Baroque Sheet Music: Explore the Classics of a Golden Era

The aria "Er Weidet Seine Herde" is part of the famous oratorio Messiah by George Frideric Handel, composed in 1741. The work sensitively conveys the image of a shepherd tending his flock, a symbol of...

The aria "Er Weidet Seine Herde" is part of the famous oratorio Messiah by George Frideric Handel, composed in 1741. The work sensitively conveys the image of a shepherd tending his flock, a symbol of...

The aria "Er Weidet Seine Herde" is part of the famous oratorio Messiah by George Frideric Handel, composed in 1741. The work sensitively conveys the image of a shepherd tending his flock, a symbol of...

The aria "Er Weidet Seine Herde" is part of the famous oratorio Messiah by George Frideric Handel, composed in 1741. The work sensitively conveys the image of a shepherd tending his flock, a symbol of...

Charles Gounod's Ave Maria contains a melody of the composer's own making played atop a slightly modified version of Johann Sebastian Bach's 'Prelude No.1 in C Major, BWV 846', from Book I of The Well...

The aria "Er Weidet Seine Herde" is part of the famous oratorio Messiah by George Frideric Handel, composed in 1741. The work sensitively conveys the image of a shepherd tending his flock, a symbol of...

The aria "Er Weidet Seine Herde" is part of the famous oratorio Messiah by George Frideric Handel, composed in 1741. The work sensitively conveys the image of a shepherd tending his flock, a symbol of...

The aria "Er Weidet Seine Herde" is part of the famous oratorio Messiah by George Frideric Handel, composed in 1741. The work sensitively conveys the image of a shepherd tending his flock, a symbol of...

The aria "Er Weidet Seine Herde" is part of the famous oratorio Messiah by George Frideric Handel, composed in 1741. The work sensitively conveys the image of a shepherd tending his flock, a symbol of...

The aria "Er Weidet Seine Herde" is part of the famous oratorio Messiah by George Frideric Handel, composed in 1741. The work sensitively conveys the image of a shepherd tending his flock, a symbol of...

The aria "Er Weidet Seine Herde" is part of the famous oratorio Messiah by George Frideric Handel, composed in 1741. The work sensitively conveys the image of a shepherd tending his flock, a symbol of...

Transcribed for Clarinessence, in which Daniel Dorff played bass clarinet, the complete Hallelujah Chorus has been adapted for quartet or ensemble. The arrangement is set in the richly resonant key of...

Based on the Urtext of the "Halle Handel Edition" Bilingual Foreword (Ger/Eng) Includes the version of the premiere as well as two further performable versions Practical, easy-to-play piano reduction...

The opera “Dido and Aeneas”, a recount of the well-known story from Book IV of Virgil's Aeneid, has established itself as a favourite with the public. This is due to the skill of composer Henry Purcel...

Les Boréades was actually intended to be performed at the Théâtre de Choisy in Paris in 1763 at the end of the Seven Years' War to celebrate the conclusion of peace. However, after two rehearsals with...

Although Rameau's "Boréades" from 1762 were not performed during his lifetime, they are his musical masterpiece and a synthesis of his compositional output. All the musical innovations to which the co...

After Hippolyte et Aricie and Castor et Pollux, Dardanus is Rameau's third tragédie lyrique for Paris. With its multifaceted music, it is an absolute highlight of this genre. Its reception is very spe...

With its detailed scene directions and many short forms such as accompagnato recitatives and ariosi, "Belshazzar" is the most dramatic of George Frideric Handel's oratorios. In fact, it is even a sacr...

Le Tambourin, an excerpt from the opera-ballet "Les Fêtes d'Hébé", is one of Jean-Philippe Rameau’s best-known works and is presented here in an arrangement by Thierry Caens. Composed in the 18th cent...

Le Tambourin, an excerpt from the opera-ballet "Les Fêtes d'Hébé", is one of Jean-Philippe Rameau’s best-known works and is presented here in an arrangement by Thierry Caens. Composed in the 18th cent...

Zaïs by Jean-Philippe Rameau (1683-1764) was first performed on February 29, 1748 at the Opéra in Paris. It is a pastorale héroïque, a form of the opéra-ballet genre of French Baroque opera that draws...

In this innovative arrangement Stanley M. Hoffman takes Henry Purcell's most popular solo aria, the 'Lament' from his opera Dido and Aeneas, and reimagines it as a work for unaccompanied soprano solo...