Baroque Sheet Music: Explore the Classics of a Golden Era
A motetic choral movement without obbligato instruments opens the cantata Nimm, was dein ist, und gehe hin zum Sonntag Septuagesima 1724. This is followed by an almost dance-like, song-like aria "Murr...
A motetic choral movement without obbligato instruments opens the cantata Nimm, was dein ist, und gehe hin zum Sonntag Septuagesima 1724. This is followed by an almost dance-like, song-like aria "Murr...
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The sources show that Bach's cantata was intended for the Sunday of Jubilate. The text, whose composer is still unknown today, is based on the juxtaposition of sadness and joy in the Gospel for this S...
The sources show that Bach's cantata was intended for the Sunday of Jubilate. The text, whose composer is still unknown today, is based on the juxtaposition of sadness and joy in the Gospel for this S...
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The cantata "Herz und Mund und Tat und Leben" BWV 147 for the Feast of the Visitation of Mary (2 July) 1723 belongs to a group of three Weimar Advent cantatas which Bach reinterpreted textually by add...
The cantata "Herz und Mund und Tat und Leben" BWV 147 for the Feast of the Visitation of Mary (2 July) 1723 belongs to a group of three Weimar Advent cantatas which Bach reinterpreted textually by add...
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The cantata Bring Glory to the Lord in His Name BWV 148 was probably composed for the 17th Sunday after Trinity in 1723; due to the scanty tradition, which only began after Bach's death, the cantata c...
The cantata Bring Glory to the Lord in His Name BWV 148 was probably composed for the 17th Sunday after Trinity in 1723; due to the scanty tradition, which only began after Bach's death, the cantata c...
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Kantate zu Trinitatis. Soli SAB, Coro SATB, 2 Ob, Obca, Str, Org - Tonart c-dorisch
Kantate zu Trinitatis. Soli SAB, Coro SATB, 2 Ob, Obca, Str, Org - Tonart c-dorisch
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Coro SATB, 3 Tr, Timp, 2 Ob, 2 Vl, Va, Bc
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Published in collaboration with the Bach Archive Leipzig with the unfinished revision (1739) in the appendix. The St. John Passion is one of the great vocal works of Bach's Leipzig period. In contrast...
Published in collaboration with the Bach Archive Leipzig with the unfinished revision (1739) in the appendix. The St. John Passion is one of the great vocal works of Bach's Leipzig period. In contrast...
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Alongside the double-choir St. Matthew Passion, the Christmas Oratorio, the Magnificat and the Mass in B minor, the St. John Passion is one of the great vocal works of Johann Sebastian Bach's Leipzig...
Alongside the double-choir St. Matthew Passion, the Christmas Oratorio, the Magnificat and the Mass in B minor, the St. John Passion is one of the great vocal works of Johann Sebastian Bach's Leipzig...
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Can be combined with the performance material of older editions (also with the NBA). Bach's St. John Passion is one of the greatest Passion settings in music history. It underwent several fundamental...
Can be combined with the performance material of older editions (also with the NBA). Bach's St. John Passion is one of the greatest Passion settings in music history. It underwent several fundamental...
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Bachs Johannespassion gehört zu den grossartigsten Passionsvertonungen der Musikgeschichte. Sie erlebte zu Bachs Lebzeiten mehrere grundlegende Umgestaltungen. Carus bietet alle erhaltenen Fassungen....
Bachs Johannespassion gehört zu den grossartigsten Passionsvertonungen der Musikgeschichte. Sie erlebte zu Bachs Lebzeiten mehrere grundlegende Umgestaltungen. Carus bietet alle erhaltenen Fassungen....
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In good time for the Reformation anniversary year 2017, this edition offers four distinctive movements from Johann Sebastian Bach's Reformation cantatas in arrangements for choir and organ. From the c...
In good time for the Reformation anniversary year 2017, this edition offers four distinctive movements from Johann Sebastian Bach's Reformation cantatas in arrangements for choir and organ. From the c...
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- Jens Wollenschläger
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In good time for the Reformation anniversary year 2017, this edition offers four distinctive movements from Johann Sebastian Bach's Reformation cantatas in arrangements for choir and organ. From the c...
