Baroque Sheet Music: Explore the Classics of a Golden Era

This radiant Sinfonia opens Part 2 of Bach's Christmas Oratorio (1734) — the only cantata in the cycle without an opening chorus. Instead, Bach lets the orchestra speak, capturing the moment heaven an...

This radiant Sinfonia opens Part 2 of Bach's Christmas Oratorio (1734) — the only cantata in the cycle without an opening chorus. Instead, Bach lets the orchestra speak, capturing the moment heaven an...

This charming set of short dances was originally written for Oboe and Strings by Barbirolli based upon themes by Corelli. Here the solo Oboe is replaced by a solo Flute or Piccolo; an ideal 'first 'co...

A pair of baroque gems! A lyrical Largo and a lively Vivace, chosen from Arcangelo Corelli's much loved 12 Concerti Grossi, published in 1714. Arranged for four C flutes,  the Largo offers an opportun...

A pair of baroque gems! A lyrical Largo and a lively Vivace, chosen from Arcangelo Corelli's much loved 12 Concerti Grossi, published in 1714. Arranged for four C flutes,  the Largo offers an opportun...

Bach composed the Italian Concerto in 1735 "nach Italienischem Gusto" - in the Italian style - specifically for a two manual harpsichord. Inspired by the concerto grosso tradition of Corelli and Vival...

Bach composed the Italian Concerto in 1735 "nach Italienischem Gusto" - in the Italian style - specifically for a two manual harpsichord. Inspired by the concerto grosso tradition of Corelli and Vival...

These 3 dances (Air, Menuet and Bouree) are ideal for a mixed ability quartet or choir: easy enough for the beginner flutes, with plenty to challenge the slightly more advanced player.

These 3 dances (Air, Menuet and Bouree) are ideal for a mixed ability quartet or choir: easy enough for the beginner flutes, with plenty to challenge the slightly more advanced player.

A large and lively arrangement of the famous opening from Act 3 of Handel's Oratorio Solomon. The inclusion of two Piccolos as the piece progresses gives extra brightness and an organ-like quality to...

A large and lively arrangement of the famous opening from Act 3 of Handel's Oratorio Solomon. The inclusion of two Piccolos as the piece progresses gives extra brightness and an organ-like quality to...

Handel first used this tune as a Sarabande in an early opera, and again as an Aria in a later oratorio, but it is most famous as the beautiful soprano aria from his hit opera 'Rinaldo'. The 1st and 2n...

Handel first used this tune as a Sarabande in an early opera, and again as an Aria in a later oratorio, but it is most famous as the beautiful soprano aria from his hit opera 'Rinaldo'. The 1st and 2n...

Handel first used this tune as a Sarabande in an early opera, and again as an Aria in an oratorio, but it is most famous as the beautiful soprano aria from his hit opera 'Rinaldo'. The 1st and 2nd flu...

Handel first used this tune as a Sarabande in an early opera, and again as an Aria in an oratorio, but it is most famous as the beautiful soprano aria from his hit opera 'Rinaldo'. The 1st and 2nd flu...

The first movement from Concerto No. 4 in F minor: l'inverno for 3 flutes and alto. Vivaldi string music seems to work remarkably well on flutes, and there is real scope for exploring a variety of col...

The first movement from Concerto No. 4 in F minor: l'inverno for 3 flutes and alto. Vivaldi string music seems to work remarkably well on flutes, and there is real scope for exploring a variety of col...

The 2nd movement from 'Winter' features a Piccolo solo which highlights the warm (and often neglected) timbre of the mid register.

The 2nd movement from 'Winter' features a Piccolo solo which highlights the warm (and often neglected) timbre of the mid register.

The most varied movement of the three, this piece allows great contrast of colour, texture and articulation and each of the insruments has plenty to get their (chattering) teeth into!

The most varied movement of the three, this piece allows great contrast of colour, texture and articulation and each of the insruments has plenty to get their (chattering) teeth into!

All three movements from Concerto No. 4 in F minor: l'inverno. See seperate piece listings for details.

All three movements from Concerto No. 4 in F minor: l'inverno. See seperate piece listings for details.

Vivaldi's Concerto RV 439 "La Notte" (The Night). Dark and thrilling, with moments of stillness set alongside electric faster sections - an exciting concert piece for an advanced quartet. This piece i...

Vivaldi's Concerto RV 439 "La Notte" (The Night). Dark and thrilling, with moments of stillness set alongside electric faster sections - an exciting concert piece for an advanced quartet. This piece i...