of his play was, Wilde answered 'That we should treat all trivial things in life very seriously, and all serious things in life with a sincere and studied triviality. Gerald...
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This six-minute madrigal setting was commissioned by the renowned Hanover Girls' Choir and composed on the basis of one of Rainer Maria Rilke's profound poems. It begins as a thanksgiving prayer: for...
This six-minute madrigal setting was commissioned by the renowned Hanover Girls' Choir and composed on the basis of one of Rainer Maria Rilke's profound poems. It begins as a thanksgiving prayer: for...
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- Choral Score
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Peter Cornelius: 'Liebe' op. 18. Ein Zyklus von 3 Chorliedern für sechs-bis achtstimmigen gemischten Chor a cappella. Der gebürtige Mainzer Peter Cornelius wusste nie so genau, was er sein wollte. Den...
Peter Cornelius: 'Liebe' op. 18. Ein Zyklus von 3 Chorliedern für sechs-bis achtstimmigen gemischten Chor a cappella. Der gebürtige Mainzer Peter Cornelius wusste nie so genau, was er sein wollte. Den...
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From his opera 'Venus and Adonis', which draws on classical mythology, Hans Werner Henze has taken four movements already described there as 'madrigals' and arranged them for a cappella performance. T...
From his opera 'Venus and Adonis', which draws on classical mythology, Hans Werner Henze has taken four movements already described there as 'madrigals' and arranged them for a cappella performance. T...
- Mixed Choir (SMezATBarB)
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In nicht Ichts - nicht Nichts, Heinz Holliger has set the words of ten selected mystic epigrammes by the seventeenth century Baroque poet Angelus Silesius. The two-line sayings in rhyming Alexandrines...
In nicht Ichts - nicht Nichts, Heinz Holliger has set the words of ten selected mystic epigrammes by the seventeenth century Baroque poet Angelus Silesius. The two-line sayings in rhyming Alexandrines...
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- Soloists, Men's Chorus and Organ
- Instrumental Part: Organ
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The text of this 'small sound piece' combines material from Petrarch's well-known Sonnet No. 132 and its Baroque adaptation by Martin Opitz, alternating between - and sometimes mixing - Italian and Ge...
The text of this 'small sound piece' combines material from Petrarch's well-known Sonnet No. 132 and its Baroque adaptation by Martin Opitz, alternating between - and sometimes mixing - Italian and Ge...
- Mixed Choir (8-Part) and Bassoon
- Instrumental Part: Bassoon Solo
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The 9 Lieder op. 15, of the composer Johanna Senfter from Oppenheim, were probably composed around 1913, as this is also when the Passacaglia for two pianos op. 14 was written. The vocal miniatures ma...
The 9 Lieder op. 15, of the composer Johanna Senfter from Oppenheim, were probably composed around 1913, as this is also when the Passacaglia for two pianos op. 14 was written. The vocal miniatures ma...
- High Voice and Piano
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The Lieder op. 53 originally included two more songs which have not been transmitted. Due to the problems of transmission, it is hardly possible to date the work, but the more individual musical langu...
The Lieder op. 53 originally included two more songs which have not been transmitted. Due to the problems of transmission, it is hardly possible to date the work, but the more individual musical langu...
- Low Voice and Piano
- Piano Score Download
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Gitarre allein ('Tentos') und für Singstimme und Gitarre ('Fragmente')
Gitarre allein ('Tentos') und für Singstimme und Gitarre ('Fragmente')
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- Julian Bream
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Gitarre allein ('Tentos') und für Singstimme und Gitarre ('Fragmente')
Gitarre allein ('Tentos') und für Singstimme und Gitarre ('Fragmente')
- Voice and Guitar
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- Julian Bream
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Die Weise von Liebe und Tod des Cornets Christoph Rilke obviously is the last work outlined by Viktor Ullmann in the concentration camp ofTheresienstadt. Other than with the two symphonies developing...
Die Weise von Liebe und Tod des Cornets Christoph Rilke obviously is the last work outlined by Viktor Ullmann in the concentration camp ofTheresienstadt. Other than with the two symphonies developing...
- Narrator and Piano
- Piano Reduction
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Profound Slavonic emotion and thrilling virtuosity distinguish many of Rodion Shchedrin's compositions. Even though he has long since become a citizen of the world, the composer born in Moscow has hel...
Profound Slavonic emotion and thrilling virtuosity distinguish many of Rodion Shchedrin's compositions. Even though he has long since become a citizen of the world, the composer born in Moscow has hel...
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Hummel wrote this song cycle in the last months of his life and called it his 'swan-song'. In the light of this, his selection of poems is highly unusual: the composer did not focus on qualities such...
Hummel wrote this song cycle in the last months of his life and called it his 'swan-song'. In the light of this, his selection of poems is highly unusual: the composer did not focus on qualities such...
- Medium Voice and Piano
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This ten-minute aria fragment comes from Rodion Shchedrin's oratorio 'The Enchanted Wanderer'.The piece is divided into two sections: It begins with an arioso vocal part above the pianistically demand...
This ten-minute aria fragment comes from Rodion Shchedrin's oratorio 'The Enchanted Wanderer'.The piece is divided into two sections: It begins with an arioso vocal part above the pianistically demand...
- Medium Voice and Piano
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Männerchor (TTBB) - deutsch
Männerchor (TTBB) - deutsch
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