Baroque Sheet Music: Explore the Classics of a Golden Era
> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...
> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...
- Soloists (ATB), Mixed Choir (SSATB), 2 Oboes, Bassoon, 3 Trumpets, Timpani, 3 Violins, Viola and Continuo
- Piano Reduction (Urtext)
- Andreas Köhs
- Bärenreiter Verlag
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Handel composed the 'Te Deum' in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum'. Here it is called 'Te Deum for Cannons' after the Duke's stately hom...
Handel composed the 'Te Deum' in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum'. Here it is called 'Te Deum for Cannons' after the Duke's stately hom...
- Mixed Choir (STTTB) and Orchestra
- Piano Reduction (Urtext)
- Andreas Köhs
- Bärenreiter Verlag
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Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....
Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....
- Soloists (SATB), Mixed Choir (SATB), Flute, 2 Oboes, 2 Trumpets, Timpani, 2 Violins, Viola and Continuo
- Piano Reduction (Urtext)
- Bärenreiter Verlag
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In Georg Philipp Telemann’s opera “Orpheus”, the focus is not on Eurydice, but on Queen Orasia, who is inflamed with mad but unrequited love for the legendary singer. The first documented performance...
In Georg Philipp Telemann’s opera “Orpheus”, the focus is not on Eurydice, but on Queen Orasia, who is inflamed with mad but unrequited love for the legendary singer. The first documented performance...
- Soloists, Mixed Choir and Orchestra
- Piano Reduction (Urtext)
- Andreas Köhs René Jacobs
- Bärenreiter Verlag
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Imeneo was performed for the first time on November 22, 1740 at the theater in Lincoln's Inn Field in London; a second performance took place on December 13, 1740. In contrast to the variety of events...
Imeneo was performed for the first time on November 22, 1740 at the theater in Lincoln's Inn Field in London; a second performance took place on December 13, 1740. In contrast to the variety of events...
- Soloists (SSABB) and Orchestra
- Piano reduction Download (Urtext)
- Michael Pacholke
- Bärenreiter Verlag
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> First Urtext edition based on Georg Philipp Telemann Musical Works > An attractive addition to the repertoire with a view to the Telemann Year 2017 > Bilingual Foreword (Ger/Eng) > Uncluttered idiom...
> First Urtext edition based on Georg Philipp Telemann Musical Works > An attractive addition to the repertoire with a view to the Telemann Year 2017 > Bilingual Foreword (Ger/Eng) > Uncluttered idiom...
- Soloists (SATB), Mixed Choir (SATB) and Continuo
- Piano Score
- Andreas Köhs
- Bärenreiter Verlag
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The vocal score of Henry Purcell's famous opera 'Dido and Aeneas' is based on the Bärenreiter Urtext edition of the full score. As its main source served the Tatton Park manuscript (National Trust), w...
The vocal score of Henry Purcell's famous opera 'Dido and Aeneas' is based on the Bärenreiter Urtext edition of the full score. As its main source served the Tatton Park manuscript (National Trust), w...
- Soloists, Mixed Choir (SATB) and Orchestra
- Piano Reduction (Urtext)
- Timothy Roberts
- Bärenreiter Verlag
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The new edition of the "Indes galantes" within the "Opera Omnia Rameau" (OOR IV.2, 7) restores in the main part of the score the version as authorized by Rameau in 1736. This fundamental editorial dec...
The new edition of the "Indes galantes" within the "Opera Omnia Rameau" (OOR IV.2, 7) restores in the main part of the score the version as authorized by Rameau in 1736. This fundamental editorial dec...
- Soloists, Mixed Choir (SATB) and Orchestra
- Piano Reduction Download
- François Saint-Yves
- Bärenreiter Verlag
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- Soloists (SSTB), Mixed Choir (SATB) and Orchestra
- Piano Reduction
- François Saint-Yves
- Bärenreiter Verlag
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- Soloists (SSTB), Mixed Choir (SATB) and Orchestra
- Piano Reduction Download
- François Saint-Yves
- Bärenreiter Verlag
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Here is a lively chorus for mixed voices and 4-hand piano from Handel's first English masterwork, Acis and Galatea. The music is cheerful and colorful, and it offers singers valuable experience in per...
Here is a lively chorus for mixed voices and 4-hand piano from Handel's first English masterwork, Acis and Galatea. The music is cheerful and colorful, and it offers singers valuable experience in per...
- Mixed Choir (SATB) and Piano 4 Hands
- Piano Score
- Ryan Kelly
- Boosey & Hawkes
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Of Eberlin's 56 known masses to date, this "Missa in C" is the shortest. Characterized by its ornate setting and ease of performance, the work is characterized as a mass for everyday use, which was in...
