Baroque Sheet Music: Explore the Classics of a Golden Era
Interest in the sacred vocal music of the Prague cathedral conductor Franz Xaver Brixi is unbroken; its relative brevity and tonal freshness in particular still guarantee absolute liturgical suitabili...
Interest in the sacred vocal music of the Prague cathedral conductor Franz Xaver Brixi is unbroken; its relative brevity and tonal freshness in particular still guarantee absolute liturgical suitabili...
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The composition by the Viennese Baroque master, which appears here in its first edition, combines southern freshness and elegance with intimate expression. The deeply felt invocation, which can also b...
The composition by the Viennese Baroque master, which appears here in its first edition, combines southern freshness and elegance with intimate expression. The deeply felt invocation, which can also b...
- Mixed Choir (SATB), 2 Violins and Continuo
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The present work also shows why the Mozart family, who were close friends with the composer, appreciated Eberlin's works so much: mastery of compositional technique is happily combined here with south...
The present work also shows why the Mozart family, who were close friends with the composer, appreciated Eberlin's works so much: mastery of compositional technique is happily combined here with south...
- Mixed Choir (SATB), 2 Violins, Cello and Organ
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The previous first-edition editions of Caldara's works by Butz Verlag have met with a great response and have aroused curiosity about the as yet unpublished treasures from the pen of this cosmopolitan...
The previous first-edition editions of Caldara's works by Butz Verlag have met with a great response and have aroused curiosity about the as yet unpublished treasures from the pen of this cosmopolitan...
- Soloists (SATB), Mixed Choir (SATB), 2 Violins and Continuo
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The harrowing Old Testament story of the army commander Jephthah, bound by a sacred vow to kill his daughter, inspired the Roman composer Giacomo Carissimi to create this intense and moving setting. W...
The harrowing Old Testament story of the army commander Jephthah, bound by a sacred vow to kill his daughter, inspired the Roman composer Giacomo Carissimi to create this intense and moving setting. W...
- Soloists (SSATB) and Basso Continuo
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The "Gloria in D" RV 589 is one of Vivaldi's best-known sacred works. The musically representative work in the style of a so-called "cantata mass" is divided into 12 parts, which differ in instrumenta...
The "Gloria in D" RV 589 is one of Vivaldi's best-known sacred works. The musically representative work in the style of a so-called "cantata mass" is divided into 12 parts, which differ in instrumenta...
- Soloists (SSA), Mixed Choir (SAB), Oboe, Trumpet, 2 Violins, Viola and Basso continuo
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- Christiane Rosiny
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The "Gloria in D" RV 589 is one of Vivaldi's best-known sacred works. The musically representative work in the style of a so-called "cantata mass" is divided into 12 parts, which differ in instrumenta...
The "Gloria in D" RV 589 is one of Vivaldi's best-known sacred works. The musically representative work in the style of a so-called "cantata mass" is divided into 12 parts, which differ in instrumenta...
- Soloists (SSA), Mixed Choir (SAB), Oboe, Trumpet, 2 Violins, Viola and Basso continuo
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- Christiane Rosiny
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In his roles as Kapellmeister at Notre-Dame Cathedral in Paris and in the royal chapel of Louis XV, André Campra composed numerous grand motets, which often show stylistic influences from contemporary...
In his roles as Kapellmeister at Notre-Dame Cathedral in Paris and in the royal chapel of Louis XV, André Campra composed numerous grand motets, which often show stylistic influences from contemporary...
- Soloists, Mixed Choir (SATBarB), 2 Flutes, 2 Oboes, 2 Violins, 2 Violas, Double Bass and Continuo
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Ultimately, he is a pupil for whom I need not feel embarrassed,' wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C. Altnickol. Altnickol's two settings of the Sanctus, based on...
Ultimately, he is a pupil for whom I need not feel embarrassed,' wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C. Altnickol. Altnickol's two settings of the Sanctus, based on...
- Choir (Unison), 2 Violins, Viola and Continuo
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- Soloists (SSAATTBB), Mixed Choir, 2 Violins and Continuo
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The impressive collection Selva morale et spirituale, first published in 1641, is a milestone in Monteverdi's oeuvre and reflects his almost 30 years of activity as a church musician in Venice. As in...
The impressive collection Selva morale et spirituale, first published in 1641, is a milestone in Monteverdi's oeuvre and reflects his almost 30 years of activity as a church musician in Venice. As in...
