Cello Sheet Music Download
The edition contains, in addition to the newly edited score by Julius Berger, the complete first edition of the 12 Ricercate as a facsimile (Bologna, 1687).
The edition contains, in addition to the newly edited score by Julius Berger, the complete first edition of the 12 Ricercate as a facsimile (Bologna, 1687).
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Apart from the famous Rococo Variations, Pyotr I. Tchaikovsky composed another work for solo violoncello: Pezzo capriccioso, Opus 62. It is dedicated to Brandoukoff (Brandukov) with whom he had perfor...
Apart from the famous Rococo Variations, Pyotr I. Tchaikovsky composed another work for solo violoncello: Pezzo capriccioso, Opus 62. It is dedicated to Brandoukoff (Brandukov) with whom he had perfor...
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- Maurice Gendron
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A tribute from Tchaikovsky to the great admired example of Mozart and a challenge for the solo cellist. 'Rokoko-Variationen', the theme of which follows the style of 18th-century music makes high dema...
A tribute from Tchaikovsky to the great admired example of Mozart and a challenge for the solo cellist. 'Rokoko-Variationen', the theme of which follows the style of 18th-century music makes high dema...
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The popularity of his (first) violin concerto drove Max Bruch not just almost to despair - 'I cannot listen to this concerto any more', he wrote to his publisher - it also got in the way of the compos...
The popularity of his (first) violin concerto drove Max Bruch not just almost to despair - 'I cannot listen to this concerto any more', he wrote to his publisher - it also got in the way of the compos...
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'New forms, well-chosen modulations, strange timbres, the use of wholly unexpected rhythms', this is how Camille Saint-Saëns praised the first work of a young colleague, the First Violin Sonata by Gab...
'New forms, well-chosen modulations, strange timbres, the use of wholly unexpected rhythms', this is how Camille Saint-Saëns praised the first work of a young colleague, the First Violin Sonata by Gab...
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The content and formal structure of the two-movement Poem have been subjectively borrowed from the poem Steps [Stufen] by Hermann Hesse. The frequently appearing short motifs in both parts of the work...
The content and formal structure of the two-movement Poem have been subjectively borrowed from the poem Steps [Stufen] by Hermann Hesse. The frequently appearing short motifs in both parts of the work...
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The combination of musical melancholy and instrumental virtuosity captivates both players and audience alike. 'Flamenco' comes from the Suite espagnole No. 1 by the rather unknown Spanish composer Rog...
The combination of musical melancholy and instrumental virtuosity captivates both players and audience alike. 'Flamenco' comes from the Suite espagnole No. 1 by the rather unknown Spanish composer Rog...
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- Alfredo Carlo Piatti
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Apart from his 'classic', the First Concerto, Camille Saint-Saëns composed other works for the violoncello, such as his 'Suite' Op. 16. Written in 1862, the work lives on the composer's examination of...
Apart from his 'classic', the First Concerto, Camille Saint-Saëns composed other works for the violoncello, such as his 'Suite' Op. 16. Written in 1862, the work lives on the composer's examination of...
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Joseph Reinagle (1762-1825), pupil of the well-known cellist Johann Georg Schetky, was a versatile musician and composer. In 1800 he published 'A Concise Introduction to the Playing of the Violoncello...
Joseph Reinagle (1762-1825), pupil of the well-known cellist Johann Georg Schetky, was a versatile musician and composer. In 1800 he published 'A Concise Introduction to the Playing of the Violoncello...
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When writing his Concerto No. 1 in A minor, Op. 33, Camille Saint-Saëns created a 'classic' of violoncello literature. But the French musician even wrote other solo works for this instrument: a second...
When writing his Concerto No. 1 in A minor, Op. 33, Camille Saint-Saëns created a 'classic' of violoncello literature. But the French musician even wrote other solo works for this instrument: a second...
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- Carl Schröder Eugen Rapp
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After 'Jazz Suite' for solo violoncello (Schott, CB 224), the Italian cellist and jazz musician Lucio Amanti explores the possibilities of jazz music on the cello in this sonata with piano accompanime...
After 'Jazz Suite' for solo violoncello (Schott, CB 224), the Italian cellist and jazz musician Lucio Amanti explores the possibilities of jazz music on the cello in this sonata with piano accompanime...
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Eduard Pütz (1911-2000) studied with Heinrich Lemacher and Hermann Schroeder at the Cologne Musikhochschule and later worked as a music teacher at the grammar school in Rheinbach near Bonn as well as...
Eduard Pütz (1911-2000) studied with Heinrich Lemacher and Hermann Schroeder at the Cologne Musikhochschule and later worked as a music teacher at the grammar school in Rheinbach near Bonn as well as...
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In 1796 Beethoven travelled to Prague where he met the Countess Josephine of Clary-Aldringen (later Countess Clamm-Gallas) who played the mandolin. For her, he wrote several works for mandolin and pia...
In 1796 Beethoven travelled to Prague where he met the Countess Josephine of Clary-Aldringen (later Countess Clamm-Gallas) who played the mandolin. For her, he wrote several works for mandolin and pia...
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- Julius Berger
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In 1796 Beethoven travelled to Prague where he met the Countess Josephine of Clary-Aldringen (later Countess Clamm-Gallas) who played the mandolin. For her, he wrote several works for mandolin and pia...
In 1796 Beethoven travelled to Prague where he met the Countess Josephine of Clary-Aldringen (later Countess Clamm-Gallas) who played the mandolin. For her, he wrote several works for mandolin and pia...
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- Julius Berger
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For Countess Josephine of Clary-Aldringen, Beethoven wrote several works for mandolin and piano four of which are still extant. These new arrangements adhere as closely to the original as possible and...
For Countess Josephine of Clary-Aldringen, Beethoven wrote several works for mandolin and piano four of which are still extant. These new arrangements adhere as closely to the original as possible and...
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- Julius Berger
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- Carl Schröder
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There are composers about whom nothing or only little is known, who are only known through their works or even through one work only. Luigi Carvelli is one of them: He lived in the second half of the...
There are composers about whom nothing or only little is known, who are only known through their works or even through one work only. Luigi Carvelli is one of them: He lived in the second half of the...
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- Claus Kanngießer
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This edition replaces and completes the edition CB 158 of the Divertimento per violoncello solo. The movements have been arranged in a new order. To four of the movements Boris Pergamenshikov has adde...
This edition replaces and completes the edition CB 158 of the Divertimento per violoncello solo. The movements have been arranged in a new order. To four of the movements Boris Pergamenshikov has adde...
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- Boris Pergamenschikow
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A large number of works by the Italian musician Giovanni Battista Cirri (1724-1808) from Forlì were printed during his lifetime. The busy cello virtuoso composed of course particularly for 'his' instr...
A large number of works by the Italian musician Giovanni Battista Cirri (1724-1808) from Forlì were printed during his lifetime. The busy cello virtuoso composed of course particularly for 'his' instr...
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- Rainer Mohrs
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Georg Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which still play an important role in the cello literature of today. In addition, he composed...
Georg Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which still play an important role in the cello literature of today. In addition, he composed...
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Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limits of what was considered to be technically playable in his time. Even...
Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limits of what was considered to be technically playable in his time. Even...
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