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Baroque Sheet Music: Explore the Classics of a Golden Era

The Baroque era left us with some of the most beautiful and complex works in music history. From Bach’s intricate fugues to Vivaldi’s vibrant concertos, this period is characterized by ornamental richness and emotional depth. In our shop, you will find an extensive selection of sheet music spanning from the early to the late Baroque period. We offer editions for various instruments and ensembles, allowing you to explore the diversity of this unique style with the highest editorial quality available.
Johann Sebastian Bach
Cantata for the 1st Sunday after Epiphany

The text of the cantata "Liebster Jesu, mein Verlangen" for the 1st Sunday after Epiphany in 1726 was written by the Darmstadt poet Georg Christian Lehms. The text is designed as a dialog between Jesu...

The text of the cantata "Liebster Jesu, mein Verlangen" for the 1st Sunday after Epiphany in 1726 was written by the Darmstadt poet Georg Christian Lehms. The text is designed as a dialog between Jesu...

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Order no.: CV31032-03-DL
Johann Sebastian Bach
Cantata for the 13th Sunday after Trinitatis

Kantate zum 13. Sonntag nach Trinitatis

Kantate zum 13. Sonntag nach Trinitatis

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Order no.: CV31033-03-DL
Johann Sebastian Bach
Cantata for the Feast of the Ascension of Christ

Lyricist possibly Christian Weiß the Elder. The edition contains a reconstructed violin solo part for the tenor aria no. 2 by Dürr and Hellmann

Lyricist possibly Christian Weiß the Elder. The edition contains a reconstructed violin solo part for the tenor aria no. 2 by Dürr and Hellmann

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Order no.: CV31037-03-DL
Johann Sebastian Bach
Cantata for the 1st Sunday after Trinity Sunday

The 1st Sunday after Trinity marks the beginning of the school year in Leipzig and therefore the start of a new cantata year for the Thomaskantor - completely against contemporary tradition. This also...

The 1st Sunday after Trinity marks the beginning of the school year in Leipzig and therefore the start of a new cantata year for the Thomaskantor - completely against contemporary tradition. This also...

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Order no.: CV31039-03-DL
Johann Sebastian Bach
Cantata for New Year

Kantate zu Neujahr - Soli SATB, Coro SATB, 3 Ob, 2 Vl, Va, Vcpic, 3 Tr, Bc, Timp

Kantate zu Neujahr - Soli SATB, Coro SATB, 3 Ob, 2 Vl, Va, Vcpic, 3 Tr, Bc, Timp

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Order no.: CV31041-03-DL
Johann Sebastian Bach
Cantata for Sunday Quasimodogeniti

Instead of an opening chorus, the cantata BWV 42 begins with a magnificent sinfonia in the style of the 'Brandenburg Concertos'. Bach may have taken this movement from an earlier concerto. The first a...

Instead of an opening chorus, the cantata BWV 42 begins with a magnificent sinfonia in the style of the 'Brandenburg Concertos'. Bach may have taken this movement from an earlier concerto. The first a...

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Order no.: CV31042-03-DL
Johann Sebastian Bach
Cantata for the 1st day of Pentecost

The genesis of the cantata Wer mich liebet, der wird mein Wort halten BWV 59 is somewhat enigmatic. The surviving parts attest to a performance on 1 Whitsun 1724, but the score was written well before...

The genesis of the cantata Wer mich liebet, der wird mein Wort halten BWV 59 is somewhat enigmatic. The surviving parts attest to a performance on 1 Whitsun 1724, but the score was written well before...

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Order no.: CV31059-03-DL
Johann Sebastian Bach
Cantata for the 1st Advent

The cantata's opening chorus is the first verse of the early church hymn "Veni redemptor gentium", which in Martin Luther's adaptation became the most important Advent hymn of the Protestant church. B...

The cantata's opening chorus is the first verse of the early church hymn "Veni redemptor gentium", which in Martin Luther's adaptation became the most important Advent hymn of the Protestant church. B...

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Order no.: CV31061-03-DL
Johann Sebastian Bach
Cantata for Epiphany

Bach's cantata for Epiphany (6.1.) 1724 opens with a large choral movement in the unusual orchestration of two horns, two flutes, two oboes da caccia, strings and bc. Surprising unisons characterize t...

Bach's cantata for Epiphany (6.1.) 1724 opens with a large choral movement in the unusual orchestration of two horns, two flutes, two oboes da caccia, strings and bc. Surprising unisons characterize t...

