Baroque Sheet Music: Explore the Classics of a Golden Era
The Italian Concerto (BWV 971) by Johann Sebastian Bach is one of the composer's most important works and brilliantly demonstrates his exploration of the Italian concerto style. Inspired by Vivaldi, a...
The Italian Concerto (BWV 971) by Johann Sebastian Bach is one of the composer's most important works and brilliantly demonstrates his exploration of the Italian concerto style. Inspired by Vivaldi, a...
- Bassoon and Piano
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- Colette Mourey
- Editions Marc Reift
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The Sonata No. 1 by Pietro Baldassare reflects the subtle Baroque style of the early eighteenth century and combines formal clarity with expressive melody. Baldassare, who was mainly active in Germany...
The Sonata No. 1 by Pietro Baldassare reflects the subtle Baroque style of the early eighteenth century and combines formal clarity with expressive melody. Baldassare, who was mainly active in Germany...
- Bassoon and Piano
- Piano Score and Part(s)
- Colette Mourey
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The Sonata No. 1 by Pietro Baldassare reflects the subtle Baroque style of the early eighteenth century and combines formal clarity with expressive melody. Baldassare, who was mainly active in Germany...
The Sonata No. 1 by Pietro Baldassare reflects the subtle Baroque style of the early eighteenth century and combines formal clarity with expressive melody. Baldassare, who was mainly active in Germany...
- Bassoon and Piano
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- Colette Mourey
- Editions Marc Reift
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The Concerto (S. Z799) by Alessandro Marcello was composed at the beginning of the 18th century and is one of the most important works of the Italian Baroque. It impresses with the elegance of its mus...
The Concerto (S. Z799) by Alessandro Marcello was composed at the beginning of the 18th century and is one of the most important works of the Italian Baroque. It impresses with the elegance of its mus...
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- Colette Mourey
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The Concerto (S. Z799) by Alessandro Marcello was composed at the beginning of the 18th century and is one of the most important works of the Italian Baroque. It impresses with the elegance of its mus...
The Concerto (S. Z799) by Alessandro Marcello was composed at the beginning of the 18th century and is one of the most important works of the Italian Baroque. It impresses with the elegance of its mus...
- Bassoon and Piano
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- Colette Mourey
- Editions Marc Reift
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The Sonata in F major by Benedetto Marcello impressively embodies the spirit of the Italian Baroque at the beginning of the 18th century. The cultivated Venetian composer develops a noble and expressi...
The Sonata in F major by Benedetto Marcello impressively embodies the spirit of the Italian Baroque at the beginning of the 18th century. The cultivated Venetian composer develops a noble and expressi...
- Bassoon and Piano
- Piano Score and Part(s)
- Jean-François Michel
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The Sonata in F major by Benedetto Marcello impressively embodies the spirit of the Italian Baroque at the beginning of the 18th century. The cultivated Venetian composer develops a noble and expressi...
The Sonata in F major by Benedetto Marcello impressively embodies the spirit of the Italian Baroque at the beginning of the 18th century. The cultivated Venetian composer develops a noble and expressi...
- Bassoon and Piano
- Piano Score and Part(s) Download
- Jean-François Michel
- Editions Marc Reift
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The Sonata HWV 370 by George Frideric Handel (1685-1759) is a luminous and expressive work that demonstrates the composer's Baroque genius. It is characterized by its balance between virtuosity and el...
The Sonata HWV 370 by George Frideric Handel (1685-1759) is a luminous and expressive work that demonstrates the composer's Baroque genius. It is characterized by its balance between virtuosity and el...
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- Colette Mourey
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The Sonata HWV 370 by George Frideric Handel (1685-1759) is a luminous and expressive work that demonstrates the composer's Baroque genius. It is characterized by its balance between virtuosity and el...
The Sonata HWV 370 by George Frideric Handel (1685-1759) is a luminous and expressive work that demonstrates the composer's Baroque genius. It is characterized by its balance between virtuosity and el...
- Bassoon and Piano
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- Colette Mourey
- Editions Marc Reift
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Composed in the early 18th century, the Oboe Concerto No. 3 in B flat major, Op. 7 by Tomaso Albinoni demonstrates the elegance of the Venetian Baroque. A master of lyricism and formal clarity, Albino...
Composed in the early 18th century, the Oboe Concerto No. 3 in B flat major, Op. 7 by Tomaso Albinoni demonstrates the elegance of the Venetian Baroque. A master of lyricism and formal clarity, Albino...
- Bassoon and Piano
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- Bertrand Moren
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Composed in the early 18th century, the Oboe Concerto No. 3 in B flat major, Op. 7 by Tomaso Albinoni demonstrates the elegance of the Venetian Baroque. A master of lyricism and formal clarity, Albino...
Composed in the early 18th century, the Oboe Concerto No. 3 in B flat major, Op. 7 by Tomaso Albinoni demonstrates the elegance of the Venetian Baroque. A master of lyricism and formal clarity, Albino...
- Bassoon and Piano
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- Bertrand Moren
- Editions Marc Reift
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The sonata RV 58 "Il Pastor Fido" is an emblematic work that has been attributed to Antonio Vivaldi, but whose actual author is the French musician Nicolas Chédeville. Published in the 18th century un...
The sonata RV 58 "Il Pastor Fido" is an emblematic work that has been attributed to Antonio Vivaldi, but whose actual author is the French musician Nicolas Chédeville. Published in the 18th century un...
