Baroque Sheet Music: Explore the Classics of a Golden Era
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Johann Melchior Molter's Concerto (MWV IV, 12), newly arranged by Colette Mourey, combines baroque liveliness with a subtle contemporary sensibility in a fascinating way. Molter, a German composer of...
Johann Melchior Molter's Concerto (MWV IV, 12), newly arranged by Colette Mourey, combines baroque liveliness with a subtle contemporary sensibility in a fascinating way. Molter, a German composer of...
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Johann Melchior Molter's Concerto (MWV IV, 12), newly arranged by Colette Mourey, combines baroque liveliness with a subtle contemporary sensibility in a fascinating way. Molter, a German composer of...
Johann Melchior Molter's Concerto (MWV IV, 12), newly arranged by Colette Mourey, combines baroque liveliness with a subtle contemporary sensibility in a fascinating way. Molter, a German composer of...
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The Suite No. 2 (BWV 1067) by Johann Sebastian Bach is one of the most important works of the Baroque repertoire and combines elegance, virtuosity and fine contrapuntal artistry. Written in Leipzig, i...
The Suite No. 2 (BWV 1067) by Johann Sebastian Bach is one of the most important works of the Baroque repertoire and combines elegance, virtuosity and fine contrapuntal artistry. Written in Leipzig, i...
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The Suite No. 2 (BWV 1067) by Johann Sebastian Bach is one of the most important works of the Baroque repertoire and combines elegance, virtuosity and fine contrapuntal artistry. Written in Leipzig, i...
The Suite No. 2 (BWV 1067) by Johann Sebastian Bach is one of the most important works of the Baroque repertoire and combines elegance, virtuosity and fine contrapuntal artistry. Written in Leipzig, i...
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The Concerto (IRM3) by Richard Mudge is a fascinating testimony to the elegant and expressive style of the 18th century English composer. With a clear and balanced writing style, Mudge unfolds a lumin...
The Concerto (IRM3) by Richard Mudge is a fascinating testimony to the elegant and expressive style of the 18th century English composer. With a clear and balanced writing style, Mudge unfolds a lumin...
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The Concerto (IRM3) by Richard Mudge is a fascinating testimony to the elegant and expressive style of the 18th century English composer. With a clear and balanced writing style, Mudge unfolds a lumin...
The Concerto (IRM3) by Richard Mudge is a fascinating testimony to the elegant and expressive style of the 18th century English composer. With a clear and balanced writing style, Mudge unfolds a lumin...
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Sonata "La Caprara" (op. 35, no. 10) by Maurizio Cazzati fully embodies the elegance and clarity of the Italian Baroque style of the 17th century. This sonata demonstrates the composer's fine melodic...
Sonata "La Caprara" (op. 35, no. 10) by Maurizio Cazzati fully embodies the elegance and clarity of the Italian Baroque style of the 17th century. This sonata demonstrates the composer's fine melodic...
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Sonata "La Caprara" (op. 35, no. 10) by Maurizio Cazzati fully embodies the elegance and clarity of the Italian Baroque style of the 17th century. This sonata demonstrates the composer's fine melodic...
Sonata "La Caprara" (op. 35, no. 10) by Maurizio Cazzati fully embodies the elegance and clarity of the Italian Baroque style of the 17th century. This sonata demonstrates the composer's fine melodic...
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The concerto by Giuseppe Romanino, a composer of great musical sensitivity, reveals the full expressive richness of the late Italian Baroque style. This radiant and carefully constructed work combines...
The concerto by Giuseppe Romanino, a composer of great musical sensitivity, reveals the full expressive richness of the late Italian Baroque style. This radiant and carefully constructed work combines...
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The concerto by Giuseppe Romanino, a composer of great musical sensitivity, reveals the full expressive richness of the late Italian Baroque style. This radiant and carefully constructed work combines...
The concerto by Giuseppe Romanino, a composer of great musical sensitivity, reveals the full expressive richness of the late Italian Baroque style. This radiant and carefully constructed work combines...
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Antonio Vivaldi's Concerto RV 230, Op. 3, arranged by Colette Mourey, demonstrates the fullness and virtuosity of the Italian Baroque style. A true masterpiece of contrasts and energy, it captivates w...
Antonio Vivaldi's Concerto RV 230, Op. 3, arranged by Colette Mourey, demonstrates the fullness and virtuosity of the Italian Baroque style. A true masterpiece of contrasts and energy, it captivates w...
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Antonio Vivaldi's Concerto RV 230, Op. 3, arranged by Colette Mourey, demonstrates the fullness and virtuosity of the Italian Baroque style. A true masterpiece of contrasts and energy, it captivates w...
Antonio Vivaldi's Concerto RV 230, Op. 3, arranged by Colette Mourey, demonstrates the fullness and virtuosity of the Italian Baroque style. A true masterpiece of contrasts and energy, it captivates w...
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Das dieser Bearbeitung zugrunde liegende 'Concerto a 4 Violini Senza Basso del Sigr. Melante' (ein aus den Buchstaben seines Namens gebildetes Pseudonym), TWV 40:202, wurde ca. 1730 von Telemann kompo...
Das dieser Bearbeitung zugrunde liegende 'Concerto a 4 Violini Senza Basso del Sigr. Melante' (ein aus den Buchstaben seines Namens gebildetes Pseudonym), TWV 40:202, wurde ca. 1730 von Telemann kompo...
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Concerti anachronistici for various solo instruments, strings and basso continuo Dominique Roggen has always loved writing music that adheres to Baroque-era principles of musical counterpoint, form, a...
Concerti anachronistici for various solo instruments, strings and basso continuo Dominique Roggen has always loved writing music that adheres to Baroque-era principles of musical counterpoint, form, a...
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Concerti anachronistici for various solo instruments, strings and basso continuo Dominique Roggen has always loved writing music that adheres to Baroque-era principles of musical counterpoint, form, a...
Concerti anachronistici for various solo instruments, strings and basso continuo Dominique Roggen has always loved writing music that adheres to Baroque-era principles of musical counterpoint, form, a...
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The collection of 12 fantasias for solo violin (TWV 40:14-25) by Georg Philipp Telemann (1681-1757) was first published in Hamburg in 1735. The Italian influence of the sonata and concerto is clearly...
The collection of 12 fantasias for solo violin (TWV 40:14-25) by Georg Philipp Telemann (1681-1757) was first published in Hamburg in 1735. The Italian influence of the sonata and concerto is clearly...
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The collection of 12 fantasias for solo violin (TWV 40:14-25) by Georg Philipp Telemann (1681-1757) was first published in Hamburg in 1735. The Italian influence of the sonata and concerto is clearly...
The collection of 12 fantasias for solo violin (TWV 40:14-25) by Georg Philipp Telemann (1681-1757) was first published in Hamburg in 1735. The Italian influence of the sonata and concerto is clearly...
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