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Order no.: CV31065-03-DL
Johann Sebastian Bach
Cantata for the 2nd Easter

The composition of this parody begins in 1718 and ends with the final version in 1731. The original work is the birthday cantata "Der Himmel lacht auf Anhalts Ruhm und Glück" for Prince Leopold von An...

The composition of this parody begins in 1718 and ends with the final version in 1731. The original work is the birthday cantata "Der Himmel lacht auf Anhalts Ruhm und Glück" for Prince Leopold von An...

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Order no.: CV31066-03-DL
Johann Sebastian Bach
Cantata for Sunday Quasimodogeniti

The cantata Halt im Gedächtnis Jesum Christ BWV 67 for Quasimodigeniti 1724 focuses on the story of the unbelieving Thomas, who is understood as a symbol of the doubting Christian. In addition to stri...

The cantata Halt im Gedächtnis Jesum Christ BWV 67 for Quasimodigeniti 1724 focuses on the story of the unbelieving Thomas, who is understood as a symbol of the doubting Christian. In addition to stri...

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Order no.: CV31067-03-DL
Johann Sebastian Bach
Cantata for the 2nd day of Pentecost

Kantate zum 2. Pfingsttag. Soli SB, Coro SATB, 2 Ob, Taille (Eh), Zk (Tr), 3 Trb, 2 Vl, Va, (Vc pic), Org

Kantate zum 2. Pfingsttag. Soli SB, Coro SATB, 2 Ob, Taille (Eh), Zk (Tr), 3 Trb, 2 Vl, Va, (Vc pic), Org

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Order no.: CV31068-03-DL
Johann Sebastian Bach
Cantata for the 26th Sunday after Trinitatis

The cantata Wachet! betet! betet! wachet! was first performed on the 26th Sunday after Trinity in 1723. BWV 70.2 is one of Bach's two-part cantatas, the first part of which was performed before the se...

The cantata Wachet! betet! betet! wachet! was first performed on the 26th Sunday after Trinity in 1723. BWV 70.2 is one of Bach's two-part cantatas, the first part of which was performed before the se...

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Order no.: CV31070-03-DL
Johann Sebastian Bach
Cantata for the change of council in Mühlhausen

Kantate zum Ratswechsel in Mühlhausen. Soli SATB, Coro SATB, 3 Tr, Timp, 2 Ob, Fg, 2 Fl, Str, Org solo

Kantate zum Ratswechsel in Mühlhausen. Soli SATB, Coro SATB, 3 Tr, Timp, 2 Ob, Fg, 2 Fl, Str, Org solo

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Order no.: CV31071-03-DL
Johann Sebastian Bach
Cantata for the 3rd Sunday after Epiphany

Kantate zum 3. Sonntag nach Epiphanias. Soli SAB, Coro SATB, 2 Ob, Str, Org

Kantate zum 3. Sonntag nach Epiphanias. Soli SAB, Coro SATB, 2 Ob, Str, Org

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Johann Sebastian Bach
Cantata for the 3rd Sunday after Epiphany

Bach wrote the cantata "Herr, wie du willt, so schicks mit mir" BWV 73 for the 3rd Sunday after Epiphany in 1724. As in many other cantatas of the first year, the opening movement contains a part for...

Bach wrote the cantata "Herr, wie du willt, so schicks mit mir" BWV 73 for the 3rd Sunday after Epiphany in 1724. As in many other cantatas of the first year, the opening movement contains a part for...

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Order no.: CV31073-03-DL
Johann Sebastian Bach
Cantata for the 1st day of Pentecost

after the 2nd version by Bach

after the 2nd version by Bach

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Johann Sebastian Bach
Cantata for the 1st Sunday after Trinity Sunday

On the 1st Sunday after Trinity in 1723, Bach introduced himself as the new cantor to Leipzig's worshippers with the cantata Die Elenden sollen essen BWV 75. Like the cantatas for the 1st Sunday after...

On the 1st Sunday after Trinity in 1723, Bach introduced himself as the new cantor to Leipzig's worshippers with the cantata Die Elenden sollen essen BWV 75. Like the cantatas for the 1st Sunday after...

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Johann Sebastian Bach
Cantata for the 13th Sunday after Trinitatis

Bach composed the cantata Du sollst Gott, deinen Herrn lieben BWV 77 for the 13th Sunday after Trinity in 1723. Together with BWV 64 and 69.1, it belongs to a small group of cantatas on texts by Johan...