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- Colette Mourey
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The sonata RV 58 "Il Pastor Fido" is an emblematic work that has been attributed to Antonio Vivaldi, but whose actual author is the French musician Nicolas Chédeville. Published in the 18th century un...
The sonata RV 58 "Il Pastor Fido" is an emblematic work that has been attributed to Antonio Vivaldi, but whose actual author is the French musician Nicolas Chédeville. Published in the 18th century un...
- Bassoon and Piano
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- Colette Mourey
- Editions Marc Reift
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Tomaso Albinoni is one of the most important representatives of Italian instrumental music of the early 18th century. His Concerto a Cinque Op. 7 No. 6 perfectly illustrates the elegance and clarity o...
Tomaso Albinoni is one of the most important representatives of Italian instrumental music of the early 18th century. His Concerto a Cinque Op. 7 No. 6 perfectly illustrates the elegance and clarity o...
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- Colette Mourey
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Tomaso Albinoni is one of the most important representatives of Italian instrumental music of the early 18th century. His Concerto a Cinque Op. 7 No. 6 perfectly illustrates the elegance and clarity o...
Tomaso Albinoni is one of the most important representatives of Italian instrumental music of the early 18th century. His Concerto a Cinque Op. 7 No. 6 perfectly illustrates the elegance and clarity o...
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- Colette Mourey
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Johann Sebastian Bach’s Concertos BWV 595 & 984, arranged by Colette Mourey, impressively showcase the full expressive richness and architectural mastery of Bach’s compositional style. These two works...
Johann Sebastian Bach’s Concertos BWV 595 & 984, arranged by Colette Mourey, impressively showcase the full expressive richness and architectural mastery of Bach’s compositional style. These two works...
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- Colette Mourey
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Georg Friedrich Handel’s Concerto a due cori, HWV 334, belongs to his mature Baroque orchestral period. The work is characterized by its monumental structure and its dialogic style, which is based on...
Georg Friedrich Handel’s Concerto a due cori, HWV 334, belongs to his mature Baroque orchestral period. The work is characterized by its monumental structure and its dialogic style, which is based on...
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Instruments: 1 Solo Bassoon - Difficuly Level: Grade 2 - Duration: 1 mn 30 s - Musical Style: Classical, Educational - Category: Arrangement, Republished Master Piece - Composer: Marc Antoine CHARPENT...
Instruments: 1 Solo Bassoon - Difficuly Level: Grade 2 - Duration: 1 mn 30 s - Musical Style: Classical, Educational - Category: Arrangement, Republished Master Piece - Composer: Marc Antoine CHARPENT...
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- Eric Vireton
- Flex Editions
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Instruments: 1 Solo Bassoon - Difficuly Level: Grade 3 - Duration: 4 mn 25 s - Musical Style: Classical, Educational - Category: Arrangement, Republished Master Piece - Composer: Johann Sebastian BACH...
Instruments: 1 Solo Bassoon - Difficuly Level: Grade 3 - Duration: 4 mn 25 s - Musical Style: Classical, Educational - Category: Arrangement, Republished Master Piece - Composer: Johann Sebastian BACH...
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- Eric Vireton
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SONATA IN G MINOR, Op. 26, No. 5 was composed by French Baroque composer Joseph Bodin de Boismortier (1689-1755). Written for bassoon or violoncello and piano, Boismortier had flexible instrumentation...
SONATA IN G MINOR, Op. 26, No. 5 was composed by French Baroque composer Joseph Bodin de Boismortier (1689-1755). Written for bassoon or violoncello and piano, Boismortier had flexible instrumentation...
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- Ludwig Music Publishing Company
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Adapted from Six Suites for Violoncello, this selection arranged for unaccompanied bassoon solo at the advanced level contains the first five suites.
Adapted from Six Suites for Violoncello, this selection arranged for unaccompanied bassoon solo at the advanced level contains the first five suites.
- Bassoon
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- Arthur Weisberg
- Ludwig Music Publishing Company
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- Bassoon
- Sheet Music
- Eric Ruske
- ND-Verlag
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Attractive and very concerto for Bassoon with either piano or strings. The five Concertos of Henry Hargrave were published in 1760 or 1765 and were available to customers in London, Grantham and Cambr...
Attractive and very concerto for Bassoon with either piano or strings. The five Concertos of Henry Hargrave were published in 1760 or 1765 and were available to customers in London, Grantham and Cambr...
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Attractive and very concerto for Bassoon with either piano or strings. The five Concertos of Henry Hargrave were published in 1760 or 1765 and were available to customers in London, Grantham and Cambr...
Attractive and very concerto for Bassoon with either piano or strings. The five Concertos of Henry Hargrave were published in 1760 or 1765 and were available to customers in London, Grantham and Cambr...
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The opening Chorus from Bach's Cantata № 10: "Meine Seel erhebt den Herren". This arrangement requires four bassoons and either a soprano/mezzo, or a choir singing in unison (upper voices only). In 1...
The opening Chorus from Bach's Cantata № 10: "Meine Seel erhebt den Herren". This arrangement requires four bassoons and either a soprano/mezzo, or a choir singing in unison (upper voices only). In 1...
- Voice and 4 Bassoons
- Sheet Music
- Clifton Edition
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