Baroque Sheet Music: Explore the Classics of a Golden Era
mit singbarer englischer Übersetzung - Soli SSATB, Org - Tonart g-dorisch
mit singbarer englischer Übersetzung - Soli SSATB, Org - Tonart g-dorisch
- Soloists and Organ
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Das deutsche Nunc dimittis 'Herr, nun lässest du deinen Diener' hat Schütz 1656 anlässlich des Todes des sächsischen Kurfürsten Johann Georg I. gleich 'auf zweyerlei Art' vertont und drucken lassen. D...
Das deutsche Nunc dimittis 'Herr, nun lässest du deinen Diener' hat Schütz 1656 anlässlich des Todes des sächsischen Kurfürsten Johann Georg I. gleich 'auf zweyerlei Art' vertont und drucken lassen. D...
- Mixed Choir (SSATTB) and Continuo
- Instrumental Part: Continuo
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Das deutsche Nunc dimittis, Canticum für die liturgische Vesper, hat Schütz 1656 anlässlich des Todes des sächsischen Kurfürsten Johann Georg I. gleich 'auf zweyerlei Art' vertont und drucken lassen....
Das deutsche Nunc dimittis, Canticum für die liturgische Vesper, hat Schütz 1656 anlässlich des Todes des sächsischen Kurfürsten Johann Georg I. gleich 'auf zweyerlei Art' vertont und drucken lassen....
- Mixed Choir (SSATTB) and Continuo
- Instrumental Part: Continuo
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- Choir and Ensemble
- Set of Parts
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Frühfassung von SWV 386 - Fav SSATTB, 6 Instr, [Coro SSATTB, 6 Instr, Cb, Org] - Tonart g-dorisch
Frühfassung von SWV 386 - Fav SSATTB, 6 Instr, [Coro SSATTB, 6 Instr, Cb, Org] - Tonart g-dorisch
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Frühfassung von SWV 386 - Fav SSATTB, 6 Instr, [Coro SSATTB, 6 Instr, Cb, Org] - Tonart g-dorisch
Frühfassung von SWV 386 - Fav SSATTB, 6 Instr, [Coro SSATTB, 6 Instr, Cb, Org] - Tonart g-dorisch
- Choir and Instrument
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Frühfassung von SWV 386 - Fav SSATTB, 6 Instr, [Coro SSATTB, 6 Instr, Cb, Org] - Tonart g-dorisch
Frühfassung von SWV 386 - Fav SSATTB, 6 Instr, [Coro SSATTB, 6 Instr, Cb, Org] - Tonart g-dorisch
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In his Christmas motet 'Hodie Christus natus est' Schütz employs the full mastery of his madrigalian musical language and exploits all the sonorous richness which the six part scoring offers him. The...
In his Christmas motet 'Hodie Christus natus est' Schütz employs the full mastery of his madrigalian musical language and exploits all the sonorous richness which the six part scoring offers him. The...
- Mixed Choir (SSATTB) and Continuo
- Instrumental Part: Continuo
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In his Christmas motet 'Hodie Christus natus est' Schütz employs the full mastery of his madrigalian musical language and exploits all the sonorous richness which the six part scoring offers him. The...
In his Christmas motet 'Hodie Christus natus est' Schütz employs the full mastery of his madrigalian musical language and exploits all the sonorous richness which the six part scoring offers him. The...
- Mixed Choir (SSATTB) and Continuo
- Instrumental Part: Organ
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Der reiche Mann und der arme Lazarus. Evangeliendialog - Tonart g-dorisch
Der reiche Mann und der arme Lazarus. Evangeliendialog - Tonart g-dorisch
- 5 Voices, 2 Flutes, 2 Violins, Double Bass and Organ
- Choral Score
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Opus 7. Begräbnismusik in drei Teilen für sechs, acht oder mehr Stimmen mit Generalbass
Opus 7. Begräbnismusik in drei Teilen für sechs, acht oder mehr Stimmen mit Generalbass
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- Tonart : g-dorisch
- Tonart : g-dorisch
- Choir
- Instrumental Parts: Cello and Double Bass
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Johann Sebastian Bach's motets are rightly regarded as one of, if not THE pinnacle of sophisticated a cappella literature. They not only unfold a kaleidoscope of compositional possibilities, but have...
Johann Sebastian Bach's motets are rightly regarded as one of, if not THE pinnacle of sophisticated a cappella literature. They not only unfold a kaleidoscope of compositional possibilities, but have...
- CD (Choral Part: Soprano)
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Johann Sebastian Bach's motets are rightly regarded as one of, if not THE pinnacle of sophisticated a cappella literature. They not only unfold a kaleidoscope of compositional possibilities, but have...
