Antonio Vivaldi: Intermediate Sheet Music

Soli SSAT, Coro SATB, 2 Ob, Tr, 2 Vl, Va, Bc

Der Stimmensatz enthält: Streicher 3.3.2.3

With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the 'Red Priest' for Mantua. Premiered during th...

The present volume contains all three settings by Vivaldi of the Marian antiphon Salve Regina that have come down to us. All three are for solo voice: soprano in the case of RV 617, and contralto in t...

The "Vivaldi Album" is a series of operatic aria anthologies subdivided by vocal register, drawn from Antonio Vivaldi's surviving musical works for the theatre. Its sources include twenty-four musical...

Die Komposition trägt im Original den Titel Trio per Liuto, Violino e Basso Nr. 5. In der vorliegenden Bearbeitung ist der ausgesetzte Cembalopart besonders virtuos und geht damit über das übliche Con...

The source of this version for 2 guitars is the Trio per Leuto (a sixchord baroque mandolin), violin and figured bass C major RV 82. The sonata is a beautiful example of italian baroque music with its...

The sonatas by Antonio Vivaldi (1678-1741) are without doubt among the best compositions for violoncello and basso continuo created in the baroque era. Of these works, it is the Sonata in E minor (RV...

The genre of the violoncello concerto was born in 17th-century Italy. Thanks to the Venetian composer Antonio Vivaldi (1678-1741), there exists today not only a wealth of magnificent violin concertos...

DOWANI 3 Tempi Play Along is an effective and time-tested method of practicing that offers more than conventional play-long editions. DOWANI 3 Tempi Play Along enables you to learn a work systematical...

A three-movement work of simple syntax and clear musical gestures. Suitable as a beginning concerto for the study of solo literature, also an appealing repertoire work for chamber orchestra programs....

A three-movement work of simple syntax and clear musical gestures. Suitable as a beginning concerto for the study of solo literature, also an appealing repertoire work for chamber orchestra programs.

The instrumentation in this Concerto, originally written for flute and strings with basso continuo, was changed. The solo part, however, totally corresponds to that of the original. A choir-like perfo...