Barbershop Sheet Music for Mixed Voices

This is an imaginative and modern-sounding setting of John Masefield's popular poem (2017 marks the 50th anniversary of Masefield's death). This expressive piece ebbs and flows, and provides imitative...

For SATB & piano.

for SATB, congregation (opt), & organ

Wilberg's arrangement of 'Old Hundredth', paired with William Kethe's hymn of exaltation, builds from a simple opening to a rich-textured, rousing conclusion. An alternative ending is included, provid...

John Rutter's rousing drinking song Good Ale, which was originally published as part of his cycle of six choral settings with small orchestra When Icicles Hang, is full of spirit and character. An acc...

Written for the 2016 'Requiem to Cancer' event at St Paul's Church, Covent Garden, Now is the Time sets hopeful and inspirational words by Marie Curie. McDowall's setting is optimistic and appealing,...

This short, energetic piece sets words by contemporary hymn-writer Mary Louise Bringle. The text is full of positivity and hope, and Wilberg's use of a 7/8 time signature keeps the verses propelling f...

This is an artfully crafted setting of a beautiful poem by Matthew Meiklejohn. It is rich in contrasting material and many of the text's images are apparent in the music. The violin part contributes m...

A favorite text and tune of singers and listeners alike, this festival hymn is given new life in this upbeat 7/8 setting. The central section is legato and chorale-like, making for a beautiful contras...

This edition of Parry's renowned anthem presents the 1911 version prepared by the composer for George V's coronation. Rutter's fascinating editorial preface provides contextual notes and informative p...

This setting of three stanzas from 'For the Fallen' is poignant and atmospheric. A serene refrain for unison voices is interposed between evocatively turbulent passages for SATB choir. The accompanime...

This is a beautiful setting of an English translation of one of Horace's Odes. Varying choral textures, crunchy harmonies, and a rippling piano accompaniment complement the text's imagery of nature an...

More sweet than my refrain is a tender miniature for three-part choir set to the text of a poem by Ralph Waldo Emerson. The motet features on the new Ars Nova Copenhagen recording, 'First Drop' (Cante...

This original suite sets anonymous instructions found in packaging to general household goods, providing amusing and theatrical highlights as well as musical interplay and formal episodes. The three c...

This light-hearted arrangement is a guaranteed crowd-pleaser and perfect encore. The familiar tune comes with a modern twist, with a driving rock beat, innovative harmonisations, and playful imitation...

Chilcott's rare gift for crafting the most poignant and beguiling melodies is rarely more apparent than in his setting of this enchanting medieval poem. The style is akin to folk ballad, lyrical with...

A calm and solemn piece with simple harmonies, supporting piano accompaniment, and reflective text. Suitable for choirs of all levels it allows for a moment of quiet reflection during mass or a busy c...

Composed for the marriage of HRH The Prince of Wales and Lady Diana Spencer. Orchestral material is available on hire.

Wilberg's gentle, touching setting of a Catalonian carol has his typically straightforward but very effective choral writing. Material is available on hire.

Bring festive warmth and heartfelt serenity to your Christmas concerts with the traditional Polish carol-lullaby "Infant Holy, Infant Lowly". Arranged with masterly sensitivity by Mack Wilberg, this e...

Bring vibrant Caribbean joy and infectious rhythms to your next Christmas concert! With 'The Virgin Mary Had A Baby Boy', renowned publisher Oxford University Press presents a spirited and uplifting c...

Higgins's arrangement of Away in a manger is beautiful and delicate. The first verse is taken by unison upper voices; the second is a cappella, with a soloist (or small group) on the melody accompanie...

Higgins's arrangement of Away in a manger is beautiful and delicate. The first verse is taken by unison upper voices; the second is a cappella, with a soloist (or small group) on the melody accompanie...

Don't forget tomorrow is an uplifting encore-style piece ideal for college and community choirs, with independent parts during the verses and a catchy chorus in harmony - all supported by an infectiou...