Askell Masson: Intermediate Sheet Music
The Sonatina's three movements are played without a break. The opening Andante is a dark, slow waltz - a spectre, perhaps, of old Vienna - with its tightly coiled motifs leading to a more lyrical, med...
The Sonatina's three movements are played without a break. The opening Andante is a dark, slow waltz - a spectre, perhaps, of old Vienna - with its tightly coiled motifs leading to a more lyrical, med...
- Clarinet and Piano
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The Sonatina's three movements are played without a break. The opening Andante is a dark, slow waltz - a spectre, perhaps, of old Vienna - with its tightly coiled motifs leading to a more lyrical, med...
The Sonatina's three movements are played without a break. The opening Andante is a dark, slow waltz - a spectre, perhaps, of old Vienna - with its tightly coiled motifs leading to a more lyrical, med...
- Clarinet and Piano
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These 3 Bagatelles, for clarinet alone, by Icelandic composer Askell Masson, are a study of contrasts involving a wide range of dynamics while utilizing the full range of the clarinet. Quest, the firs...
These 3 Bagatelles, for clarinet alone, by Icelandic composer Askell Masson, are a study of contrasts involving a wide range of dynamics while utilizing the full range of the clarinet. Quest, the firs...
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These 3 Bagatelles, for clarinet alone, by Icelandic composer Askell Masson, are a study of contrasts involving a wide range of dynamics while utilizing the full range of the clarinet. Quest, the firs...
These 3 Bagatelles, for clarinet alone, by Icelandic composer Askell Masson, are a study of contrasts involving a wide range of dynamics while utilizing the full range of the clarinet. Quest, the firs...
- Clarinet
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Ora is latin and means coast. With this title, I want to think to the ocean and the fact that Iceland is surrounded by it and that it links us to our neighboring countries. It also refers to our origi...
Ora is latin and means coast. With this title, I want to think to the ocean and the fact that Iceland is surrounded by it and that it links us to our neighboring countries. It also refers to our origi...
- 6 Percussion and Orchestra
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Íma is a fairy maiden from an Icelandic folk tale. It tells of when she approaches a peasant in the fields with affection also promising him access to a book with supernatural powers. When, after deny...
Íma is a fairy maiden from an Icelandic folk tale. It tells of when she approaches a peasant in the fields with affection also promising him access to a book with supernatural powers. When, after deny...
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Íma is a fairy maiden from an Icelandic folk tale. It tells of when she approaches a peasant in the fields with affection also promising him access to a book with supernatural powers. When, after deny...
Íma is a fairy maiden from an Icelandic folk tale. It tells of when she approaches a peasant in the fields with affection also promising him access to a book with supernatural powers. When, after deny...
- Percussion
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In Icelandic, Frum means primary or embryo. This catching piece includes many percussion technics: single and double strokes, paradiddles, rolls, polyrhythms, and a variety of attacks, among others. F...
In Icelandic, Frum means primary or embryo. This catching piece includes many percussion technics: single and double strokes, paradiddles, rolls, polyrhythms, and a variety of attacks, among others. F...
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Performance notice This piece is written for four mallets only. The player has to choose on which surface he plays and then chooses the mallets accordingly to acquire a pleasant sound. The surface can...
Performance notice This piece is written for four mallets only. The player has to choose on which surface he plays and then chooses the mallets accordingly to acquire a pleasant sound. The surface can...
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Performance notice This piece is written for four mallets only. The player has to choose on which surface he plays and then chooses the mallets accordingly to acquire a pleasant sound. The surface can...
Performance notice This piece is written for four mallets only. The player has to choose on which surface he plays and then chooses the mallets accordingly to acquire a pleasant sound. The surface can...
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- Tuba
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Crossings, a double concerto for two percussionists and symphony orchestra. This work was written in 2002 for Evelyn Glennie and Gert Mortensen at the suggestion of the Arts Association of March 85 in...
Crossings, a double concerto for two percussionists and symphony orchestra. This work was written in 2002 for Evelyn Glennie and Gert Mortensen at the suggestion of the Arts Association of March 85 in...
- 2 Percussion and Orchestra
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Ora is latin and means coast. With this title, I want to think to the ocean and the fact that Iceland is surrounded by it and that it links us to our neighboring countries. It also refers to our origi...
Ora is latin and means coast. With this title, I want to think to the ocean and the fact that Iceland is surrounded by it and that it links us to our neighboring countries. It also refers to our origi...
- 6 Percussion and Orchestra
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Marimba and Orchestra Exact instrumentation: 2.2.2.2. - 4.2.3.2 - timpani, perussion, harp, strings
Marimba and Orchestra Exact instrumentation: 2.2.2.2. - 4.2.3.2 - timpani, perussion, harp, strings
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Crossings, a double concerto for two percussionists and symphony orchestra. This work was written in 2002 for Evelyn Glennie and Gert Mortensen at the suggestion of the Arts Association of March 85 in...
Crossings, a double concerto for two percussionists and symphony orchestra. This work was written in 2002 for Evelyn Glennie and Gert Mortensen at the suggestion of the Arts Association of March 85 in...
- 2 Percussion and Orchestra
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Marimba and Orchestra Exact instrumentation: 2.2.2.2. - 4.2.3.2 - timpani, perussion, harp, strings
Marimba and Orchestra Exact instrumentation: 2.2.2.2. - 4.2.3.2 - timpani, perussion, harp, strings
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Marimba and Orchestra - study score and solo part Exact instrumentation: 2.2.2.2. - 4.2.3.2 - timpani, perussion, harp, strings
Marimba and Orchestra - study score and solo part Exact instrumentation: 2.2.2.2. - 4.2.3.2 - timpani, perussion, harp, strings
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Marimba and Orchestra - study score and solo part Exact instrumentation: 2.2.2.2. - 4.2.3.2 - timpani, perussion, harp, strings
Marimba and Orchestra - study score and solo part Exact instrumentation: 2.2.2.2. - 4.2.3.2 - timpani, perussion, harp, strings
- Marimba and Orchestra
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2 percussions Exact instrumentation: 2 marimbas, 3 congas, 4 bongos, 2 pedal bass drums, 4 tom-tom, 1 bass drum, 2 octabands, 2 slit drums
2 percussions Exact instrumentation: 2 marimbas, 3 congas, 4 bongos, 2 pedal bass drums, 4 tom-tom, 1 bass drum, 2 octabands, 2 slit drums
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2 percussions Exact instrumentation: 2 marimbas, 3 congas, 4 bongos, 2 pedal bass drums, 4 tom-tom, 1 bass drum, 2 octabands, 2 slit drums
2 percussions Exact instrumentation: 2 marimbas, 3 congas, 4 bongos, 2 pedal bass drums, 4 tom-tom, 1 bass drum, 2 octabands, 2 slit drums
- 2 Percussion
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- 4 Percussion
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