Baroque Sheet Music: Explore the Classics of a Golden Era

Instruments: Horn and Clarinet Quartet: 1 F Horn 3 Bb Clarinets 1 Bass Clarinet - Difficuly Level: Grade 4 - Duration: 4 mn 10 s - Musical Style: Classical - Category: Arrangement - Composer: Johann S...

Instruments: Euphonium and Clarinet Quartet: 1 Euphonium 3 Bb Clarinets 1 Bass Clarinet - Difficuly Level: Grade 4 - Duration: 4 mn 10 s - Musical Style: Classical - Category: Arrangement - Composer:...

Instruments: Trombone and Clarinet Quartet: 1 Trombone 3 Bb Clarinets 1 Bass Clarinet - Difficuly Level: Grade 4 - Duration: 4 mn 10 s - Musical Style: Classical - Category: Arrangement - Composer: Jo...

Instruments: Wind Quartet: 1 Oboe 1 F Horn 1 Hautbois 1 Bassoon - Difficuly Level: Grade 3 - Duration: 1 mn 40 - Musical Style: Classical - Category: Arrangement - Composer: Marc-Antoine CHARPENTIER -...

Instruments: Wind Quartet: 1 Oboe 1 Bb Clarinet 1 F Horn 1 Bassoon - Difficuly Level: Grade 3 - Duration: 2 mn 20 - Musical Style: Classical - Category: Arrangement - Composer: Johann Sebastian BACH -...

This work by George Fredric Handel is, in some ways, a mini-sonata. It starts with a bright rhythmic duet of clarinet and horn supported by an interesting accompaniment, then progresses to a slow sect...

This edition draws on the unique characteristics of the ensemble, making it an outstanding addition to the repertoire. Audiences will instantly recognize this immortal Pachelbel tune, and performers w...

This edition draws on the unique characteristics of the ensemble, making it an outstanding addition to the repertoire. Audiences will instantly recognize this immortal Pachelbel tune, and performers w...

for Wind Quintet. An arrangement of a familiar work, appropriate for a variety of programs, and suitable for student groups. Cleverly adapted from the 'Flute Suite,' this arrangement contains the Minu...

Concerto D-Dur (9Trp.3Pk.9Ob.3Fag)

The Hunt (La Caccia) is taken from Telemann's Concerto for Violin in F major. It depicts a scene that, in his lifetime, was a popular subject for artists and composers. Hunting, whether of the deer, t...

Purcell (with Dryden) completed the 'semi-opera' King Arthur in 1685, to celebrate the twenty-fifth anniversary of the Restoration. After some private performances, the premiere had to be postponed, d...

This work (originally for lute or mandolin) is great for a wind quintet. The solo part is not too difficult yet interesting for players to perform and the audience to listen to.

The 1566 madrigal "Vestiva i colli" from Palestrina's fifth book appears here in a chamber trio arrangement following the model of Bartolomeo de Selma y Salaverde (1638). The violin presents the brigh...

Il madrigale "Vestiva i colli", pubblicato nel 1566 nel quinto libro di Palestrina, è uno dei vertici della musica profana rinascimentale. Questa versione da camera per trio segue l'arrangiamento di B...

Published in 1566 within Palestrina's fifth book of madrigals, "Vestiva i colli" stands as one of the Renaissance's most beloved secular works. This chamber trio arrangement follows the model set by B...

Il madrigale Vestiva i colli, pubblicato nel 1566 nel quinto libro di Palestrina, è qui proposto in una versione da camera per trio ispirata all'arrangiamento di Bartolomeo de Selma y Salaverde (1638)...

For flute, cello or viola, and piano.

Originally scored in D major for counter-tenor, with trumpet and strings, the work is here arranged by John Rutter for performance by soprano and organ (or strings and organ continuo), with or without...

for violin, viola, cello, double bass, and piano. This stylish and approachable arrangement of Scarlatti's Sonata in D (K.119) (originally composed for keyboard) is vivacious and dance-like in charact...

for violin, viola, cello, double bass, and piano. This arrangement of Scarlatti's Sonata in E (K. 215), which was originally composed for keyboard, is restrained and melodic, as well as being stylish...

Originally scored in D major for counter-tenor, with trumpet and strings, the work is here arranged by John Rutter for performance by soprano and organ (or strings and organ continuo), with or without...

A splendid curtain-raiser to Vivaldi's Gloria, Francesco Durante's artful Magnificat has long been misattributed to his pupil Pergolesi in a version for four voices, not five. Durante's vocally richer...

A splendid curtain-raiser to Vivaldi's Gloria, Francesco Durante's artful Magnificat has long been misattributed to his pupil Pergolesi in a version for four voices, not five. Durante's vocally richer...