Breitkopf & Haertel Orchestra Sheet Music
- Organ and Orchestra
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Im Herbst 1909 schrieb Sibelius in sein Tagebuch: "Am Koli! Eines der größten Erlebnisse meines Lebens. Pläne [für] "La Montagne"! Es stellte sich heraus, dass es sich dabei um Pläne für die Vierte Sy...
Im Herbst 1909 schrieb Sibelius in sein Tagebuch: "Am Koli! Eines der größten Erlebnisse meines Lebens. Pläne [für] "La Montagne"! Es stellte sich heraus, dass es sich dabei um Pläne für die Vierte Sy...
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In the fall of 1909 Sibelius wrote in his diary: “At Koli! One of the greatest impressions in my life. Plans [for] ‘La Montagne’!” These plans proved to be for the Fourth Symphony. The composition pro...
In the fall of 1909 Sibelius wrote in his diary: “At Koli! One of the greatest impressions in my life. Plans [for] ‘La Montagne’!” These plans proved to be for the Fourth Symphony. The composition pro...
- Orchestra
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Strauss third tone poem Don Juan was composed in spring 1888. This work is already an impressive demonstration of the composer's newly acquired confidence in mastering the orchestral apparatus. Alread...
Strauss third tone poem Don Juan was composed in spring 1888. This work is already an impressive demonstration of the composer's newly acquired confidence in mastering the orchestral apparatus. Alread...
- Orchestra
- Score
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Mit dem Violinkonzert e-moll op. 64 MWV O 14, seinem letzten Solokonzert, schuf Felix Mendelssohn Bartholdy ein Standardwerk der Violinliteratur, das heute im Konzertrepertoire fest etabliert ist. Als...
Mit dem Violinkonzert e-moll op. 64 MWV O 14, seinem letzten Solokonzert, schuf Felix Mendelssohn Bartholdy ein Standardwerk der Violinliteratur, das heute im Konzertrepertoire fest etabliert ist. Als...
- Violin and Orchestra
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Felix Mendelssohn Bartholdy created a standard work with his final violin concerto in E minor op. 64 MWV O 14 that is now firmly established in today’s concert repertoire. When in 1838 the composer in...
Felix Mendelssohn Bartholdy created a standard work with his final violin concerto in E minor op. 64 MWV O 14 that is now firmly established in today’s concert repertoire. When in 1838 the composer in...
- Violin and Orchestra
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More than my earlier works, this one is interspersed with metrically bound rhythms and musicianly characters that constantly recrystallize and drift towards or away from familiar situations. The famil...
More than my earlier works, this one is interspersed with metrically bound rhythms and musicianly characters that constantly recrystallize and drift towards or away from familiar situations. The famil...
- 2 Violins, Viola, Cello and Orchestra
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- Orchestra
- Harmony Parts
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- Orchestra
- Instrumental Part: Viola
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- Orchestra
- Instrumental Parts: Cello and Double Bass
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- Orchestra
- Instrumental Part: Violin 1
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- Orchestra
- Instrumental Part: Violin 2
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- Soloists (SSATB), Choir and Orchestra
- Piano Reduction
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- Soloists (SSATB), Choir and Orchestra
- Piano Reduction
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- 3 Soloists, Mixed Choir (SATB), Orchestra and Continuo
- Instrumental Part: Viola da Gamba
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- Mixed Choir (SATB) and Orchestra
- Instrumental Parts: Cello 2 and Double Bass
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Soli,GCh,Orch 25'
- Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin Solo
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- Mixed Choir and Orchestra
- Instrumental Parts: Continuo and Organ (Urtext)
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- Mixed Choir and Orchestra
- Instrumental Part: Violin 1 (Urtext)
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- Mixed Choir and Orchestra
- Instrumental Part: Violin 2 (Urtext)
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- Mixed Choir and Orchestra
- Instrumental Part: Viola (Urtext)
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- Mixed Choir and Orchestra
- Instrumental Part: Cello and Double Bass (Urtext)
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Oboe (2), Oboe da caccia (English horn) Bassoon (2), Horn (2)
Oboe (2), Oboe da caccia (English horn) Bassoon (2), Horn (2)
- Mixed Choir and Orchestra
- Harmony Parts (Urtext)
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- 4 Soloists, Mixed Choir (SATB), Orchestra and Continuo
- Instrumental Part: Viola da Gamba 1
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- 4 Soloists, Mixed Choir (SATB), Orchestra and Continuo
- Instrumental Part: Viola da Gamba 2
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