Anthony Plog: Intermediate Sheet Music

From the outset of his career as composer, Anthony Plog's unique, self-directed compositional style has evolved into one which effectively exploits the resources of chromaticism within often martial r...

Adventures in Brass is a series of 6 six brass solos written by Anthony Plog and commissioned by M. Dee Stewart, Director of CAP ventures (College Auditions Preparation) at the Jacobs School of Music,...

Adventures in Brass is a series of 6 six brass solos written by Anthony Plog and commissioned by M. Dee Stewart, Director of CAP ventures (College Auditions Preparation) at the Jacobs School of Music,...

Fanfare K.S. is a concise, festive work composed in honor of Karsten Schöning and his many years of dedicated work at the Freiburg Musik Hochschule. The scoring for two antiphonal choirs, each with th...

Fanfare K.S. is a concise, festive work composed in honor of Karsten Schöning and his many years of dedicated work at the Freiburg Musik Hochschule. The scoring for two antiphonal choirs, each with th...

The Horn Concerto No. 2 for horn and wind orchestra is in a traditional three-movement form, with overall rather tonal harmony, but in the immediately recognizable and characteristic tonal language of...

The Horn Concerto No. 2 for horn and wind orchestra is in a traditional three-movement form, with overall rather tonal harmony, but in the immediately recognizable and characteristic tonal language of...

When I began work on the Double Concerto 2014 I immediately thought of using antiphonal strings with one group with the trumpet (on the left side) and the other with the trombone (right side) and in t...

When I began work on the Double Concerto 2014 I immediately thought of using antiphonal strings with one group with the trumpet (on the left side) and the other with the trombone (right side) and in t...

When I began work on the Double Concerto 2014 I immediately thought of using antiphonal strings with one group with the trumpet (on the left side) and the other with the trombone (right side) and in t...

When I began work on the Double Concerto 2014 I immediately thought of using antiphonal strings with one group with the trumpet (on the left side) and the other with the trombone (right side) and in t...

Before Aristotle (384-322 B.C.) and Plato (c.428-c.348 B.C.), before Buddha (VI or V c. B.C.) and Confucius (551-479 B.C.), in an age when the calendar had ten months, the year had 354 days, and peopl...

Before Aristotle (384-322 B.C.) and Plato (c.428-c.348 B.C.), before Buddha (VI or V c. B.C.) and Confucius (551-479 B.C.), in an age when the calendar had ten months, the year had 354 days, and peopl...

Before Aristotle (384-322 B.C.) and Plato (c.428-c.348 B.C.), before Buddha (VI or V c. B.C.) and Confucius (551-479 B.C.), in an age when the calendar had ten months, the year had 354 days, and peopl...

Before Aristotle (384-322 B.C.) and Plato (c.428-c.348 B.C.), before Buddha (VI or V c. B.C.) and Confucius (551-479 B.C.), in an age when the calendar had ten months, the year had 354 days, and peopl...

The Horn Concerto No. 2 for horn and chamber orchestra is written in three traditional movements with harmonies tending to be more tonal oriented, but within the immediately recognizable musical idiom...

The Horn Concerto No. 2 for horn and chamber orchestra is written in three traditional movements with harmonies tending to be more tonal oriented, but within the immediately recognizable musical idiom...

This charming and imaginative piece tells the story of a young musician and his instrument. Through contrasting characters, humorous dialogue, and lyrical passages, the music conveys a spirit of disco...

This charming and imaginative piece tells the story of a young musician and his instrument. Through contrasting characters, humorous dialogue, and lyrical passages, the music conveys a spirit of disco...

The Triple Concerto for trumpet, horn, trombone and orchestra exploits many different textures both within the solo group and the orchestra itself. Each of the solo instruments is called upon at times...

When I began work on the Double Concerto 2014 I immediately thought of using antiphonal strings with one group with the trumpet (on the left side) and the other with the trombone (right side) and in t...

When I began work on the Double Concerto 2014 I immediately thought of using antiphonal strings with one group with the trumpet (on the left side) and the other with the trombone (right side) and in t...

Study score and solo part The Nocturne for alto (or tenor) trombone and strings is part of a series of pieces for each of the brass instruments: Postcards (solo), 3 Miniatures (with piano), Nocturne (...

Study score and solo part The Nocturne for alto (or tenor) trombone and strings is part of a series of pieces for each of the brass instruments: Postcards (solo), 3 Miniatures (with piano), Nocturne (...

The Nocturne for trumpet and strings (1994 - BIM TP57b/c), and the later versions for trumpet and organ (2003 - BIM TP57d), or trumpet and piano (2010 - BIM TP57a) is one of a series of Nocturnes writ...