Breitkopf & Hartel Urtext
150 years of edition history had to pass before the Mass in B minor finally appeared in a musical text that, as far as possible, really goes back to Johann Sebastian Bach's 'Fassung letzter Hand'.
150 years of edition history had to pass before the Mass in B minor finally appeared in a musical text that, as far as possible, really goes back to Johann Sebastian Bach's 'Fassung letzter Hand'.
- Soloist, Mixed Choir (SATB) and Orchestra
- Instrumental Part: Organ (Urtext)
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150 years of edition history had to pass before the Mass in B minor finally appeared in a musical text that, as far as possible, really goes back to Johann Sebastian Bach's 'Fassung letzter Hand'.
150 years of edition history had to pass before the Mass in B minor finally appeared in a musical text that, as far as possible, really goes back to Johann Sebastian Bach's 'Fassung letzter Hand'.
- Soloist, Mixed Choir (SATB) and Orchestra
- Instrumental Part: Viola (Urtext)
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Striving for the highest of art - with these words Franz Schubert had announced his Mass in A flat major in 1828. .
Striving for the highest of art - with these words Franz Schubert had announced his Mass in A flat major in 1828. .
- Mixed Choir (SATB) and Orchestra
- Instrumental Part: Double Bass (Urtext)
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Striving for the highest of art - with these words Franz Schubert had announced his Mass in A flat major in 1828. .
Striving for the highest of art - with these words Franz Schubert had announced his Mass in A flat major in 1828. .
- Mixed Choir (SATB) and Orchestra
- Instrumental Part: Organ (Urtext)
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Striving for the highest of art - with these words Franz Schubert had announced his Mass in A flat major in 1828. .
Striving for the highest of art - with these words Franz Schubert had announced his Mass in A flat major in 1828. .
- Mixed Choir (SATB) and Orchestra
- Instrumental Part: Viola (Urtext)
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Striving for the highest of art - with these words Franz Schubert had announced his Mass in A flat major in 1828. .
Striving for the highest of art - with these words Franz Schubert had announced his Mass in A flat major in 1828. .
- Mixed Choir (SATB) and Orchestra
- Instrumental Part: Cello (Urtext)
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- Soloists (SATB), Mixed Choir and Orchestra
- Instrumental Part: Double Bass (Urtext)
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- Soloists (SATB), Mixed Choir and Orchestra
- Instrumental Part: Organ (Urtext)
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- Soloists (SATB), Mixed Choir and Orchestra
- Instrumental Part: Viola (Urtext)
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- Soloists (SATB), Mixed Choir and Orchestra
- Instrumental Part: Cello (Urtext)
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The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
- Soloists, Mixed Choir and Orchestra
- Instrumental Part: Double Bass (Urtext)
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The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
- Soloists, Mixed Choir and Orchestra
- Instrumental Part: Organ (Urtext)
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The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
- Soloists, Mixed Choir and Orchestra
- Instrumental Part: Theorbo (Urtext)
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The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
- Soloists, Mixed Choir and Orchestra
- Instrumental Part: Viola (Urtext)
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The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
- Soloists, Mixed Choir and Orchestra
- Instrumental Part: Cello (Urtext)
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The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
- Soloists, Mixed Choir and Orchestra
- Instrumental Part: Organ (Urtext)
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The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
- Soloists, Mixed Choir and Orchestra
- Instrumental Part: Double Bass (Urtext)
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The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...
The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...
- Soloists (SATB), 2 Violins, 2 Violas and Continuo
- Instrumental Part: Organ (Urtext)
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Ein sensationeller Fund beim Revidieren: BWV 1067 in der a-moll-Urfassung für Violine
Ein sensationeller Fund beim Revidieren: BWV 1067 in der a-moll-Urfassung für Violine
- String Instrument and Continuo
- Instrumental Part: Double Bass (Urtext)
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Die Konzerte a-moll, B-dur und A-dur entstanden zwischen 1750 und 1753 zunächst als Violoncellokonzerte. Sie zählen damit zu den ältesten Konzerten für solistisches Violoncello in Deutschland überhaup...
Die Konzerte a-moll, B-dur und A-dur entstanden zwischen 1750 und 1753 zunächst als Violoncellokonzerte. Sie zählen damit zu den ältesten Konzerten für solistisches Violoncello in Deutschland überhaup...
- Cello, Strings and Continuo
- Instrumental Part: Harpsichord (Urtext)
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Die Konzerte a-moll, B-dur und A-dur entstanden zwischen 1750 und 1753 zunächst als Violoncellokonzerte. Sie zählen damit zu den ältesten Konzerten für solistisches Violoncello in Deutschland überhaup...
Die Konzerte a-moll, B-dur und A-dur entstanden zwischen 1750 und 1753 zunächst als Violoncellokonzerte. Sie zählen damit zu den ältesten Konzerten für solistisches Violoncello in Deutschland überhaup...
- Cello, Strings and Continuo
- Instrumental Part: Double Bass (Urtext)
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Die Konzerte a-moll, B-dur und A-dur entstanden zwischen 1750 und 1753 zunächst als Violoncellokonzerte. Sie zählen damit zu den ältesten Konzerten für solistisches Violoncello in Deutschland überhaup...
Die Konzerte a-moll, B-dur und A-dur entstanden zwischen 1750 und 1753 zunächst als Violoncellokonzerte. Sie zählen damit zu den ältesten Konzerten für solistisches Violoncello in Deutschland überhaup...
- Cello, Strings and Continuo
- Instrumental Part: Viola (Urtext)
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Die Konzerte a-moll, B-dur und A-dur entstanden zwischen 1750 und 1753 zunächst als Violoncellokonzerte. Sie zählen damit zu den ältesten Konzerten für solistisches Violoncello in Deutschland überhaup...
Die Konzerte a-moll, B-dur und A-dur entstanden zwischen 1750 und 1753 zunächst als Violoncellokonzerte. Sie zählen damit zu den ältesten Konzerten für solistisches Violoncello in Deutschland überhaup...
- Cello, Strings and Continuo
- Instrumental Part: Cello (Urtext)
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1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
- String Instrument, Drums, Timpani, Harp, Celesta and Piano
- Instrumental Part: Piano (Urtext)
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Felix Mendelssohn Bartholdy composed his Reformation Symphony for the celebrations marking the 300th anniversary of the 'Confessio Augustana,' the Protestant declaration of faith. Owing to various and...
Felix Mendelssohn Bartholdy composed his Reformation Symphony for the celebrations marking the 300th anniversary of the 'Confessio Augustana,' the Protestant declaration of faith. Owing to various and...
- Orchestra
- Instrumental Part: Double Bass (Urtext)
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