Camille Saint-Saëns Sheet Music for Concert Band

This well-crafted and accessible arrangement of Camille Saint-SaÙns' classic Carnival of the Animals is sure to please more than just conductors of youth wind bands. James Curnow's years of arranging...

A masterpiece of classical literature, this marvelous work adapts beautifully for concert band in the expert hands of Jay Bocook. The woodwinds and brass share the spotlight on Introduction and Royal...

Saint-Saëns also contributed voluminously to the French concertante literature. He wrote five piano concertos, three violin concertos, two cello concertos, and about twenty smaller concertante works f...

1st Trpt. written top note: D3 Grade 3+ (obere Mittelstufe) Die wohl bekannteste Sinfonie von Camille Saint-SaÙns wurde in den Jahren 1885 und 1886 komponiert. Saint-SaÙns schrieb die Sinfonie 27 Jahr...

Originally composed as a chanson for voice and piano and than transcribed for orchestra, the Danse Macabre Op. 40 is a short symphonic poem composed by Camille Saint-Saëns in 1874. Among the various p...

Bringen Sie die tiefen Stimmen ins Rampenlicht! In dieser Bearbeitung von Saint-Saens' 'Karneval der Tiere' hat Matt Conaway ein leicht zugängliches und zuhörerfreundliches Arrangement geschaffen, das...

MusicWorks - Grade 4 Exotic and exciting certainly describe this familiar work from Samson and Delilah by Saint-Sa?Öns. This masterful transcription for band by Jay Bocook presents challenging (yet ce...

A masterpiece of classical literature, this marvelous work adapts beautifully for concert band in the expert hands of Jay Bocook. The woodwinds and brass share the spotlight on Introduction and Royal...

A masterpiece of classical literature, this marvelous work adapts beautifully for concert band in the expert hands of Jay Bocook. The woodwinds and brass share the spotlight on Introduction and Royal...

Über diese gut gemachte und leicht zugängliche Bearbeitung des Klassikers Karneval der Tiere von Camille Saint-SaÙns werden sich sicherlich nicht nur Dirigenten von Jugendblasorchestern freuen. James...

An uncommon and surprising combination: violin and wind orchestra. The arrangement of this work by Camille Saint-Sa?ns was commisioned by Harmonie Orpheus Tilburg and performed at the 1997 World Music...

An uncommon and surprising combination: violin and wind orchestra. The arrangement of this work by Camille Saint-Sa?ns was commisioned by Harmonie Orpheus Tilburg and performed at the 1997 World Music...

An uncommon and surprising combination: violin and wind orchestra. The arrangement of this work by Camille Saint-Sa?ns was commisioned by Harmonie Orpheus Tilburg and performed at the 1997 World Music...

An uncommon and surprising combination: violin and wind orchestra. The arrangement of this work by Camille Saint-Sa?ns was commisioned by Harmonie Orpheus Tilburg and performed at the 1997 World Music...

The prelude from Saint-SaÙns' Christmas oratorio, to which the composer himself added the note, 'in the style of Bach'. An extremely fitting opening to any Christmas concert. (Concert Band)

The prelude from Saint-SaÙns' Christmas oratorio, to which the composer himself added the note, 'in the style of Bach'. An extremely fitting opening to any Christmas concert. (Concert Band)

The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...

The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...

The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...

The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...

For the Danse Macabre, Saint-SaÙns turned to the 'Dance of the Death', which appears in various versions in the Art of the later Middle Ages. Saint-SaÙns evokes (using the xylophone) the midnight cavo...

For the Danse Macabre, Saint-SaÙns turned to the 'Dance of the Death', which appears in various versions in the Art of the later Middle Ages. Saint-SaÙns evokes (using the xylophone) the midnight cavo...

For the Danse Macabre, Saint-SaÙns turned to the 'Dance of the Death', which appears in various versions in the Art of the later Middle Ages. Saint-SaÙns evokes (using the xylophone) the midnight cavo...