Baroque Sheet Music: Explore the Classics of a Golden Era
Orchestration: ( = optional): 2 Flutes, 3 Oboes, 2 Clarinets in Bb, 2 Bassoons (%26 contra bassoon) 3 Horns in F, 3 Trumpets in D or Bb, 2 Trombones, Timpani, Side drum Strings (Violin 1, Violin 2, Vi...
Orchestration: ( = optional): 2 Flutes, 3 Oboes, 2 Clarinets in Bb, 2 Bassoons (%26 contra bassoon) 3 Horns in F, 3 Trumpets in D or Bb, 2 Trombones, Timpani, Side drum Strings (Violin 1, Violin 2, Vi...
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Orchestration: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons 2 Horns in F (or Eb), 2 Trumpets in Bb, 2 Trombones, Timpani Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass) This Rondeau,...
Orchestration: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons 2 Horns in F (or Eb), 2 Trumpets in Bb, 2 Trombones, Timpani Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass) This Rondeau,...
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- Nigel Wicken
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Orchestration: 2 Flutes (2nd doubling piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (3 players: Tam-tam, Glockenspiel, Xylopho...
Orchestration: 2 Flutes (2nd doubling piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (3 players: Tam-tam, Glockenspiel, Xylopho...
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George Philipp Telemann (1681-1767) loved to read, a fact well-represented by his Don Quixote Suite: Ouverture in G No. 10, TWV 55:G10 (Burlesque de Quichotte) for strings. Introducing his subject wit...
George Philipp Telemann (1681-1767) loved to read, a fact well-represented by his Don Quixote Suite: Ouverture in G No. 10, TWV 55:G10 (Burlesque de Quichotte) for strings. Introducing his subject wit...
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- Felix Schroeder
- Edwin F. Kalmus
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George Philipp Telemann (1681-1767) loved to read, a fact well-represented by his Don Quixote Suite: Ouverture in G No. 10, TWV 55:G10 (Burlesque de Quichotte) for strings. Introducing his subject wit...
George Philipp Telemann (1681-1767) loved to read, a fact well-represented by his Don Quixote Suite: Ouverture in G No. 10, TWV 55:G10 (Burlesque de Quichotte) for strings. Introducing his subject wit...
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- Felix Schroeder
- Edwin F. Kalmus
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The Brandenburg Concertos are a collection of six instrumental works by Johann Sebastian Bach (1685-1750) written around or before 1721 to be presented to Christian Ludwig, the Margrave of Brandenburg...
The Brandenburg Concertos are a collection of six instrumental works by Johann Sebastian Bach (1685-1750) written around or before 1721 to be presented to Christian Ludwig, the Margrave of Brandenburg...
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- Edwin F. Kalmus
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The Brandenburg Concertos are a collection of six instrumental works by Johann Sebastian Bach (1685-1750) written around or before 1721 to be presented to Christian Ludwig, the Margrave of Brandenburg...
The Brandenburg Concertos are a collection of six instrumental works by Johann Sebastian Bach (1685-1750) written around or before 1721 to be presented to Christian Ludwig, the Margrave of Brandenburg...
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This edition of George Frideric Handel's (1685-1759) most famous work was adapted for performances in Vienna by Wolfgang Amadeus Mozart (1756-1791). Suggested by Gottfried van Swieten, the German libr...
This edition of George Frideric Handel's (1685-1759) most famous work was adapted for performances in Vienna by Wolfgang Amadeus Mozart (1756-1791). Suggested by Gottfried van Swieten, the German libr...
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- Wolfgang Amadeus Mozart
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This edition of George Frideric Handel's (1685-1759) most famous work was adapted for performances in Vienna by Wolfgang Amadeus Mozart (1756-1791). Suggested by Gottfried van Swieten, the German libr...
This edition of George Frideric Handel's (1685-1759) most famous work was adapted for performances in Vienna by Wolfgang Amadeus Mozart (1756-1791). Suggested by Gottfried van Swieten, the German libr...
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- Wolfgang Amadeus Mozart
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L'Estro armonico (The Harmonic Inspiration) is a collection of 12 concerti by Antonio Vivaldi (1678-1741) for stringed instruments first published in 1711. No. 11 in D minor (RV 565/F.IV.11) is in thr...
L'Estro armonico (The Harmonic Inspiration) is a collection of 12 concerti by Antonio Vivaldi (1678-1741) for stringed instruments first published in 1711. No. 11 in D minor (RV 565/F.IV.11) is in thr...