Of Eberlin's 56 known masses to date, this "Missa in C" is the shortest. Characterized by its ornate setting and ease of performance, the work is characterized as a mass for everyday use, which was in...
- Soloists (SATB) and Mixed Choir (SATB)
- Piano Reduction Download
- Carus-Verlag
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- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction
- Breitkopf & Härtel
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This arrangement of Dido's Lament was written for the funeral of the composer's friend Frank Campbell. As Frank was such an accomplished pianist, no keyboard music was included in the service in defer...
This arrangement of Dido's Lament was written for the funeral of the composer's friend Frank Campbell. As Frank was such an accomplished pianist, no keyboard music was included in the service in defer...
- Mixed Choir (SATB)
- Choral Score
- Gavin Bryars
- Schott Musik
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Reihe Elisabeth Musiquen 18, inkl. Kritischer Bericht Johann Georg Ebeling, 1637 in Lüneburg geboren, wird bisher allein als Amtsnachfolger von Johann Crüger (1598-1662) als Lehrer am Gymnasium zum Gr...
Reihe Elisabeth Musiquen 18, inkl. Kritischer Bericht Johann Georg Ebeling, 1637 in Lüneburg geboren, wird bisher allein als Amtsnachfolger von Johann Crüger (1598-1662) als Lehrer am Gymnasium zum Gr...
- 2–6 vocal parts, strings, and basso continuo","detected_source_language":"DE
- Score
- Ortus Musikverlag
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Discover the masterful sonic blend of warm woodwind and noble brass: The "3 Duos Concertants Op. 48" for horn and bassoon offer an exceptional chamber music piece full of charm, lively dialogue, and m...
Discover the masterful sonic blend of warm woodwind and noble brass: The "3 Duos Concertants Op. 48" for horn and bassoon offer an exceptional chamber music piece full of charm, lively dialogue, and m...
- Horn and Bassoon
- Score and Parts
- Accolade Musikverlag
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- 2 Oboes, 2 Horns and Bassoon
- Score and Parts
- UT Orpheus Edizioni
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This is a straightforward; yet beautiful arrangement of the famous tune. It will require sensitive musicianship and good technique; but is such a fine piece; it practically plays itself.
This is a straightforward; yet beautiful arrangement of the famous tune. It will require sensitive musicianship and good technique; but is such a fine piece; it practically plays itself.
- Flute, Oboe, Clarinet, Horn and Bassoon
- Score and Parts
- Daniel Dorff
- Theodore Presser Company
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An arrangement for wind quintet of five movements from Handel's Music for the Royal Fireworks.
An arrangement for wind quintet of five movements from Handel's Music for the Royal Fireworks.
- 5 Wind Instruments
- Score and Parts
- Bram Wiggins
- Queen's Temple
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TWV 44:8 für 2 Hörner, 2 Oboen (Violinen) und Fagott, herausgegeben von Roland Steinfeld. Die Suite beginnt mit einer französischen Ouvertüre, in der ein schneller, angedeutet fugierter Teil mit konze...
TWV 44:8 für 2 Hörner, 2 Oboen (Violinen) und Fagott, herausgegeben von Roland Steinfeld. Die Suite beginnt mit einer französischen Ouvertüre, in der ein schneller, angedeutet fugierter Teil mit konze...
- 2 horns, 2 oboes and bassoon
- Sheet Music
- Edition Walhall
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- Bassoon, Violin, Viola, Cello and Piano
- Score and Parts
- Accolade Musikverlag
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- Clarinet, Violin, Viola and Cello
- Score and Parts
- Accolade Musikverlag
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Der Stimmensatz enthält: 3 x Violine 1, 3 x Violine 2, 2 x Viola, 3 x Basso, Cembalo
Der Stimmensatz enthält: 3 x Violine 1, 3 x Violine 2, 2 x Viola, 3 x Basso, Cembalo
- Bassoon, 2 Violins, Viola and Continuo
- Set of Parts (Urtext)
- Accolade Musikverlag
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- Bassoon, 2 Violins, Viola and Continuo
- Score (Urtext)
- Accolade Musikverlag
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With Capriccio 'La Speranza' for oboe, bassoon, and piano, musicians will discover an expressive and sonorous chamber work full of wit and emotion. True to its programmatic title—"The Hope"—the piece...
With Capriccio 'La Speranza' for oboe, bassoon, and piano, musicians will discover an expressive and sonorous chamber work full of wit and emotion. True to its programmatic title—"The Hope"—the piece...
- Oboe, Bassoon and Piano
- Piano Score and Part(s)
- Accolade Musikverlag
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