Baroque Sheet Music: Explore the Classics of a Golden Era

Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly negl...

Bach's cantata BWV 69a from 1723, which has remained largely unknown to this day, is available for the first time in a practical edition with this Carus edition. Unjustly, though not by chance, the wo...

The cantata 'Ich liebe den Höchsten von ganzem Gemüte' (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, kn...

The cantata 'Ich liebe den Höchsten von ganzem Gemüte' (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, kn...

The cantata 'Ich liebe den Höchsten von ganzem Gemüte' (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, kn...

The cantata "Ich liebe den Höchsten von ganzem Gemüte" BWV 174 was composed for Whit Monday in 1729. It probably belongs to Bach's fourth cantata cycle, the so-called "Picander cycle". The introductor...

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...

The Wedding Cantata BWV 195 was performed by Bach from around 1730 onwards at various wedding celebrations in varying forms and was apparently also lent out for performances abroad. The only surviving...

Although Bach's Mass in B minor is one of the most frequently performed works by the Cantor of St. Thomas's, it is full of puzzles and problems. This applies not only to the question, still unanswered...

Although Bach's Mass in B minor is one of the most frequently performed works by the Cantor of St. Thomas's, it is full of puzzles and problems. This applies not only to the question, still unanswered...

Bach's Mass in B minor is one of his largest and most ambitious works. It occupied the composer for over two decades: from the Sanctus (1724) to the "Missa" of 1733 and the supplementary Ordinary move...

Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...

Practice-oriented Urtext edition based on the current state of Bach research With compact critical report Interpretation aids for articulation by marking analogous passages in the score Each era hear...

Practice-oriented Urtext edition based on the current state of Bach research With compact critical report Interpretation aids for articulation by marking analogous passages in the score Each era hear...

Bach's Christmas Oratorio has been published as a scholarly edition for practical use as part of the Stuttgart Bach Editions. The edition is based on Bach's autograph score and the original parts. The...

With the edition of the Christmas Oratorio within the framework of the Stuttgart Bach Editions, Carus presents a scholarly edition for practical performance. The basis for this publication are Bach's...

Jauchzet, frohlocket! – Johann Sebastian Bach's Christmas Oratorio BWV 248 (BWV3 248.2) is undoubtedly one of the most radiant and beloved masterpieces of Baroque sacred music. With this complete voca...

Bach's Christmas Oratorio has been published as a scholarly edition for practical use as part of the Stuttgart Bach Editions. The edition is based on Bach's autograph score and the original parts. The...

Only the text and the last page of the autograph score of the Christmas Cantata Ehre sei Gott in der Höhe BWV 197.1 (197a) have survived, beginning with the end of the 2nd aria. This, along with the c...

Only the text and the last page of the autograph score of the Christmas Cantata Ehre sei Gott in der Höhe BWV 197.1 (197a) have survived, beginning with the end of the 2nd aria. This, along with the c...

Only the text and the last sheet of the autograph score have survived from the Christmas cantata "Glory to God in the highest" BWV 197.1 (197a), beginning with the end of the 2nd aria. This, as well a...

Only the text and the last sheet of the autograph score have survived from the Christmas cantata "Glory to God in the highest" BWV 197.1 (197a), beginning with the end of the 2nd aria. This, as well a...

Only the text and the last sheet of the autograph score have survived from the Christmas cantata "Glory to God in the highest" BWV 197.1 (197a), beginning with the end of the 2nd aria. This, as well a...