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- Alexander Siloti
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L'Estro armonico (The Harmonic Inspiration) is a collection of 12 concerti by Antonio Vivaldi (1678-1741) for stringed instruments first published in 1711. No. 11 in D minor (RV 565/F.IV.11) is in thr...
L'Estro armonico (The Harmonic Inspiration) is a collection of 12 concerti by Antonio Vivaldi (1678-1741) for stringed instruments first published in 1711. No. 11 in D minor (RV 565/F.IV.11) is in thr...
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- Alexander Siloti
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The SAINT JOHN PASSION, BWV 245, is the oldest of the surviving J.S. Bach (1685-1750) Passions, written during his first year as director of church music in Leipzig. It was premiered on April 7, 1724,...
The SAINT JOHN PASSION, BWV 245, is the oldest of the surviving J.S. Bach (1685-1750) Passions, written during his first year as director of church music in Leipzig. It was premiered on April 7, 1724,...
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The SAINT JOHN PASSION, BWV 245, is the oldest of the surviving J.S. Bach (1685-1750) Passions, written during his first year as director of church music in Leipzig. It was premiered on April 7, 1724,...
The SAINT JOHN PASSION, BWV 245, is the oldest of the surviving J.S. Bach (1685-1750) Passions, written during his first year as director of church music in Leipzig. It was premiered on April 7, 1724,...
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The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...
The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...
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- Moritz Hauptmann
- Edwin F. Kalmus
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The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...
The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...
- Mixed Choir (SATB), Soloists and Orchestra
- Score and Parts
- Moritz Hauptmann
- Edwin F. Kalmus
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The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...
The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...
- Mixed Choir (SATB), Soloists and Orchestra
- Organ Score
- Moritz Hauptmann
- Edwin F. Kalmus
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The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...
The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...
- Mixed Choir (SATB), Soloists and Orchestra
- Choral Score
- Gustav Schreck John Ebenezer West
- Edwin F. Kalmus
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On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...
On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...
- Mixed Choir (SATB), Soloists and Orchestra
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- Wilhelm Rust Max Seiffert
- Edwin F. Kalmus
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On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...
On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...
- Mixed Choir (SATB), Soloists and Orchestra
- Score and Parts
- Wilhelm Rust Max Seiffert
- Edwin F. Kalmus
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On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...
On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...
- Mixed Choir (SATB), Soloists and Orchestra
- Choral Score
- Gunter Raphael, Bernhard Todt
- Edwin F. Kalmus
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This edition of George Frideric Handel's most famous work was edited by Ebenezer Prout, and includes additional accompaniments largely re-written by him. The preface provided by Prout offers an extens...
This edition of George Frideric Handel's most famous work was edited by Ebenezer Prout, and includes additional accompaniments largely re-written by him. The preface provided by Prout offers an extens...
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- Score
- Ebenezer Prout
- Edwin F. Kalmus
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This edition of George Frideric Handel's most famous work was edited by Ebenezer Prout, and includes additional accompaniments largely re-written by him. The preface provided by Prout offers an extens...
This edition of George Frideric Handel's most famous work was edited by Ebenezer Prout, and includes additional accompaniments largely re-written by him. The preface provided by Prout offers an extens...
- Soloists (SATB), Mixed Choir and Orchestra
- Score and Parts
- Ebenezer Prout
- Edwin F. Kalmus
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ships within 2-4 weeks
This edition of George Frideric Handel's most famous work was edited by Ebenezer Prout, and includes additional accompaniments largely re-written by him. The preface provided by Prout offers an extens...
This edition of George Frideric Handel's most famous work was edited by Ebenezer Prout, and includes additional accompaniments largely re-written by him. The preface provided by Prout offers an extens...
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EIN' FESTE BURG IST UNSER GOTT ("A Mighty Fortress Is Our God") is among the best known hymns written by reformer Martin Luther, and has been used by many composers, including by J.S. Bach, in various...
EIN' FESTE BURG IST UNSER GOTT ("A Mighty Fortress Is Our God") is among the best known hymns written by reformer Martin Luther, and has been used by many composers, including by J.S. Bach, in various...
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- Leopold Stokowski
- Edwin F. Kalmus
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EIN' FESTE BURG IST UNSER GOTT ('A Mighty Fortress Is Our God') is among the best known hymns written by reformer Martin Luther, and has been used by many composers, including by J.S. Bach, in various...
EIN' FESTE BURG IST UNSER GOTT ('A Mighty Fortress Is Our God') is among the best known hymns written by reformer Martin Luther, and has been used by many composers, including by J.S. Bach, in various...
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- Leopold Stokowski Edwin E. Heilakka
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