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Andre Bodin: Intermediate Sheet Music

Florence Price
from Symphony No. 1

Florence Beatrice Price (1887 - 1953) was an American classical composer, pianist, organist and music teacher. Price is noted as the first African-American woman to be recognized as a symphonic compos...

Florence Beatrice Price (1887 - 1953) was an American classical composer, pianist, organist and music teacher. Price is noted as the first African-American woman to be recognized as a symphonic compos...

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from Symphony No. 1

Florence Beatrice Price (1887 - 1953) was an American classical composer, pianist, organist and music teacher. Price is noted as the first African-American woman to be recognized as a symphonic compos...

Florence Beatrice Price (1887 - 1953) was an American classical composer, pianist, organist and music teacher. Price is noted as the first African-American woman to be recognized as a symphonic compos...

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Florence Price
from Symphony No. 1

Florence Beatrice Price (1887 - 1953) was an American classical composer, pianist, organist and music teacher. Price is noted as the first African-American woman to be recognized as a symphonic compos...

Florence Beatrice Price (1887 - 1953) was an American classical composer, pianist, organist and music teacher. Price is noted as the first African-American woman to be recognized as a symphonic compos...

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from Symphony No. 1

Florence Beatrice Price (1887 - 1953) was an American classical composer, pianist, organist and music teacher. Price is noted as the first African-American woman to be recognized as a symphonic compos...

Florence Beatrice Price (1887 - 1953) was an American classical composer, pianist, organist and music teacher. Price is noted as the first African-American woman to be recognized as a symphonic compos...

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Franz Lehár
Waltzes from The Merry Widow

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to give his tal...

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to give his tal...

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Order no.: BTM1286
Franz Lehár
Waltzes from The Merry Widow

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to give his tal...

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to give his tal...

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Franz Lehár
Waltzes from The Merry Widow

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to give his tal...

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to give his tal...

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Order no.: BTM1286SC
Franz Lehár
Waltzes from The Merry Widow

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to give his tal...

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to give his tal...

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Charles Ives
Adagio molto for Symphonic Band

Charles Ives's 'Symphony No. 1 in D minor', written between 1898 and 1902, is an example of how Ives synthesized ideas from composers who came before him. Many of his later symphonies relied on Protes...

Charles Ives's 'Symphony No. 1 in D minor', written between 1898 and 1902, is an example of how Ives synthesized ideas from composers who came before him. Many of his later symphonies relied on Protes...

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Order no.: BTM1303
Charles Ives
Adagio molto for Symphonic Band

Charles Ives's 'Symphony No. 1 in D minor', written between 1898 and 1902, is an example of how Ives synthesized ideas from composers who came before him. Many of his later symphonies relied on Protes...

Charles Ives's 'Symphony No. 1 in D minor', written between 1898 and 1902, is an example of how Ives synthesized ideas from composers who came before him. Many of his later symphonies relied on Protes...

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Order no.: BTM1303-DL
Charles Ives
Adagio molto for Symphonic Band

Charles Ives's 'Symphony No. 1 in D minor', written between 1898 and 1902, is an example of how Ives synthesized ideas from composers who came before him. Many of his later symphonies relied on Protes...

Charles Ives's 'Symphony No. 1 in D minor', written between 1898 and 1902, is an example of how Ives synthesized ideas from composers who came before him. Many of his later symphonies relied on Protes...

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Order no.: BTM1303SC
Charles Ives
Adagio molto for Symphonic Band

Charles Ives's 'Symphony No. 1 in D minor', written between 1898 and 1902, is an example of how Ives synthesized ideas from composers who came before him. Many of his later symphonies relied on Protes...

Charles Ives's 'Symphony No. 1 in D minor', written between 1898 and 1902, is an example of how Ives synthesized ideas from composers who came before him. Many of his later symphonies relied on Protes...

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Mikhail Ippolitov-Ivanov
from Caucasian Sketches

Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...

Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...

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Order no.: BTM1323
Mikhail Ippolitov-Ivanov
from Caucasian Sketches

Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...

Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...

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Mikhail Ippolitov-Ivanov
from Caucasian Sketches

Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...

Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...

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Mikhail Ippolitov-Ivanov
from Caucasian Sketches

Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...

Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...

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'Ecce sacerdos magnus' (Behold a great priest), WAB 13, is an 1885 sacred motet by the Austrian composer Anton Bruckner. It is a musical setting of the antiphon of the same title. The work is a six-pa...

'Ecce sacerdos magnus' (Behold a great priest), WAB 13, is an 1885 sacred motet by the Austrian composer Anton Bruckner. It is a musical setting of the antiphon of the same title. The work is a six-pa...

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Order no.: BTM1129-DL

'Ecce sacerdos magnus' (Behold a great priest), WAB 13, is an 1885 sacred motet by the Austrian composer Anton Bruckner. It is a musical setting of the antiphon of the same title. The work is a six-pa...

'Ecce sacerdos magnus' (Behold a great priest), WAB 13, is an 1885 sacred motet by the Austrian composer Anton Bruckner. It is a musical setting of the antiphon of the same title. The work is a six-pa...

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Mikhail Ippolitov-Ivanov
from Caucasian Sketches

Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...

Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...

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Order no.: BTM1028
Mikhail Ippolitov-Ivanov
from Caucasian Sketches

Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...

Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...

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Mikhail Ippolitov-Ivanov
from Caucasian Sketches

Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...

Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...

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Mikhail Ippolitov-Ivanov
from Caucasian Sketches

Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...

Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...

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Johann Strauss (Sohn)
Polka schnell

The 'Explosions Polka', opus 43, is written by Johann Strauss in 1847. The title was inspired by a discovery of 'guncotton' or 'nitrocellulose' by German scientist Christian Friedrich Schönbein in 184...

The 'Explosions Polka', opus 43, is written by Johann Strauss in 1847. The title was inspired by a discovery of 'guncotton' or 'nitrocellulose' by German scientist Christian Friedrich Schönbein in 184...

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Order no.: BTM1065
Johann Strauss (Sohn)
Polka schnell

The 'Explosions Polka', opus 43, is written by Johann Strauss in 1847. The title was inspired by a discovery of 'guncotton' or 'nitrocellulose' by German scientist Christian Friedrich Schönbein in 184...

The 'Explosions Polka', opus 43, is written by Johann Strauss in 1847. The title was inspired by a discovery of 'guncotton' or 'nitrocellulose' by German scientist Christian Friedrich Schönbein in 184...

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Johann Strauss (Sohn)
Polka schnell

The 'Explosions Polka', opus 43, is written by Johann Strauss in 1847. The title was inspired by a discovery of 'guncotton' or 'nitrocellulose' by German scientist Christian Friedrich Schönbein in 184...

The 'Explosions Polka', opus 43, is written by Johann Strauss in 1847. The title was inspired by a discovery of 'guncotton' or 'nitrocellulose' by German scientist Christian Friedrich Schönbein in 184...

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Order no.: BTM1065SC