Baritone Horn Quartet Sheet Music

This heartfelt solo by Larry Clark is both a beautiful piece of performance music, and a highly effective teaching tool. Students can polish and showcase a beautiful tone in the middle-upper register...

Larry Clark presents a tuneful arrangement of Tchaikovsky's Italian Song from Op. 30 No. 15. This charming, classic melody offers students a number of learning opportunities pertaining to musical nuan...

TC or BC

BC or TC

Euphonium TC

for all Associated Board Requirements. Unique to this series of scales books is the Speedy Guide printed on the back covers. This spells out, in short-hand form, requirements for all grades and can be...

Euphonium solo und Klavier

Besetzung Solist in B - Violinschlüssel Solist in C - Bass-Schlüssel Klavierbegleitung

Santorella Publications is proud to present our Instrumental Fingering Poster Series. PERFECT FOR THE BANDROOM, CLASSROOM, PRIVATE STUDIOS, OR SIMPLY AS A BEGINNERS QUICK REFERENCE GUIDE WHILE PRACTIC...

Due to the incredible success of our Instrumental Fingering Posters, we thought it would be extremely helpful to create a smaller version that would fit comfortably into every method book which any be...

Sonata No. 1 in G major, BWV 1027 was originally written for viola da gamba and harpsichord. This version for euphonium and piano was arranged by Robert Marsteller, and may also be played on trombone....

This beautiful reverie for euphonium and piano begins with a ephemeral interplay between the soloist and piano that, with the constantly changing meter, suggests no pulse, but creates a constant sense...

This piece for the intermediate to advancing baritone player offers parts in both bass and treble clefs and, with the alternating tempos, is a wonderful contest or recital selection. Also available fo...

Transcribed by one of the great American trombonists of the 20th Century, Robert Marsteller, longtime player with the LA Philharmonic after World War II. This concerto, originally for bassoon, feature...

This piece was originally written by Saint-Saens in 1893 for the Horn. The work is technically demanding: however optional cuts and ossia notes make this piece more accessible to less experienced play...