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Carus Choir Sheet Music for all voice parts

Explore the world-class catalogue of Carus-Verlag, the leading publisher for sacred and secular choral music. Carus editions are celebrated by conductors and singers for their academic accuracy and exceptional readability. From grand oratorios to intimate motets, find high-quality Urtext scores for any ensemble. Discover the masterpieces of Bach, Mendelssohn, and many more, all presented in editions designed specifically for modern choral practice. Elevate your choir's sound with the finest editorial standards.
Johann Ernst Bach
My soul exalts the Lord

Johann Ernst Bach succeeded his father Johann Bernhard as organist in Eisenach and was later also appointed Court Kapellmeister. In his compositions, J. E. Bach reveals himself to be a spirit open to...

Johann Ernst Bach succeeded his father Johann Bernhard as organist in Eisenach and was later also appointed Court Kapellmeister. In his compositions, J. E. Bach reveals himself to be a spirit open to...

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Order no.: CV30303-03-DL
Johann Sebastian Bach
Cantata for the Feast of the Annunciation

The cantata Wie schön leuchtet der Morgenstern BWV 1 has become somewhat famous: With it, Bach's ambitious project of a choral cantata year came to an abrupt end on March 25, 1725 after around nine mo...

The cantata Wie schön leuchtet der Morgenstern BWV 1 has become somewhat famous: With it, Bach's ambitious project of a choral cantata year came to an abrupt end on March 25, 1725 after around nine mo...

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Order no.: CV31001-03-DL
Johann Sebastian Bach
Cantata for the 2nd Sunday after Trinity Sunday

Bach composed "Ach Gott, vom Himmel sieh darein" BWV 2 for the 2nd Sunday after Trinity in 1724 as the second cantata of the choral cantata year. It is based on Martin Luther's rewriting of the 12th P...

Bach composed "Ach Gott, vom Himmel sieh darein" BWV 2 for the 2nd Sunday after Trinity in 1724 as the second cantata of the choral cantata year. It is based on Martin Luther's rewriting of the 12th P...

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Order no.: CV31002-03-DL
Johann Sebastian Bach
Cantata for the 2nd Sunday after Epiphany

Bach composed the cantata "Ach Gott, wie manches Herzeleid" for the 2nd Sunday after Epiphany in 1725; it is part of the choral cantata cycle. In the large-scale choral movement, a sorrowful choral mo...

Bach composed the cantata "Ach Gott, wie manches Herzeleid" for the 2nd Sunday after Epiphany in 1725; it is part of the choral cantata cycle. In the large-scale choral movement, a sorrowful choral mo...

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Johann Sebastian Bach
Cantata for the 1st Easter Day

The surviving parts for the cantata "Christ lag in Todes Banden" BWV 4.2 were used for a performance on Easter Sunday, April 1, 1725; this performance was presumably an emergency solution, as the chor...

The surviving parts for the cantata "Christ lag in Todes Banden" BWV 4.2 were used for a performance on Easter Sunday, April 1, 1725; this performance was presumably an emergency solution, as the chor...

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Order no.: CV31004-03-DL
Johann Sebastian Bach
Cantata for the 19th Sunday after Trinity Sunday

Bach composed the choral cantata Wo soll ich fliehen hin BWV 5 for the 19th Sunday after Trinity in 1724. The cantata belongs to Bach's 2nd Leipzig year, the choral cantata year. The opening movement...

Bach composed the choral cantata Wo soll ich fliehen hin BWV 5 for the 19th Sunday after Trinity in 1724. The cantata belongs to Bach's 2nd Leipzig year, the choral cantata year. The opening movement...

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Johann Sebastian Bach
Cantata for the 2nd Easter Day

Bach composed the cantata "Bleib bei uns, denn es will Abend werden" BWV 6 for Easter Monday in 1725. A choral cantata was actually planned for this holiday as well, but the choral cantata year breaks...

Bach composed the cantata "Bleib bei uns, denn es will Abend werden" BWV 6 for Easter Monday in 1725. A choral cantata was actually planned for this holiday as well, but the choral cantata year breaks...

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Order no.: CV31006-03-DL
Johann Sebastian Bach
Cantata for St. John's Day

The cantata Christ unser Herr zum Jordan kam BWV 7 for St. John's Day (24.6.) 1724 is the third cantata of the choral cantata year begun on the 1st Sunday after Trinity (11.6.1724). It is based on Mar...

The cantata Christ unser Herr zum Jordan kam BWV 7 for St. John's Day (24.6.) 1724 is the third cantata of the choral cantata year begun on the 1st Sunday after Trinity (11.6.1724). It is based on Mar...

