Billy Strayhorn Jazz Ensemble Sheet Music

Billy Strayhorn's iconic jazz standard, recorded by Duke Ellington, is skillfully adapted in this easy version. From the trademark introduction, saxes on the main theme, and short written or ad lib. s...

This very special and historic publication is an exact transcription of the 1941 version recorded by Duke Ellington. David Berger's expertise is evident in the completely voiced out rhythm parts and w...

This arrangement, first known as Elf, was originally written sometime in 1963. It was first recorded in New York on July 18, 1963. The title had been changed to Isfahan sometime before the Duke Elling...

Put together the brilliant composer Billy Strayhorn and superb arranger Alan Baylock, and you will have an outstanding musical experience. This is the alto sax feature you have been looking for-not te...

'Total Jazz' is a shuffle blues chart in G. This flexible head chart can be opened up for any soloist, and features great riffs that go into a 3/4-time coda.

One of the Duke's most loved melodies in an easy setting for vocal soloist. Skillfully handled by Jerry Nowak.

Grade 4. (Taylor)

If you know the music of the brilliant composer Billy Strayhorn, you will love this chart. A clever melody, and an outstanding chart that seriously swings all the way. Solos are written out for tenor,...

Frank Foster, leader and arranger for the Count Basie band, penned this version of the classic big band tune. Recreate that great Basie sound with your own ensemble, using the same chart they use. Won...

Recorded in several different versions and contexts over the years, this version of Billy Strayhorn's 'Snibor' is taken from the Ellington band's 1967 posthumous tribute album '...And His Mother Calle...

The great Strayhorn tune set in a wonderfully playable chart with Holman's unique, clever approach. There are no unreasonable ranges in this piece, and there is solo space for alto, tenor and trombone...

Warner Bros. Publications is proud to present this important series, Jazz at Lincoln Center Library. Each selection was selected by the Center's musical director, Wynton Marsalis. Each transcription i...

Composed by the legendary Billy Strayhorn, this is truly one of the masterpieces of jazz. Mark Taylor has beautifully crafted a feature for alto sax using a variety of styles and settings. Basically s...

Composed by the legendary Billy Strayhorn, this is truly one of the masterpieces of jazz. Mark Taylor has beautifully crafted a feature for alto sax using a variety of styles and settings. Basically s...

Here is Billy Strayhorn's beloved ballad, skillfully arranged with subtle reharmonizations and reworkings of the melody, all the while remaining faithful to the original intent. Featured are solos for...

Here is Billy Strayhorn's beloved ballad, skillfully arranged with subtle reharmonizations and reworkings of the melody, all the while remaining faithful to the original intent. Featured are solos for...

A beautiful alto saxophone ballad, the tempo is around 72 BPM and the instrumentation is 5 saxes, 1 trumpet, 3 trombones, piano, bass, drums. Edited and adapted in exacting detail.

A beautiful alto saxophone ballad, the tempo is around 72 BPM and the instrumentation is 5 saxes, 1 trumpet, 3 trombones, piano, bass, drums. Edited and adapted in exacting detail.

Eine der schönsten Balladen überhaupt aus der Feder des brillanten Komponisten und Arrangeurs Billy Strayhorn. In der Bearbeitung von Mike Kamuf mit Bossa-Nova-Teil im Double-Time-Feeling werden Sie j...

Composed by the legendary Billy Strayhorn, this is truly one of the masterpieces of jazz. Mark Taylor has beautifully crafted a feature for alto sax using a variety of styles and settings. Basically s...

Here is Billy Strayhorn's beloved ballad, skillfully arranged with subtle reharmonizations and reworkings of the melody, all the while remaining faithful to the original intent. Featured are solos for...

This arrangement was written by Billy Strayhorn in 1963 and was first performed in Sweden on March 9, 1964. While on tour in Europe during that year Ellington introduced several pieces as Impressions...

In early 1967 Strayhorn, who was suffering from esophagael cancer and the effects of radiation treatment, set out to compose a multi-movement work in which one of sections was to be titled Blue Cloud....

In 1959 Mercer Ellington assembled his dad's working ensemble in a New York studio to record an album for Coral Records that is known as Colors in Rhythm. The idea was to take a few of Mercer's origin...