Bach composed the cantata Du sollst Gott, deinen Herrn lieben BWV 77 for the 13th Sunday after Trinity in 1723. Together with BWV 64 and 69.1, it belongs to a small group of cantatas on texts by Johan...

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Order no.: CV31077-03-DL
Johann Sebastian Bach
Cantata for the 14th Sunday after Trinity Sunday

The cantata Jesu, der du meine Seele BWV 78 is one of Johann Sebastian Bach's best-known vocal compositions today. It owes its popularity not least to the unusual combination of contrapuntal density i...

The cantata Jesu, der du meine Seele BWV 78 is one of Johann Sebastian Bach's best-known vocal compositions today. It owes its popularity not least to the unusual combination of contrapuntal density i...

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Johann Sebastian Bach
Cantata for the Reformation

Alongside the more well-known cantata "Ein feste Burg ist unser Gott" BWV 80, "Gott, der Herr, ist Sonn und Schild" BWV 79 is Bach's only other cantata for the Reformation festival. However, its centr...

Alongside the more well-known cantata "Ein feste Burg ist unser Gott" BWV 80, "Gott, der Herr, ist Sonn und Schild" BWV 79 is Bach's only other cantata for the Reformation festival. However, its centr...

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Johann Sebastian Bach
Cantata for Reformation Day - 1st Leipzig version

The Reformation cantata Ein feste Burg ist unser Gott BWV 80b, published by Carus-Verlag for the first time in a practical performing edition, remained unknown to Bach scholars until well into the 20t...

The Reformation cantata Ein feste Burg ist unser Gott BWV 80b, published by Carus-Verlag for the first time in a practical performing edition, remained unknown to Bach scholars until well into the 20t...

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Order no.: CV31080-55
Johann Sebastian Bach
Cantata for the 4th Sunday after Epiphany

Bach wrote the cantata "Jesus sleeps, what shall I hope" BWV 81 for the 4th Sunday after Epiphany in 1724. The cantata is designed as a short drama: At the beginning, fear has the upper hand. The sea...

Bach wrote the cantata "Jesus sleeps, what shall I hope" BWV 81 for the 4th Sunday after Epiphany in 1724. The cantata is designed as a short drama: At the beginning, fear has the upper hand. The sea...

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Order no.: CV31081-03-DL
Johann Sebastian Bach
Cantata for the Feast of the Purification of the Virgin Mary

Kantate zum Fest Mariae Reinigung. Soli ATB, Coro SATB, 2 Ob, 2 Cor, Vl solo, Str, Org - Tonart F-Dur / d-dorisch

Kantate zum Fest Mariae Reinigung. Soli ATB, Coro SATB, 2 Ob, 2 Cor, Vl solo, Str, Org - Tonart F-Dur / d-dorisch

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Johann Sebastian Bach
Cantata for Sunday Misericordias Domini

Kantate zum Sonntag Misericordias Domini. Soli SATB, Coro SATB, 2 Ob, Str, Vc pic, Org

Kantate zum Sonntag Misericordias Domini. Soli SATB, Coro SATB, 2 Ob, Str, Vc pic, Org

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The Grandeur and Detail of Baroque Masterpieces

The Foundations of Classical Music

The Baroque period, roughly from 1600 to 1750, introduced essential forms like the concerto, suite, and sonata. Composers such as J.S. Bach, Handel, and Corelli defined this sound with the use of basso continuo and counterpoint. Renowned international publishers provide critical editions that are vital for historically informed performance, respecting the conventions of the era while offering clear notation for modern players.

A Wide Range of Sheet Music and Styles

Our catalog includes sheet music for keyboard, strings, woodwinds, and chamber ensembles. We feature methods and studies for beginners who want to start learning specific Baroque techniques and ornamentation. From famous dance suites to complex oratorios, our collection has it all. We work with expert arrangers to offer versions tailored to different skill levels, ensuring every musician finds the right piece for their technical and artistic growth.

Buy Baroque Sheet Music at All Sheetmusic

All Sheetmusic offers over 1,000,000 sheet music items from publishers worldwide. We have been a trusted partner since 1969, specializing in quality literature for soloists and ensembles. With over 100,000 titles in stock for immediate delivery, we provide a fast and efficient service. Use our sample pages and audio examples to help you choose your next repertoire. Start your Baroque musical journey with us today!