Baroque Sheet Music: Explore the Classics of a Golden Era
Gottfried Heinrich Stölzel (1690 -1749) was a German composer. He enjoyed an outstanding reputation in his lifetime. Shortly after his death some of his compositions were still performed, and Friedric...
Gottfried Heinrich Stölzel (1690 -1749) was a German composer. He enjoyed an outstanding reputation in his lifetime. Shortly after his death some of his compositions were still performed, and Friedric...
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- Gregor Kovacic
- Baton Music
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Gottfried Heinrich Stölzel (1690 -1749) was a German composer. He enjoyed an outstanding reputation in his lifetime. Shortly after his death some of his compositions were still performed, and Friedric...
Gottfried Heinrich Stölzel (1690 -1749) was a German composer. He enjoyed an outstanding reputation in his lifetime. Shortly after his death some of his compositions were still performed, and Friedric...
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- Gregor Kovacic
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Gottfried Heinrich Stölzel (1690 -1749) was a German composer. He enjoyed an outstanding reputation in his lifetime. Shortly after his death some of his compositions were still performed, and Friedric...
Gottfried Heinrich Stölzel (1690 -1749) was a German composer. He enjoyed an outstanding reputation in his lifetime. Shortly after his death some of his compositions were still performed, and Friedric...
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- Gregor Kovacic
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During most of his career in Leipzig Bach composed about one cantata per month. About 200 of the total 300 cantatas he created have been preserved. 'Jesus bleibet meine Freude' ('Jesu, Joy of Man's De...
During most of his career in Leipzig Bach composed about one cantata per month. About 200 of the total 300 cantatas he created have been preserved. 'Jesus bleibet meine Freude' ('Jesu, Joy of Man's De...
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During most of his career in Leipzig Bach composed about one cantata per month. About 200 of the total 300 cantatas he created have been preserved. 'Jesus bleibet meine Freude' ('Jesu, Joy of Man's De...
During most of his career in Leipzig Bach composed about one cantata per month. About 200 of the total 300 cantatas he created have been preserved. 'Jesus bleibet meine Freude' ('Jesu, Joy of Man's De...
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During most of his career in Leipzig Bach composed about one cantata per month. About 200 of the total 300 cantatas he created have been preserved. 'Jesus bleibet meine Freude' ('Jesu, Joy of Man's De...
During most of his career in Leipzig Bach composed about one cantata per month. About 200 of the total 300 cantatas he created have been preserved. 'Jesus bleibet meine Freude' ('Jesu, Joy of Man's De...
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During most of his career in Leipzig Bach composed about one cantata per month. About 200 of the total 300 cantatas he created have been preserved. 'Jesus bleibet meine Freude' ('Jesu, Joy of Man's De...
During most of his career in Leipzig Bach composed about one cantata per month. About 200 of the total 300 cantatas he created have been preserved. 'Jesus bleibet meine Freude' ('Jesu, Joy of Man's De...
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With the deepest respect for Bach's genius, Respighi accepted Toscanini's request in 1930 for a transcription of Bach's great Passacaglia and Fugue in c minor. The result was a "Bravo Respighi!" from...
With the deepest respect for Bach's genius, Respighi accepted Toscanini's request in 1930 for a transcription of Bach's great Passacaglia and Fugue in c minor. The result was a "Bravo Respighi!" from...
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- Douglas McLain
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Rinaldo was the first opera Georg Friederich Händel produced for London and the first Italian opera composed specifically for the London stage. Even now it's still one of his most performed opera's. I...
Rinaldo was the first opera Georg Friederich Händel produced for London and the first Italian opera composed specifically for the London stage. Even now it's still one of his most performed opera's. I...
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- Marco Tamanini
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Rinaldo was the first opera Georg Friederich Händel produced for London and the first Italian opera composed specifically for the London stage. Even now it's still one of his most performed opera's. I...
Rinaldo was the first opera Georg Friederich Händel produced for London and the first Italian opera composed specifically for the London stage. Even now it's still one of his most performed opera's. I...
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- Marco Tamanini
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Giuseppe Baldassare Sammartini (1695 - 1750) was an Italian composer and oboist during the late Baroque and early Classical era. Due to his professional instrument, many of these sonatas were written...
Giuseppe Baldassare Sammartini (1695 - 1750) was an Italian composer and oboist during the late Baroque and early Classical era. Due to his professional instrument, many of these sonatas were written...
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- Jos van de Braak
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Ombra mai fù is the opening aria from the 1738 opera Serse by Georg Friederich Handel. The opera itself was a commercial failure, lasting only five performances in London after its premiere. In the 19...
Ombra mai fù is the opening aria from the 1738 opera Serse by Georg Friederich Handel. The opera itself was a commercial failure, lasting only five performances in London after its premiere. In the 19...
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- Jos van de Braak
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Ombra mai fù is the opening aria from the 1738 opera Serse by Georg Friederich Handel. The opera itself was a commercial failure, lasting only five performances in London after its premiere. In the 19...
Ombra mai fù is the opening aria from the 1738 opera Serse by Georg Friederich Handel. The opera itself was a commercial failure, lasting only five performances in London after its premiere. In the 19...