Johann Sebastian Bach's motets are rightly regarded as one of, if not THE pinnacle of sophisticated a cappella literature. They not only unfold a kaleidoscope of compositional possibilities, but have...
- CD (Choral Part: Alto)
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Johann Sebastian Bach's motets are rightly regarded as one of, if not THE pinnacle of sophisticated a cappella literature. They not only unfold a kaleidoscope of compositional possibilities, but have...
Johann Sebastian Bach's motets are rightly regarded as one of, if not THE pinnacle of sophisticated a cappella literature. They not only unfold a kaleidoscope of compositional possibilities, but have...
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Johann Sebastian Bach's motets are rightly regarded as one of, if not THE pinnacle of sophisticated a cappella literature. They not only unfold a kaleidoscope of compositional possibilities, but have...
Johann Sebastian Bach's motets are rightly regarded as one of, if not THE pinnacle of sophisticated a cappella literature. They not only unfold a kaleidoscope of compositional possibilities, but have...
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For many choral singers Jesu, meine Freude is not just a motet by Bach, but the motet par excellence. Bachs motets as a whole have to be described as exceptional works, but even amongst these this is...
For many choral singers Jesu, meine Freude is not just a motet by Bach, but the motet par excellence. Bachs motets as a whole have to be described as exceptional works, but even amongst these this is...
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- Instrumental Part: Organ
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For many choral singers, Jesu, meine Freude BWV 227 is not one, but Bach's motet. And indeed, among the exceptional works that Bach's motets as a whole must be described as, it is once again an except...
For many choral singers, Jesu, meine Freude BWV 227 is not one, but Bach's motet. And indeed, among the exceptional works that Bach's motets as a whole must be described as, it is once again an except...
- Mixed Choir (SATB) and Continuo
- Instrumental Part: Organ (Download)
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in stock
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Johann Sebastian Bachs Magnificat BWV 243 entstand in seiner ersten Form in Es ganz zu Beginn von Bachs Leipziger Amtszeit zu Mariae Heimsuchung am 2.7.1723; für eine Wiederaufführung am 1. Weihnachts...
Johann Sebastian Bachs Magnificat BWV 243 entstand in seiner ersten Form in Es ganz zu Beginn von Bachs Leipziger Amtszeit zu Mariae Heimsuchung am 2.7.1723; für eine Wiederaufführung am 1. Weihnachts...
- Soloists (SSATB), Mixed Choir (SSATB) and Orchestra
- CD (Choral Part: Soprano)
- Sylvester Stewart
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Johann Sebastian Bachs Magnificat BWV 243 entstand in seiner ersten Form in Es ganz zu Beginn von Bachs Leipziger Amtszeit zu Mariae Heimsuchung am 2.7.1723; für eine Wiederaufführung am 1. Weihnachts...
Johann Sebastian Bachs Magnificat BWV 243 entstand in seiner ersten Form in Es ganz zu Beginn von Bachs Leipziger Amtszeit zu Mariae Heimsuchung am 2.7.1723; für eine Wiederaufführung am 1. Weihnachts...
- Soloists (SSATB), Mixed Choir (SSATB) and Orchestra
- mp3 File (Choral Part: Soprano) Download
- Sylvester Stewart
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immediately available
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Johann Sebastian Bachs Magnificat BWV 243 entstand in seiner ersten Form in Es ganz zu Beginn von Bachs Leipziger Amtszeit zu Mariae Heimsuchung am 2.7.1723; für eine Wiederaufführung am 1. Weihnachts...
Johann Sebastian Bachs Magnificat BWV 243 entstand in seiner ersten Form in Es ganz zu Beginn von Bachs Leipziger Amtszeit zu Mariae Heimsuchung am 2.7.1723; für eine Wiederaufführung am 1. Weihnachts...
- Soloists (SSATB), Mixed Choir (SSATB) and Orchestra
- CD (Choral Part: Alto)
- Sylvester Stewart
- Carus-Verlag
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ships within 2-5 working days
- Also available for download!
Johann Sebastian Bachs Magnificat BWV 243 entstand in seiner ersten Form in Es ganz zu Beginn von Bachs Leipziger Amtszeit zu Mariae Heimsuchung am 2.7.1723; für eine Wiederaufführung am 1. Weihnachts...
Johann Sebastian Bachs Magnificat BWV 243 entstand in seiner ersten Form in Es ganz zu Beginn von Bachs Leipziger Amtszeit zu Mariae Heimsuchung am 2.7.1723; für eine Wiederaufführung am 1. Weihnachts...
- Soloists (SSATB), Mixed Choir (SSATB) and Orchestra
- mp3 File (Choral Part: Alto) Download
- Sylvester Stewart
- Carus-Verlag
-
immediately available
Download immediately after ordering - Instant download