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Taking its name from the epicenter of Southern jazz in Memphis, this fun little boogie will get the orchestra moving! Featuring accidentals and chromatic passages throughout, each section gets its tur...

Try assigning the first 32 digits of Pi to a scale degree to create five melodies that flow together, and you'll have a start to this awesome composition. With a light jazzy feel, driving accompanimen...

Try assigning the first 32 digits of Pi to a scale degree to create five melodies that flow together, and you'll have a start to this awesome composition. With a light jazzy feel, driving accompanimen...

Students will really enjoy playing and singing this old-timey tune that has roots in early New Orleans-style jazz. In first position throughout, this piece features rhythmic syncopation. The upbeat pi...

Students will really enjoy playing and singing this old-timey tune that has roots in early New Orleans-style jazz. In first position throughout, this piece features rhythmic syncopation. The upbeat pi...

Puttin' on the Pizz by Chris Bernotas is sure to become a favorite selection of students and directors. The descending bass line sets the stage for this fun piece. All notes stay in first position and...

Puttin' on the Pizz by Chris Bernotas is sure to become a favorite selection of students and directors. The descending bass line sets the stage for this fun piece. All notes stay in first position and...

This fun and cool-sounding piece is the perfect way to introduce the difference between F? and F? as well as C? and C? to your young orchestra. The melodies are passed around to all sections, keeping...

This fun and cool-sounding piece is the perfect way to introduce the difference between F? and F? as well as C? and C? to your young orchestra. The melodies are passed around to all sections, keeping...

A challenging saxophone quartet written for soprano, alto, tenor and baritone saxophone, a cappella. The first two movements are classical in style and concept and movements 3/4 are played with a jazz...

Saxophone Quintet + Rhythm Section

Saxophone Quintet + Rhythm Section

Here's a pure, full sounding choral work from talented composer Sherri Porterfield. The notes aren't difficult, so you can devote time to developing phrasing, blend, and tone. . . and the results will...

Superb edition for today's choir of a work from Schubert's famous 'Mass in G' (1815). This largely homophonic work remains at a constant tempo throughout and includes only one simple, brief contrapunt...

Sherri Porterfield is fast becoming one of today's most versatile choral writers. This lush work with an easy piano accompaniment is beautiful in its simplicity. The ABA form makes it easy to teach, b...

This particular edition is a pleasure to sing and the skillful contemporary edition makes it easy to read. And, with the new SSA edition, treble voice choirs can also perform this eighteenth century m...

The SATB and 3-Part editions of this work were published a few years ago, and now treble voice choirs can experience this superb choral work. Beautiful and captivating melodies, traditional Latin text...

A well-edited and newly engraved edition of the choral masterwork from one of Mozart's last works, his famous 'Requiem. ' As always with Dr. Liebergen's editions, the publication includes a Latin pron...

Here's a new work by Donald Moore in madrigal style that's appropriate for general or Christmas use. Dynamic changes create interest; repetition makes for quick learning. Perfect when you need just on...

An easy-to-learn Alleluia setting by Jay Althouse for your developing choir. Highlighted with comfortable ranges and simple harmonies, this is an excellent choice for an additional selection that won'...

This lyrical setting of the traditional Latin text overflows with warm harmonies and expressive melodic lines. Developing mixed and treble choirs will achieve a polished sound and appreciate an enrich...

This majestic piece is a glorious addition to choral concerts and festivals year round. Earlene's 6/8 setting of the Latin text is underscored by a full-sounding piano accompaniment that is not diffic...

Four brief vocal duets highlight this joyful work from the motet Veni Sancte Spiritus, written by Wolfgang Amadeus Mozart when he was only 12 years old. Classical sonorities resonate through the varyi...

Especially arranged for double 3-part mixed or SSA choirs, each phrase of this famous Italian madrigal is sung by Choir I and repeated precisely by Choir II, many times overlapping to create a texture...

One Latin phrase, Dona nobis pacem, provides the foundation for the echoing chorus, and makes a powerful bridge. Choirs of all ages will sound their very best at the holidays, or any time of year.