Barbershop Sheet Music for Mixed Voices

This SATB work, originally commissioned for women's choir,  is an energetic reimagining of timeless text and tune from the 12th century poet, composer, and philosopher Hildegard of Bingen. The marriag...

Using the Forest Green hymn tune adapted by Ralph Vaughn Williams, Russell Robinson captures the flavor of the British version of this beloved carol with simplicity and beauty. A cappella and accessib...

Absolutely beautiful for mixed a cappella voices, this rich setting of the beloved Latin text O Magnum Mysterium is not to be overlooked. Simple, elegant, and haunting, it is a lovely addition to any...

Narverud's done it again with Cantate, a powerful, well-crafted concert opener. His SATB a cappella, heart-pounding, canonic work contains driving rhythms and cluster chords. A  must sing!

The joyful, cascading introduction begins from a unison note, setting the tone for Narverud's canonic-like setting of the famous Teasdale poem Life has loveliness to sell.   Like a heartbeat, the rhyt...

Melissa Roth Young’s Lux Aeterna offers a beautiful and heartfelt setting of the timeless Latin text, long used to honor those who have gone before us. The music reflects the text’s message of hope am...

This powerful setting of George Matheson's words juxtaposes ideas of yearning and resting within the text. The tension within the harmonies of this setting will linger through lengthy phrases, but rep...

This lively SATB arrangement of Jingle Bells brings fresh fun to the familiar tune, highlighting the humorous sleigh-riding tale behind the original 1857 song. With crisp "jing, jingle" motives that i...

Russ Robinson's arrangement of Be Thou My Vision is simplistic yet elegant. His addition of "color chords" adds musical interest without taking away from the original melody and harmonies.

Italian singer and composer Gregorio Allegri is probably best known for his setting of Miserere Mei, Deus, for nine voices. Edited here by George Guest, it is a relativly simple yet pleasing and satis...

Motet for five voices (SATBB) for Feasts of the Blessed Virgin Mary.

The Lamb

A sacred work for unaccompanied SSATBB choir, using text from The Order For The Burial Of Dead Priests, translated from Greek by Isabel Hapgood. Vocal score with piano accompaniment for rehearsal purp...

In 1994, for the 500th anniversary of the University of Aberdeen, Judith Weir wrote two settings of 17th century English verse and choir, entitles Two Human Hymns. In 1997, Weir arranged the first of...

Judith Weir's 'Ave Regina Caelorum' for unaccompanied choir SSATBB. This piece was commissioned by Merton College, Oxford as part of the Merton Choirbook, a collection of music being assembled to cel...

John Cameron's My Love Is Like A Red, Red Rose for SSAATTBarB chorus unaccompanied. This piece incorporates text by Robert Burns.

Preces & Responses and The Lord’s Prayer composed for the choir of Keble College, Oxford. Scored for SATB choir with cantor.

Commissioned for Stile Antico by the Stile Antico Foundation. 3 minutes for trenor solo and mixed voices. I was delighted to be asked by Stile Antico to write a new piece for their ‘The Prince of Musi...

The original version for CtTTBarB was commissioned by Opus Anglicanum and first performed at St. James’s Church, Chipping Campden on the 14th March 2015, followed by a performance at Wells Cathedral o...

From Don Moore comes a wonderfully fresh a cappella edition of the classic movie-music favorite. Finger snaps and the straight-ahead swing style give this arrangement that street corner doo-wop stylin...

The fourth volume of Breitkopf & Härtel Choir Library for Mixed Choir - Sacred Repertoire collects all works that cannot be sorted directly in the order of the church year. They are roughly divided by...

The Mass settings form the largest section in the fifth and last volume of the series Breitkopf & Härtel Choir Library for Mixed Choir - Sacred Repertoire. Two single movements are followed by seven c...