- Mixed Choir (SSATB), 2 Violins and Continuo
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- Soloists (SSTTB), Mixed Choir (SSTTB), 2 Violins and Continuo
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- Soloists (SSTTB), 2 Violins and Continuo
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- Soloists (SSAATTBB), Mixed Choir (SSAATTBB), 2 Violins and Continuo
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- Soloists (STB), Mixed Choir (STB), 2 Violins and Continuo
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- 2 Mixed Choirs (SATB), 2 Violins and Continuo
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Date of composition of the wedding cantata on which this work is based (BWV 34a) 1726, the parody in the first half of the 1740s
Date of composition of the wedding cantata on which this work is based (BWV 34a) 1726, the parody in the first half of the 1740s
- Soloists (ATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 3 Trumpets, Timpani, 2 Violins, Viola and Continuo
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The alto cantata 'Geist und Seele wird verwirret' has seven movements; in the opening movements of the two parts of the cantata, a lost concerto by Bach survives in its original form, which he had arr...
The alto cantata 'Geist und Seele wird verwirret' has seven movements; in the opening movements of the two parts of the cantata, a lost concerto by Bach survives in its original form, which he had arr...
- Low Voice, 2 Oboes, English Horn, 2 Violins, Viola, Continuo and Organ
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The alto cantata 'Geist und Seele wird verwirret' has seven movements; in the opening movements of the two parts of the cantata, a lost concerto by Bach survives in its original form, which he had arr...
The alto cantata 'Geist und Seele wird verwirret' has seven movements; in the opening movements of the two parts of the cantata, a lost concerto by Bach survives in its original form, which he had arr...
- Low Voice, 2 Oboes, English Horn, 2 Violins, Viola, Continuo and Organ
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The alto cantata 'Geist und Seele wird verwirret' has seven movements; in the opening movements of the two parts of the cantata, a lost concerto by Bach survives in its original form, which he had arr...
The alto cantata 'Geist und Seele wird verwirret' has seven movements; in the opening movements of the two parts of the cantata, a lost concerto by Bach survives in its original form, which he had arr...
- Low Voice, 2 Oboes, English Horn, 2 Violins, Viola, Continuo and Organ
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Experienced organists in particular will enjoy this Bach cantata: A concerto by Bach, which has been lost in its original form and which he arranged for organ, is concealed in the opening movements of...
Experienced organists in particular will enjoy this Bach cantata: A concerto by Bach, which has been lost in its original form and which he arranged for organ, is concealed in the opening movements of...
- Low Voice, 2 Oboes, English Horn, 2 Violins, Viola, Continuo and Organ
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It only became apparent a few years ago that the text of the soprano cantata 'Falsche Welt, dir trau ich nicht'' came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology stud...
It only became apparent a few years ago that the text of the soprano cantata 'Falsche Welt, dir trau ich nicht'' came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology stud...
- High Voice, Mixed Choir (SATB), 3 Oboes, Bassoon, 2 Horns, 2 Violins, Viola and Continuo
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It only became apparent a few years ago that the text of the soprano cantata 'Falsche Welt, dir trau ich nicht'' came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology stud...
It only became apparent a few years ago that the text of the soprano cantata 'Falsche Welt, dir trau ich nicht'' came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology stud...
- High Voice, Mixed Choir (SATB), 3 Oboes, Bassoon, 2 Horns, 2 Violins, Viola and Continuo
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It only became apparent a few years ago that the text of the soprano cantata 'Falsche Welt, dir trau ich nicht'' came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology stud...
It only became apparent a few years ago that the text of the soprano cantata 'Falsche Welt, dir trau ich nicht'' came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology stud...
- High Voice, Mixed Choir (SATB), 3 Oboes, Bassoon, 2 Horns, 2 Violins, Viola and Continuo
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The soprano cantata "Falsche Welt, dir trau ich nicht" by Johann Sebastian Bach is intended for the 23rd Sunday after Trinity, which fell on November 24, 1726 in the year of its first performance. It...
The soprano cantata "Falsche Welt, dir trau ich nicht" by Johann Sebastian Bach is intended for the 23rd Sunday after Trinity, which fell on November 24, 1726 in the year of its first performance. It...
- High Voice, Mixed Choir (SATB), 3 Oboes, Bassoon, 2 Horns, 2 Violins, Viola and Continuo
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