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- Jos van de Braak
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Ombra mai fù is the opening aria from the 1738 opera Serse by Georg Friederich Handel. The opera itself was a commercial failure, lasting only five performances in London after its premiere. In the 19...
Ombra mai fù is the opening aria from the 1738 opera Serse by Georg Friederich Handel. The opera itself was a commercial failure, lasting only five performances in London after its premiere. In the 19...
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- Jos van de Braak
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'Dido's Lament' is a recitative followed by an aria by the English composer Henry Purcell. The piece is the dramatic climax of his opera 'Dido and Aeneas' based on the Aeneis by Vergilius. The recitat...
'Dido's Lament' is a recitative followed by an aria by the English composer Henry Purcell. The piece is the dramatic climax of his opera 'Dido and Aeneas' based on the Aeneis by Vergilius. The recitat...
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- Jos van de Braak
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'Dido's Lament' is a recitative followed by an aria by the English composer Henry Purcell. The piece is the dramatic climax of his opera 'Dido and Aeneas' based on the Aeneis by Vergilius. The recitat...
'Dido's Lament' is a recitative followed by an aria by the English composer Henry Purcell. The piece is the dramatic climax of his opera 'Dido and Aeneas' based on the Aeneis by Vergilius. The recitat...
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- Jos van de Braak
- Baton Music
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'Dido's Lament' is a recitative followed by an aria by the English composer Henry Purcell. The piece is the dramatic climax of his opera 'Dido and Aeneas' based on the Aeneis by Vergilius. The recitat...
'Dido's Lament' is a recitative followed by an aria by the English composer Henry Purcell. The piece is the dramatic climax of his opera 'Dido and Aeneas' based on the Aeneis by Vergilius. The recitat...
- Concert Band (Vocal Solo (High Voice))
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- Jos van de Braak
- Baton Music
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'Dido's Lament' is a recitative followed by an aria by the English composer Henry Purcell. The piece is the dramatic climax of his opera 'Dido and Aeneas' based on the Aeneis by Vergilius. The recitat...
'Dido's Lament' is a recitative followed by an aria by the English composer Henry Purcell. The piece is the dramatic climax of his opera 'Dido and Aeneas' based on the Aeneis by Vergilius. The recitat...
- Concert Band (Vocal Solo (High Voice))
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- Jos van de Braak
- Baton Music
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The 'Concerto for Two Trumpets in C Major' by Antonio Vivaldi is one of the few solo works of the early 1700's to feature brass instruments and is among Vivaldi's best-known creations. As with the gre...
The 'Concerto for Two Trumpets in C Major' by Antonio Vivaldi is one of the few solo works of the early 1700's to feature brass instruments and is among Vivaldi's best-known creations. As with the gre...
- Concert Band (Solo/Feature: 2 Trumpets in C)
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- Jos van de Braak
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The 'Concerto for Two Trumpets in C Major' by Antonio Vivaldi is one of the few solo works of the early 1700's to feature brass instruments and is among Vivaldi's best-known creations. As with the gre...
The 'Concerto for Two Trumpets in C Major' by Antonio Vivaldi is one of the few solo works of the early 1700's to feature brass instruments and is among Vivaldi's best-known creations. As with the gre...
- Concert Band (Solo/Feature: 2 Trumpets in C)
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- Jos van de Braak
- Baton Music
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The 'Concerto for Two Trumpets in C Major' by Antonio Vivaldi is one of the few solo works of the early 1700's to feature brass instruments and is among Vivaldi's best-known creations. As with the gre...
The 'Concerto for Two Trumpets in C Major' by Antonio Vivaldi is one of the few solo works of the early 1700's to feature brass instruments and is among Vivaldi's best-known creations. As with the gre...
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- Jos van de Braak
- Baton Music
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The 'Concerto for Two Trumpets in C Major' by Antonio Vivaldi is one of the few solo works of the early 1700's to feature brass instruments and is among Vivaldi's best-known creations. As with the gre...
The 'Concerto for Two Trumpets in C Major' by Antonio Vivaldi is one of the few solo works of the early 1700's to feature brass instruments and is among Vivaldi's best-known creations. As with the gre...
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- Jos van de Braak
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Canon by Johann Pachelbel is one of the most famous and recognizable pieces of classical music. The treatment of the melody in this arrangement follows a popular Baroque tradition, the concerto grosso...
Canon by Johann Pachelbel is one of the most famous and recognizable pieces of classical music. The treatment of the melody in this arrangement follows a popular Baroque tradition, the concerto grosso...
- Concert Band (Solo/Feature: 2 Flutes)
- Score and Parts
- David Marlatt
- Eighth Note Publications
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This beautiful slow piece is ideal for that change of pace piece on a concert. This work was originally a soprano aria and the lyrical line is great to demonstrate the singing quality of the band.
This beautiful slow piece is ideal for that change of pace piece on a concert. This work was originally a soprano aria and the lyrical line is great to demonstrate the singing quality of the band.
- Concert Band
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- David Marlatt
- Eighth Note Publications
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ships within 1-2 weeks
- Concert Band
- Score
- Leonard Slatkin
- ECS Publishing
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ships within 2-4 weeks