Bertold Hummel: Intermediate Sheet Music

The edition is part of the ABRSM syllabus (grade 7).

A tone series, heard at the beginning in unison, is the basic material to be formed in the first movement. The intervals of a minor third and a fourth or fifth play a special role, whether in the melo...

Die Fantasia bucolica für Viola und Kammerorchester op. 13f (ursprünglicher Titel: Fantasie in D) entstand im Jahr 1956 im Auftrag des Kleinen Unterhaltungsorchesters Südwestfunk Baden-Baden. Im selbe...

Die Paraphrase ist ein gefälliges Werk, das die persönliche Note des Komponisten unterstreicht. Das Quartett ist technisch nicht allzu schwierig und kann auch von fortgeschrittenen Schülern gespielt w...

Gesangstechnik verbessern mit Vokalisen!In der Tradition von Mendelssohns Liedern ohne Worte komponiert, mit künstlerischem und pädagogischem Anspruch.

The edition is part of the ABRSM syllabus (grade 7& 8).

The title of this piece refers to a melody written over a vowel for singing exercises to train the agility and control of pitch and its timbre. To accompany it, this edition for clarinet and piano app...

Stimmensatz - je 1x Violine 1 bis 8, je 1x Viola 1 und 2, je 1x Violoncello 1 und 2, 1x Kontrabass

In 1953, the year of the world premiere, the press summed up the gist of the organ piece by the then not-yet-30-year-old composer as follows: 'Monumentally powerful, atonal chord patterns in the intro...

A tone series, heard at the beginning in unison, is the basic material to be formed in the first movement. The intervals of a minor third and a fourth or fifth play a special role, whether in the melo...

This four-movement piece was designed as a double quartet and, as the title implies, is like a little symphony. The varied sound is the result of harmonics, glissandos, pizzicatos, fingerboard and ins...

Hummel's Vocalise is available in different editions (each with piano accompaniment) and, following 19th-century tradition, is conducive to breath phrasing, confidence in intonation and the methodolog...

Hummel's Vocalise is available in different editions (each with piano accompaniment) and, following 19th-century tradition, is conducive to breath phrasing, confidence in intonation and the methodolog...

Bertold Hummel worked on his Adagietto for many years. Originally conceived as an Elegy for Strings in 1965, it was transformed into an Adagietto for String Sextet in 1978 and published for the first...

Bertold Hummel composed the Concerto for Bassoon and String Orchestra first with the basset horn as solo instrument before arranging it for bassoon at the suggestion of Eberhard Buschmann. The piece i...

The title of this piece refers to the place of the world premiere, Bad Säckingen, where the members of the European Trumpet Guild gathered in November 2000. Bertold Hummel was commissioned to compose...

The title of the piece refers to the place of its premiere, Bad Säckingen. It was there that the members of the European Trumpet Guild gathered in November 2000. Bertold Hummel was asked to compose a...

What most makes me a human being?' This is the existential question that Vincent Van Gogh asked his brother in a letter and that he answered himself at once: 'A person who doesn't feel small - who doe...

Written for church services, Bertold Hummel's motets were first performed by the choirs of the Würzburg Cathedral. This Dankhymnus enjoys remarkable popularity. The text from the first Christian centu...

This Ave Maria is an arrangement made by Bertold Hummel in December 1997 of his motet Gegrüßet seist du, Maria [Hail Maria] (C 53714) which he had composed on 20 May 1993 with a dedication in memory o...

Die Motette Gegrüsset seist du, Maria komponierte Bertold Hummel am 20. Mai 1993 und widmete sie dem Gedenken seiner tief gläubigen Schwester Erika. Mein Vater, der im selben Jahr auch das Würzburger...