Barbershop Sheet Music for Mixed Voices

In Silvestrovs kurzem Chorsatz erklingt nur ein Teil der von Beethoven verwendeten Zeilen aus Schillers 'Ode an die Freude' - die Strophe 'Freude schöner Götterfunken' und 'Seid umschlungen, Millionen...

'Veni, creator spiritus', 'Lacrimosa', 'Alleluja' - diese drei geistlichen Lieder von Valentin Silvestrov bergen zumindest sprachlich keine Probleme, dennoch stellen sie höchste Ansprüche an den bis z...

The Four Psalms (2024) – commissioned by the Fondation Prince Pierre de Monaco – are dedicated to Her Royal Highness Princess Caroline of Hanover. This cycle expresses Silvestrov's very personal, spir...

Alexander Glasunov's chorus 'Vniz po matushke po Volge' is unique, largely unknown and unpublished in the West so far. His elaboration of this elegiac Russian folk song evolves from the unanimously in...

Being one of the most important representatives of the Moscow School of Composers around the turn of the century, Sergey Taneyev (1856-1915) takes a special place in Russian music. He was a pupil of T...

Glasunov composed this solemn chorale setting as a form of congratulations on the wedding of two of his friends. The energetic and cheerful character of the music is in charming contrast to the text s...

Eine kontemplative und ergreifende Vertonung der beiden ersten Verse aus Psalm 91 ('Wer im Schutz des Höchsten wohnt'), die von Gottes Schutz für diejenigen berichtet, die ihm folgen. Geschrieben wurd...

In this contemporary setting of the traditional text Hodie Christus natus est, the piece begins in a hushed, exultant manner marking the news that ‘today Christ was born’. The piece then slowly builds...

Ben Ponniah started singing at St Mary-le-Tower Church in 1990 when he was six years old. John Cooper was the Organist and Director of Music at the time, followed by Michael Nicholas. Seeing the star...

O magnum mysterium was written in 2013 and is dedicated to Dawn Herbert, the composer’s ex-wife and the mother of his son, Reginald. It was written while staying at her family’s farm in Cambridgeshire...

Let us build a house is the closing hymn of Kim André Arnesen’s large-scale work, The Stranger. Instead of a typical majestic ending to a large work, Arnesen went for a quiet one with only an unaccomp...

A setting of verses 7 and 8 of Psalm 57 (‘My heart, O God, is steadfast. I will sing and make music. Awake, my soul! Awake, O harp and lyre! I will awake the dawn.’) this work celebrates music’s impor...

Commissioned by the Choir of Pembroke College, Cambridge, for the first ever BBC Radio 3 Choral Evensong broadcast from the college, this introit or short motet was written to commemorate the occasion...

A contemporary setting of the opening verse of Psalm 102 ('Hear my prayer, O Lord, and let my cry come unto thee'), as set by Henry Purcell in his well-known motet of the same name. This setting finds...

This work was composed in 2020 and was commissioned by the Lord Burghley 500 Foundation for a Service of Thanksgiving in Westminster Abbey to celebrate the 500th anniversary of the birth of William Ce...

Adapted from Velvet Shoes by Elinor Wylie, the text of this carol portrays the tranquil, almost eerie, atmosphere of walking alone in fresh snow. The musical setting reflects scenery, with a soaring s...