Alfred Dürr: Intermediate Sheet Music

Although it has not been possible to identify the composer of the 'Eight Little Preludes and Fugues' Alfred Dürr writes in his preface to this edition 'Since the value of a musical work is in no way d...

Urtext of the New Bach Edition. Harpsichord / Piano - Performance score; Urtext edition

BA 5103-90 replaces the previous vocal score. The article number remains unchanged. > The text appears in slightly larger type size and a clearly legible font. > The pagination has been adopted from t...

First version. Piano reduction based on the Urtext of the New Bach Edition. Soprano solo (2), alto solo, tenor solo, bass solo, mixed choir-SSATB, trumpet (3), oboe (2), recorder (2), timpani, violin...

Volume 1 of the Well-Tempered Clavier, based on the New Bach Edition, closely follows Bach's autograph score. The Foreword draws on earlier versions contained in the autograph as well as on non-autogr...

Volume 2 of the "WTC" has survived in two distinct manuscript traditions. Till now, all printed editions have combined these two traditions into a single hybrid edition, "preferring now this reading,...

Urtext of the New Bach Edition - Cantata for Easter Sunday. Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir-SATB; Trumpet/ Cornetto/ Zinc, Trombone (3), Strings, Basso continuo - Piano red...

2nd version in D major with 4 interludes of the E flat major version (transposed). Urtext of the New Bach Edition. Soprano solo (2), alto solo, tenor solo, bass solo, mixed choir-SSATB, flute (2), obo...

Instrumental score(s), set of parts Fl/Cemb/Klav/Vc/Bc ad lib.

Cantata for the 27th Sunday after Trinity (German/English), after the Urtext of the New Bach Edition. Soprano solo, Tenor solo, Bass solo, Oboe (2), Oboe-dacc, Strings, Basso continuo

Urtext der Neuen Bach-Ausgabe. Alt solo, Tenor Solo, gemischter Chor-SATB, Oboe (2), Fag.Str, Basso continuo

Although it has not been possible to identify the composer of the 'Eight Little Preludes and Fugues' Alfred Dürr writes in his preface to this edition 'Since the value of a musical work is in no way d...

Cantata for the 27th Sunday after Trinity (German/English), after the Urtext of the New Bach Edition. Soprano solo, Tenor solo, Bass solo, Oboe (2), Oboe-dacc, Strings, Basso continuo

Kantate zum 3. Ostertag, nach dem Urtext der Neuen Bach-Ausgabe. Bass solo, Gemischter Chor-SATB, Oboe, Violine/ Flöte, Basso continuo

Urtext of the New Bach Edition. Harpsichord / Piano - Performance score; Urtext edition

Volume 1 of the Well-Tempered Clavier, based on the New Bach Edition, closely follows Bach's autograph score. The Foreword draws on earlier versions contained in the autograph as well as on non-autogr...

Volume 2 of the "WTC" has survived in two distinct manuscript traditions. Till now, all printed editions have combined these two traditions into a single hybrid edition, "preferring now this reading,...

Kantate zum 2. Pfingsttag. Urtetxt der Neuen Bach-Ausgabe. Sopran solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Horn, Trompete/ Zink, Posaune (3), Streicher, Basso continuo - Partitur

Kantate zum 4. Adventssonntag. Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Fagott, Streicher, Basso continuo

Urtext of the New Bach Edition - Cantata for Easter Sunday. Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir-SATB; Trumpet/ Cornetto/ Zinc, Trombone (3), Strings, Basso continuo - Piano red...

Kantate zum 1. Ostertag (Weimarer und Leipziger Fassung). Sopran solo, Tenor solo, Bass solo, Gemischter Chor-SSATB, 1 (3) Ob, (Englischhorn, Fagott), Trompete (3), Pauke, Streicher, Basso continuo

Johann Sebastian Bach's cantata "Der Himmel lacht! Die Erde jubilieret" BWV 31 was composed in Weimar for the Sunday of April 21, 1715. The text by Salomon Franck is closely linked to the Easter Gospe...