In good time for the Reformation anniversary year 2017, this edition offers four distinctive movements from Johann Sebastian Bach's Reformation cantatas in arrangements for choir and organ. From the c...
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- Jens Wollenschläger
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Carl Philipp Emanuel Bach's 9-movement Magnificat from 1749, his first major Berlin vocal work, is one of the most sonorous and, in the vocal solo parts, also one of the most demanding settings of the...
Carl Philipp Emanuel Bach's 9-movement Magnificat from 1749, his first major Berlin vocal work, is one of the most sonorous and, in the vocal solo parts, also one of the most demanding settings of the...
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When we hear the words "Johann Sebastian Bach" and "Magnificat", we immediately think of his famous Magnificat in D major BWV 243 or E flat major BWV 243a. However, during his time as St. Thomas' Cant...
When we hear the words "Johann Sebastian Bach" and "Magnificat", we immediately think of his famous Magnificat in D major BWV 243 or E flat major BWV 243a. However, during his time as St. Thomas' Cant...
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- Johann Sebastian Bach
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Hosanna to the Son of David opens Telemann's cantata cycle "Musicalisches Lob Gottes in der Gemeine des Herrn" as a cantata for the 1st Advent. The year is based on poems by the Hamburg Jacobi chief p...
Hosanna to the Son of David opens Telemann's cantata cycle "Musicalisches Lob Gottes in der Gemeine des Herrn" as a cantata for the 1st Advent. The year is based on poems by the Hamburg Jacobi chief p...
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The Frankfurt Whitsun cantata from 1717 presents the choir and the four soloists with rewarding tasks and features a virtuoso recorder player in the opening chorus and in two of the three arias.
The Frankfurt Whitsun cantata from 1717 presents the choir and the four soloists with rewarding tasks and features a virtuoso recorder player in the opening chorus and in two of the three arias.
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Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...
Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...
- Soloists (SS), 2 Mixed Choirs (SATB), 4 Violins, 2 Violas and 2 Basso continuo
- Choral Score (Urtext)
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Coro SATB, Org - Orgelauszug
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Coro SATB, Org - Orgelauszug
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Psalm 112 was composed by the 22-year-old George Frideric Handel during his stay in Italy. The thematic material of the composition comes in part from one of Handel's early works in Halle, which uses...
Psalm 112 was composed by the 22-year-old George Frideric Handel during his stay in Italy. The thematic material of the composition comes in part from one of Handel's early works in Halle, which uses...
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After Johann Adolf Hasse had finished his work for the opera stage and settled in Venice for good, he still wrote some church music. Out of old ties with the Saxon court, in whose service the composer...
After Johann Adolf Hasse had finished his work for the opera stage and settled in Venice for good, he still wrote some church music. Out of old ties with the Saxon court, in whose service the composer...
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Two complete Requiem settings by Johann Adolf Hasse have survived. Hasse composed the C major Requiem for the Saxon Elector Friedrich August II. Only a few weeks later, his son Elector Friedrich Chris...
Two complete Requiem settings by Johann Adolf Hasse have survived. Hasse composed the C major Requiem for the Saxon Elector Friedrich August II. Only a few weeks later, his son Elector Friedrich Chris...
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The 30 or so mass settings by Johann Michael Haydn are masterpieces of their genre and were extremely popular during his lifetime. In his sacred music, the composer achieved a synthesis of counterpoin...
The 30 or so mass settings by Johann Michael Haydn are masterpieces of their genre and were extremely popular during his lifetime. In his sacred music, the composer achieved a synthesis of counterpoin...
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The "Requiem in B flat" is Johann Michael Haydn's second setting of the liturgical text of the requiem mass and also his last work, his "Opus ultimum" (another Requiem MH 599 turned out to be the work...
The "Requiem in B flat" is Johann Michael Haydn's second setting of the liturgical text of the requiem mass and also his last work, his "Opus ultimum" (another Requiem MH 599 turned out to be the work...
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George Frideric Handel is regarded as the first and most important English representative of the oratorio genre. The Messiah in particular is regarded as the epitome of sacred music and is also one of...
George Frideric Handel is regarded as the first and most important English representative of the oratorio genre. The Messiah in particular is regarded as the epitome of sacred music and is also one of...
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