Barbershop Sheet Music for Mixed Voices

In this gentle arrangement of Still, still, still, Remel Derrick underpins the melody of the traditional Austrian carol with contemporary harmonies, creating a warm and refreshing soundscape. A soarin...

For SATB (with divisions) unaccompanied. This is a harmonically rich carol setting a late medieval English text, centred on the phrase verbum caro factum est. The piece opens with a solo soprano line...

This is a harmonically rich carol setting a late medieval English text centred on the phrase verbum caro factum est. The piece opens with a solo soprano line and gradually expands, culminating in the...

For tenor and soprano solo and SATB (with divisions) unaccompanied. French's quasi-lullaby setting of Thomas Hardy's The Oxen opens by alternating between a tutti refrain and solo verses, with an atmo...

French's quasi-lullaby setting of Thomas Hardy's The Oxen opens by alternating between a tutti refrain and solo verses, with an atmospheric syllabic accompaniment, before building to a tutti final ver...

This carol for a cappella choir juxtaposes Latin text with a jubilee spiritual celebrating the Magi who saw the star to lead them to the newborn child. The natural rhythmic energy is amplified by sync...

The Unexpected Early Hour brims with energy as the vibrant melody passes between voices and the rocking crotchet-quaver movement drives the piece towards its climactic ending. Offprinted from Weihnach...

This joyful carol triumphantly proclaims the Christmas message and features changing metres and contrasting textures throughout. Offprinted from Weihnachts Carols for Choirs.

This lively carol retells the Christmas story, punctuated by the joyful refrain 'Verbum caro factum est'. Offprinted from Weihnachts Carols for Choirs.

This heartfelt setting of words by the composer begins with a pianissimo drone over which the sopranos introduce the expressive melody, rich with lush harmonies, moments of dynamic intensity, and an o...

Rutter's arrangement of this traditional German tune pairs a beautiful Latin text with accessible and compelling harmonies. Offprinted from Weihnachts Carols for Choirs.

Welt so alt is a melancholic setting of a text by Christina Rossetti. With a falling bassline, artful use of inverted and diminished chords, and a wordless soprano solo, this carol perfectly captures...

This poignant memorial anthem pairs the composer's English translation of the Requiem's 'In paradisum' with a profoundly beautiful melody and quietly expressive harmonies. The largely homophonic textu...

This a cappella anthem, suitable as an introit or call to worship, was inspired by Celtic folksong and is available here in Spanish translation. Offprined from 'Obras corales sacras de John Rutter'.

Offprined from 'Obras corales sacras de John Rutter', this is a profoundly beautiful setting of one of the earliest English prayers, from the Sarum Primer of 1514.

Originally published in the New Horizons collection Cantica Nova, this expansive Advent motet creates a unique sound world through unusual harmonic inflections, striking spatial effects, unmeasured no...

For SATB accompanied and unaccompanied. Fred Onovwerosuoke and the St. Louis African Chorus carefully selected the favourite, most requested songs from their workshops, while trying to represent a wid...

for unaccompanied SATB chorus, with soprano and tenor soloists

Immerse yourself in the monumental sound world of Hector Berlioz: with this choral score for "La Damnation de Faust" (Légende Dramatique en 4 Actes), the renowned publisher Alphonse Leduc delivers an...

This may be the most exciting Christmas sprirtual Jay Althouse has ever written. It opens with the basses asking, in a hushed, rhythmic melody, 'Who's that baby in a manger bed?' The text is classic s...

This exciting original Christmas spiritual by Jay Althouse opens with the men stating the rhythmic theme, followed by the middle voices and finally the sopranos. The three verses include much repetiti...

This exciting original Christmas spiritual by Jay Althouse opens with the men stating the rhythmic theme, followed by the middle voices and finally the sopranos. The three verses include much repetiti...