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Order no.: CV31007-03-DL
Johann Sebastian Bach
Cantata for the 16th Sunday after Trinitatis

The cantata Liebster Gott, wenn wird ich sterben belongs in its original form BWV 8.1 to Bach's choral cantata cycle of 1724/25 and was first performed on the 16th Sunday after Trinity (September 24,...

The cantata Liebster Gott, wenn wird ich sterben belongs in its original form BWV 8.1 to Bach's choral cantata cycle of 1724/25 and was first performed on the 16th Sunday after Trinity (September 24,...

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Order no.: CV31008-03-DL
Johann Sebastian Bach
Cantata for the 6th Sunday after Trinity Sunday

Kantate für den 6. Sonntag nach Trinitatis. Soli SATB, Coro SATB, Fl, Obda, 2 Vl, Va, Bc.

Kantate für den 6. Sonntag nach Trinitatis. Soli SATB, Coro SATB, Fl, Obda, 2 Vl, Va, Bc.

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Order no.: CV31009-03-DL
Johann Sebastian Bach
Cantata for the Feast of the Visitation

Bach created a special kind of choral cantata for the Feast of the Visitation (July 2, 1724): It is not based on a Protestant hymn, but on a Gregorian chorale (9th psalm tone). The German Magnificat -...

Bach created a special kind of choral cantata for the Feast of the Visitation (July 2, 1724): It is not based on a Protestant hymn, but on a Gregorian chorale (9th psalm tone). The German Magnificat -...

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Order no.: CV31010-03-DL
Johann Sebastian Bach
Cantata for Sunday Jubilate

On March 2, 1714, Johann Sebastian Bach, who had previously worked as a chamber musician and organist at the court of Duke Wilhelm Ernst in Weimar, was promoted to concertmaster and commissioned to co...

On March 2, 1714, Johann Sebastian Bach, who had previously worked as a chamber musician and organist at the court of Duke Wilhelm Ernst in Weimar, was promoted to concertmaster and commissioned to co...

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Order no.: CV31012-03-DL
Johann Sebastian Bach
Cantata for the 2nd Sunday after Epiphany

Bach's cantata BWV 13 (from the third Leipzig cantata cycle) was first performed on the 2nd Sunday after Epiphany in 1726. The work is characterized in particular by the unusual scoring for Bach's chu...

Bach's cantata BWV 13 (from the third Leipzig cantata cycle) was first performed on the 2nd Sunday after Epiphany in 1726. The work is characterized in particular by the unusual scoring for Bach's chu...

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Order no.: CV31013-03-DL
Johann Sebastian Bach
Cantata for the 4th Sunday after Epiphany

Kantate zum 4. Sonntag nach Epiphanias. Soli STB, Coro SATB, Cor, 2 Ob, 2 Vl, Va, Bc

Kantate zum 4. Sonntag nach Epiphanias. Soli STB, Coro SATB, Cor, 2 Ob, 2 Vl, Va, Bc

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Order no.: CV31014-03-DL
Johann Sebastian Bach
Cantata for New Year's Day

This cantata, which was first performed in Leipzig on January 1, 1726, belongs to a small group of compositions that were written between Advent 1725 and mid-January 1726 and use poems by one and the...

This cantata, which was first performed in Leipzig on January 1, 1726, belongs to a small group of compositions that were written between Advent 1725 and mid-January 1726 and use poems by one and the...

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Order no.: CV31016-03-DL
Johann Sebastian Bach
Cantata for the 14th Sunday after Trinity Sunday

Kantate zum 14. Sonntag nach Trinitatis. Soli SATB, Coro SATB, 2 Ob, Str, Org

Kantate zum 14. Sonntag nach Trinitatis. Soli SATB, Coro SATB, 2 Ob, Str, Org

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Order no.: CV31017-03-DL
Johann Sebastian Bach
Cantata for Sunday Sexagesimae (Leipzig version)

The cantata dates from Bach's Weimar period. The instrumental scoring with four violas and basso continuo, to which two recorders led at octave intervals to viola I and II are added in a Leipzig perfo...

The cantata dates from Bach's Weimar period. The instrumental scoring with four violas and basso continuo, to which two recorders led at octave intervals to viola I and II are added in a Leipzig perfo...

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Order no.: CV31018-03-DL
Johann Sebastian Bach
Cantata for St. Michael's Day

Kantate zum Michaelistag. Soli STB, Coro SATB, 3 Tr, Timp, 2 Ob, Taille, 2 Vl, 2 Va, Bc

Kantate zum Michaelistag. Soli STB, Coro SATB, 3 Tr, Timp, 2 Ob, Taille, 2 Vl, 2 Va, Bc

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Johann Sebastian Bach
Cantata for the 1st Sunday after Trinity Sunday

The cantata O Ewigkeit, o Donnerwort BWV 20 for the 1st Sunday after Trinity 1724 marks the beginning of Bach's second Leipzig year, which will go down in history as the choral cantata year and is gen...

