Baroque Sheet Music: Explore the Classics of a Golden Era

From master composer Antonio Vivaldi's Laetatus Sum (a setting of Psalm 121), this edition brings the brief work to today's choirs. Featuring an accessible Latin text and a lively optional cello part,...

Joy instantly abounds as the well-edited keyboard introduction sets the tone for this impressive, yet approachable Baroque selection - the first movement of Vivaldi's masterwork of the same name. Chor...

The "Gloria" RV 589 is probably one of Vivaldi's best-known compositions today and one of the most frequently performed sacred vocal works from the Baroque period. The work was almost certainly compos...

The source of this edition is a manuscript probably copied between 1780 and 1799 and kept at the library of San Pietro a Majella Conservatory of Music in Naples. We would like to thank the head librar...

Composed in a neo-baroque vernacular, this Easter anthem brings brightness and a spirit of joy into the sanctuary. Using the familiar theme from LOBE DEN HERREN mingled with the 'Hornpipe' from Handel...

One of the most famous melodies from Bach's 'Magnificat' is given a familiar refrain courtesy of past FMEA chair Russell Robinson. A beautiful melody has now become more accessible and serves as a gat...

Every note and word comes from J.S. Bach. The notes are from BWV 118 O Jesu Christ, meins Lebens Licht, with texts from BWV 140 Wachet Auf. Together it makes this accessible Bach masterpiece appropria...

This arrangement of 'O Jesulein süss', a chorale first written by German composer Samuel Scheidt (1587-1654) and later arranged and popularized by J. S. Bach, sets an English text translated by Percy...

The 37 spiritual canticles constituting the collection by Charles de Courbes were published in 1622 by the music printer of Louis XIII, Pierre Ballard. They are varied polyphonies, covering all the as...

The 37 spiritual canticles constituting the collection by Charles de Courbes were published in 1622 by the music printer of Louis XIII, Pierre Ballard. They are varied polyphonies, covering all the as...

The 37 spiritual canticles constituting the collection by Charles de Courbes were published in 1622 by the music printer of Louis XIII, Pierre Ballard. They are varied polyphonies, covering all the as...

Introducing Gounod's beloved 'Ave Maria,' based on a prelude from J.S. Bach's Well-Tempered Clavier, in an accessible choral arrangement. The melody passes through all voices, while well-written chora...

From master composer Antonio Vivaldi's Laetatus Sum (a setting of Psalm 121), this edition brings the brief work to today's choirs. Featuring an accessible Latin text and a lively optional cello part,...

From master composer Antonio Vivaldi's Laetatus Sum (a setting of Psalm 121), this edition brings the brief work to today's choirs. Featuring an accessible Latin text and a lively optional cello part,...

Joy instantly abounds as the well-edited keyboard introduction sets the tone for this impressive, yet approachable Baroque selection - the first movement of Vivaldi's masterwork of the same name. Chor...

Joy instantly abounds as the well-edited keyboard introduction sets the tone for this impressive, yet approachable Baroque selection - the first movement of Vivaldi's masterwork of the same name. Chor...

Kantate zum Sonntag Sexagesimae (Leipziger Fassung). Gemischter Chor-SATB - Chorpartitur

As neither original sources nor documents relating to the first performance of the present funeral cantata Gottes Zeit ist die allerbeste Zeit BWV 106 have survived, we cannot prove the year of compos...

The anthem "How beautiful are the feet", also known as "Anthem on the Peace", was premiered in 1749 by the Chapel Royal in London at a thanksgiving service on the occasion of the Peace of Aachen, whic...

The anthem "How beautiful are the feet", also known as "Anthem on the Peace", was premiered in 1749 by the Chapel Royal in London at a thanksgiving service on the occasion of the Peace of Aachen, whic...