Breitkopf & Haertel Orchestra Sheet Music

Klaus Doege reevaluates the surviving sources. The result is an edition that precisely traces the many, often contradictory, readings between the autograph and the first printing in a text-critical ma...

Klaus Doege reevaluates the surviving sources. The result is an edition that precisely traces the many, often contradictory, readings between the autograph and the first printing in a text-critical ma...

Klaus Doege reevaluates the surviving sources. The result is an edition that precisely traces the many, often contradictory, readings between the autograph and the first printing in a text-critical ma...

Klaus Doege reevaluates the surviving sources. The result is an edition that precisely traces the many, often contradictory, readings between the autograph and the first printing in a text-critical ma...

Oh, the tempi! A terrible thing!, Dvorák repeatedly complained. Not without reason, as the renowned Dvorák expert Klaus Döge found in the edition of the '8th'.

Oh, the tempi! A terrible thing!, Dvorák repeatedly complained. Not without reason, as the renowned Dvorák expert Klaus Döge found in the edition of the '8th'.

Oh, the tempi! A terrible thing!, Dvorák repeatedly complained. Not without reason, as the renowned Dvorák expert Klaus Döge found in the edition of the '8th'.

Oh, the tempi! A terrible thing!, Dvorák repeatedly complained. Not without reason, as the renowned Dvorák expert Klaus Döge found in the edition of the '8th'.

Oh, the tempi! A terrible thing!, Dvorák repeatedly complained. Not without reason, as the renowned Dvorák expert Klaus Döge found in the edition of the '8th'.

Oh, the tempi! A terrible thing!, Dvorák repeatedly complained. Not without reason, as the renowned Dvorák expert Klaus Döge found in the edition of the '8th'.

When and where was Mozart's flute concerto written and for whom? 1777 or 1778, Salzburg or Mannheim? How much did Ferdinand Dejean actually pay, only 96 or the promised 200 florins?

When and where was Mozart's flute concerto written and for whom? 1777 or 1778, Salzburg or Mannheim? How much did Ferdinand Dejean actually pay, only 96 or the promised 200 florins?

When and where was Mozart's flute concerto written and for whom? 1777 or 1778, Salzburg or Mannheim? How much did Ferdinand Dejean actually pay, only 96 or the promised 200 florins?

When and where was Mozart's flute concerto written and for whom? 1777 or 1778, Salzburg or Mannheim? How much did Ferdinand Dejean actually pay, only 96 or the promised 200 florins?

Urtext despite carelessly notated autograph Mozart's late Symphony in E-flat major was composed in 1788, presumably for academy concerts that did not materialize. The new edition is based on the only...

Urtext despite carelessly notated autograph Mozart's late Symphony in E-flat major was composed in 1788, presumably for academy concerts that did not materialize. The new edition is based on the only...

Urtext despite carelessly notated autograph Mozart's late Symphony in E-flat major was composed in 1788, presumably for academy concerts that did not materialize. The new edition is based on the only...

Urtext despite carelessly notated autograph Mozart's late Symphony in E-flat major was composed in 1788, presumably for academy concerts that did not materialize. The new edition is based on the only...

Urtext despite carelessly notated autograph Mozart's late Symphony in E-flat major was composed in 1788, presumably for academy concerts that did not materialize. The new edition is based on the only...

Urtext despite carelessly notated autograph Mozart's late Symphony in E-flat major was composed in 1788, presumably for academy concerts that did not materialize. The new edition is based on the only...

Jean-François Monnard's new Urtext edition is based for the first time on a scholarly comparison of sources. It is based on Ravel's first draft of the score and his final handwritten score.

Jean-François Monnard's new Urtext edition is based for the first time on a scholarly comparison of sources. It is based on Ravel's first draft of the score and his final handwritten score.

Jean-François Monnard's new Urtext edition is based for the first time on a scholarly comparison of sources. It is based on Ravel's first draft of the score and his final handwritten score.

Jean-François Monnard's new Urtext edition is based for the first time on a scholarly comparison of sources. It is based on Ravel's first draft of the score and his final handwritten score.

Jean-François Monnard's new Urtext edition is based for the first time on a scholarly comparison of sources. It is based on Ravel's first draft of the score and his final handwritten score.