The cantata O Ewigkeit, o Donnerwort BWV 20 for the 1st Sunday after Trinity 1724 marks the beginning of Bach's second Leipzig year, which will go down in history as the choral cantata year and is gen...

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Johann Sebastian Bach
Cantata for the 3rd Sunday after Trinity and for all time

The present edition allows the cantata to be performed in the various scorings used by Bach. In the scoring indications for the solo parts for high voice, Bach's assignment in Leipzig is given first,...

The present edition allows the cantata to be performed in the various scorings used by Bach. In the scoring indications for the solo parts for high voice, Bach's assignment in Leipzig is given first,...

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Order no.: CV31021-03-DL
Johann Sebastian Bach
Cantata for Sunday Estomihi

The cantata "Jesus nahm zu sich die Zwölfe" was performed together with BWV 23 on Sunday Estomihi 1723 in Johann Sebastian Bach's Leipzig cantorate rehearsal. Both cantatas were later repeated as part...

The cantata "Jesus nahm zu sich die Zwölfe" was performed together with BWV 23 on Sunday Estomihi 1723 in Johann Sebastian Bach's Leipzig cantorate rehearsal. Both cantatas were later repeated as part...

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Order no.: CV31022-03-DL
Johann Sebastian Bach
Cantata for Sunday Estomihi (version in c)

The cantata Du wahrer Gott und Davids Sohn was performed together with BWV 22 on Sunday Estomihi 1723 in Johann Sebastian Bach's Leipzig cantorate rehearsal. Both cantatas were later repeated as part...

The cantata Du wahrer Gott und Davids Sohn was performed together with BWV 22 on Sunday Estomihi 1723 in Johann Sebastian Bach's Leipzig cantorate rehearsal. Both cantatas were later repeated as part...

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Order no.: CV31023-03-DL
Johann Sebastian Bach
Cantata for the 4th Sunday after Trinitatis

At the heart of Cantata 24 is a powerful and magnificent choral movement based on the Bible text "All things therefore, whatsoever ye would that men should do to you, do ye even so to them", symmetric...

At the heart of Cantata 24 is a powerful and magnificent choral movement based on the Bible text "All things therefore, whatsoever ye would that men should do to you, do ye even so to them", symmetric...

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Order no.: CV31024-03-DL
Johann Sebastian Bach
Cantata for the 14th Sunday after Trinity Sunday

The cantata for the 14th Sunday after Trinity (August 1723) is from Bach's first Leipzig cantata cycle. The opening chorus, which is unique in Bach's cantata oeuvre, is particularly noteworthy: Bach h...

The cantata for the 14th Sunday after Trinity (August 1723) is from Bach's first Leipzig cantata cycle. The opening chorus, which is unique in Bach's cantata oeuvre, is particularly noteworthy: Bach h...

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Order no.: CV31025-03-DL
Johann Sebastian Bach
Cantata for the 24th Sunday after Trinitatis

Bach's cantata BWV 26 is part of Bach's 1724/25 choral cantata cycle and was first performed on 19 November 1724. The 13-verse hymn by Michael Franck on which it is based provided Bach and its unknown...

Bach's cantata BWV 26 is part of Bach's 1724/25 choral cantata cycle and was first performed on 19 November 1724. The 13-verse hymn by Michael Franck on which it is based provided Bach and its unknown...

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Order no.: CV31026-03-DL

Premium Choral Editions from Carus-Verlag

The Choral Heritage of Carus-Verlag

Carus-Verlag has established itself as the premier publisher for high-quality choral literature. With a commitment to critical Urtext editions, they offer a vast repertoire spanning the Baroque, Classical, and Romantic periods. Their catalogue includes complete editions of Bach and Mendelssohn, alongside significant works by rediscovered composers. Musicians value Carus for its clear engraving and durable binding, ensuring that each score remains a reliable tool for intense rehearsals and grand stage performances.

Comprehensive Selection for All Voices

Our Carus range includes music for mixed choirs, equal voices, and children's or youth choirs. Whether you are looking for sheet music for beginners or complex works for professional vocal ensembles, you will find the right material here. In addition to full scores, Carus provides innovative rehearsal aids such as the 'carus music' app and practice CDs, helping singers learn their individual parts efficiently at home while focusing on the collective sound during rehearsals.

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